The Anxiety of Authenticity in Dahan's La Vie En Rose and Zeffirelli's Callas Forever by ProQuest

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									Noily Beyler




The Anxiety of Authenticity in Dahan’s
La Vie En Rose and Zeffirelli’s Callas Forever



Two musical biographical pictures, Olivier Dahan’s La Vie En Rose
(2007) and Franco Zeffirelli’s Callas Forever (2002) address in
various ways the seemingly decisive, yet ever elusive, problem of
authenticity. How should we define authenticity, and how can one
account for the near hysteria surrounding the desire to achieve it,
particularly in cinema?1 Accordi
								
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