Being Human (US) - Season 2 - Q&A Transcript with Dichen Lachman

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                               BEING HUMAN Q&A with
                                   Dichen Lachman

                                       January 20, 2012
                                         1:00 pm CT

Operator:       Ladies and gentleman, thanks for standing by. Welcome to the Syfy Being
                Human conference call. During the presentation, all participants will be in a
                listen-only mode. Afterwards, we will conduct a question-and-answer session.
                At that time if you have a question, please press the 1 followed by the 4 on
                your telephone.

                If at any time during the conference you need to reach an operator, please
                press star 0. As a reminder, this conference is being recorded Friday, January
                20, 2012.

                I would now like to turn the conference over to Bill Brennan from publicity.
                Please go ahead sir.

Bill Brennan:   Hi every one, thank you for joining us today. We're very happy to have
                Dichen Lachman joining us today. She's a guess star on Being Human and
                will make her first appearance as Suren this Monday night at 9:00.

                If you have any need for materials, photos, a transcript afterwards, please let
                myself or (Maureen) know after the call. We'll be happy to get that to you.

                So with that, we'll open it up to your questions.
Operator:          Ladies and gentleman, if you would like to register a question, please press
                   the 1 followed by the 4 on your telephone. You will hear a three tone prompt
                   to acknowledge your request.

                   If your question has been answered and you would like to withdraw your
                   registration, please press the 1 followed by the 3. If you're using a speaker
                   phone, please lift your handset before entering your request.

                   One moment please for the first question.

                   And our first question comes from the line of Kathie Huddleston from
         , you may please proceed.

Kathie Huddleston:    Hi.

Dichen Lachman: Hi, how are you?

Kathie Huddleston:    I'm doing great. It's Kathie Huddleston from Blastr. So, tell us about
                   Suren and her journey on Being Human. What do we have to look forward to?

Dichen Lachman: Lots of things. Obviously I can't tell you all of them, but she's very interesting
                   character and I had a lot of fun having the opportunity to play her. I mean, as
                   an actor obviously, playing a vampire is one of the things sort of on the list.

                   And she's incredibly complex, very damaged and reckless in many ways. But
                   at the same time, she's sort of striving to grow up and mature and be the
                   woman that her mother would like her to be.

Kathie Huddleston:    Wow, it's a great character. Thanks a lot.
Dichen Lachman: No, she is. She's really interesting and I think you guys will enjoy watching
                  her journey through the show because she really - Aidan's character, it's - she's
                  one of those things that just keeps sort of pulling him back into the world of
                  vampires which she's constantly trying to escape.

                  So she really throws this (banter) in the works, but he's planned.

Kathie Huddleston:    Thanks a lot.

Dichen Lachman: Thank you.

Operator:         And our next question comes from the line of Reg Seeton from,
                  you may please proceed.

Reg Seeton:       Hi, thanks for taking the call.

Dichen Lachman: Oh no, you're welcome. Thank you.

Reg Seeton:       Can you talk a little bit more about how Suren connects to Aidan's past? I
                  know you can't talk a lot about it, but can you just give us an idea of, what we
                  can expect from that?

Dichen Lachman: Well, it's one of those I guess love-hate relationships. I mean, this had a very
                  long history together and she's obviously been in the ground for 80 years. So
                  minus that. I mean, there's sort of (bid) in Boston together and going further
                  back, he knows. I mean, they've just had a very complicated past and I don't
                  think their relationship has ever been consummated.

                  I think it's just this very strong attraction they've had. And it's going to be
                  interesting them being together I think you guys will see in this modern world
                 because she's been away for so long underground and he's had the opportunity
                 to go through all these changes and change his ways.

                 And so there's that - her trying to understand or how far he's come. It's I guess
                 when you catch up with an old friend who you haven't seen in a really long
                 time and you sort of end of change. Because real change as time goes. So it's
                 going to be - I think you'll enjoy watching their relationship play out in the
                 present day as well as the past because there's these opportunities in the show
                 to flash back which is why the show's so great.

                 And it'll help you sort of understand their relationship now. So yes, does that
                 answer the question?

Reg Seeton:      That answers it perfectly; I'm looking forward to it. Thank you very much.

Dichen Lachman: Thank you.

Operator:        And our next question comes from the line of Erin Willard from SciFi Mafia,
                 you may please proceed.

Erin Willard:    Hi, SciFi Mafia. Thanks so much for being on the call. I was a big fan of
                 Dollhouse. I'm so sorry it ended so soon.

Dichen Lachman: Oh yes, but then I can't do Being Human.

Erin Willard:    Exactly, so we're happy about that. I've seen your first episode of Being
                 Human and to have you in the part, it seems like it's tailor made for you. Do
                 you know if they made any changes to the character once you were cast?
Dichen Lachman: I don't know. I know that there's a few people working in the writing staff that
                  worked on Dollhouse or maybe no, one. Maybe it's just (Lisa). But the
                  creative, the sense of the show, I don't know if they changed anything.

                  I actually should ask them, but it was such a great opportunity and it came
                  round and I had to chemistry read and like everyone who was there was so
                  nervous. But when I got the (slides) and they said, they’re interested in sort of
                  auditioning you for this part, I read them and I was like, "This is great."

                  Like if just sometimes you read material and it just makes sense to you and I
                  don't know whether that's just, because it's meant to be or because the
                  writing's good and the writing is good. But I just read it and I was like, "I
                  think I know how this girl is meant to play and I know where she sits. And I
                  understand it." It wasn't like a really great leap for me to make as, as an actor
                  as far as like, "Oh, how do I do this?"

                  It just came to make complete sense to me. So I'm not sure if they wrote it
                  with me in mind or whether they changed it. I have no idea, I'd love to know. I
                  should ask the guys, but no when I read the (slides), I was like, "This is so
                  exciting" and I was so looking forward to being able to go into those dark
                  places. Because vampires are - they're very interesting creatures.

                  They play out one sort of shadow itself and you don't get the opportunity to
                  really do that a lot of the time, to live in that dark space constantly.

Erin Willard:     Right.

Dichen Lachman: So no, I'd love to know the answer to that. I can't tell you right now, but I can
                  say that when I read it I really responded to it and I was really excited to go in
                  and have the opportunity to read with Sam and for Syfy. And the people who,
                  the wonderful writers and creators of the show.

Erin Willard:     Right, right. Well, like I said, it's this wonderful casting and I'm so happy
                  seeing it. I can't wait to see the rest of it. Thanks so much.

Dichen Lachman: Oh, thank you so much. I hope you enjoyed the episodes.

Operator:         And our next question comes from the line of Jamie Ruby from SciFi Vision,
                  you may please proceed.

Jamie Ruby:       Hi, thanks so much for taking the call.

Dichen Lachman: Hi, no thank you for joining us.

Jamie Ruby:       So can you kind of talk about what's been the most challenging for you
                  filming the series?

Dichen Lachman: The most challenging, it's going to be so - such a basic thing. I think it was
                  like showing the teeth with the dots so they could like the fangs extending.
                  And wearing the black contact lenses which cover your entire eye. I mean, all
                  of us - all the vampires you had to have them fitted. You used to dread sitting
                  in the makeup chair having someone like put these enormous lenses in our

                  It was very difficult and Sam and I often had conversations about how to show
                  our teeth so they could see CGI, the fangs growing because you kind of feel
                  like a complete (unintelligible) in front of the camera and you're trying to raise
                  your upper lip so they can, find the dots to make the CGI possible.
That was I think one of the more difficult things because I've never done
anything. Well, I've done things with CGI, but never sort of, that's part of the
performance. And when you're performing - I mean, this is one of the things
about being an actor. Sometimes it's just very technical, it's not sort of really

You have to be this angle and you have to raise your lip just the right amount
and, you're still trying to keep in the moment and also satisfy the needs of the
effects department. That was a real challenge and it's such a basic thing.

But no, I found that one of the more difficult things and obviously, as an actor
sometimes when you're doing a show, you have - and they shoot so fast
especially, on a show like Being Human. I mean, they're all remarkable. They
work very quickly. They work very hard and the actors are all incredibly
good. So they're all, they're for each other and for the show.

But when you have to reach that emotional point, sometimes you don't always
have the time to get where you need to get and there's a lot of pressure that I
put on myself to get to those places and really commit to them. And I think
one of the things in television is when you're working at that speed, you really
have to have a technique.

You're like a very strong technique so that you can be in those moments
truthfully for the show and for the character. That was also challenging and
that's challenging in all shows, when you have to get to the heightened
emotional place. But you couldn't be working with nicer people, more
supportive. And yes, so it was definitely the technical aspect first and then
reaching that sort of heightened emotional state.
Jamie Ruby:        Can you see through the contacts though? They cover your whole eye or are
                   they just like regular contact lenses?

Dichen Lachman: There's a tiny little hole for your pupil to see through, but it's not very big. So
                   your vision is limited. You can still see. It's very uncomfortable for the first
                   sort of 15 minutes because the things so large and so foreign in your eye. But
                   then it's sort of like, it settles in and you just have - your peripheral vision
                   becomes extremely limited and you can only really see what's directly in front
                   of you.

                   And I remember Sam and Kyle had a big fight scene and they wanted them to
                   wear these contacts and they were like on the top of a building with no
                   balcony. They're on the roof and Sam just had to say, "We can't do this with
                   the contacts in. We may fall off and we can hardly see." It was so completely
                   dangerous. Yes so you can still see, but it's very limited.

                   But everyone's so understanding and the makeup department, they're the
                   sweetest, loveliest people on Earth. And, they did everything to try and make
                   you feel comfortable. And, everyone understood that it was like a thing. I can't
                   even imagine doing an entire film with those things in and I know people
                   have. But yes, you can see.

Jamie Ruby:        All right, thank you so much.

Dichen Lachman: Thank you.

Operator:          Ladies and gentleman, as a reminder to register for a question, please press the
                   1, 4. And our next question comes from the line of Steve Eramo from Morton
                   Report, you may please proceed.
Steve Eramo:      Good afternoon Dichen, it's a pleasure to speak with you today.

Dichen Lachman: Oh, lovely to speak with you.

Steve Eramo:      Thank you. I was wondering if perhaps you could talk a little bit about your
                  experiences filming your first episode of Being Human. What was sort of like
                  stepping into the role initially, anything that really comes to mind from that

Dichen Lachman: Well, firstly everyone was amazing. I couldn't have been on a set with, nicer
                  people. And Montreal which is where they shoot the show is just a really
                  stunning city and, as most of you know it's predominately French speaking.
                  So, you kind of feel like you're in Europe in a way.

                  Stepping onto the set, obviously I was nervous. You always get a little bit
                  nervous your first day and there were some sort of - there was a bit of
                  tweaking to do with the character just because I only got there a few days
                  before and we were still trying to find her voice. Like well how does someone
                  who's 500 years old or 1000 years old speak, especially when they've been in
                  the ground for 80 years?

                  And I had my ideas and the show runner's had their ideas. And we were trying
                  to find sort of that balance, what does she sound like? And yet you have
                  mother who sounds very, specific and strong. And so does she sound like her
                  mother exactly or is she a little bit different? And finding the voice, the accent
                  was very tricky on the first day. But we finally, I have a lady I work with
                  who's amazing, a dialect coach.

                  And we basically created after that first day because it was sort of, it was
                  something that we just bypassed, somehow we didn't manage to discuss.
Because I assume that what I did was in the audition was sort of what I would
do and then we actually had a discussion about it, but it was sort of too late to
change anything.

So the very next day, I worked with my dialect coach and we designed sort of
an accent and a voice for her that was a little bit American, but a little bit
British, sort of like a mid-Atlantusesque type accent. But not specifically. We
kind of mdernized it slightly and made her a little bit more youthful.

And then once we came up with her voice, I went back and I don't know if
you want to write this or not. But ADR, some of my speeches on that first day
because I wanted there to be some consistency with the character obviously. I
mean, that's one of the most important things with the voice and sound
because you don't want that to take someone out of the show or getting carried
away with the storyline.

So yes, we went back and we ADRed over that because that was very
challenging. And, "per sona" in Latin apparently means "through sound." And
you can fool people with little like tricks and people will accept things and
they don't look so good. But if something doesn't sound right, people won't
believe it. And it's very important for me for the characters voice to be
specific and consistent and settled.

So that was like one of my main priorities on the first day was communicating
with Adam Kane about what they were looking for and how I felt about the
character. And then bringing in Mary McDonald-Lewis who's just so - an
incredible dialect coach.

To just communicate, with the show runners and with me and just so we were
all speaking the same language and finding her voice because, you don't want
                 her to sound like she's from, Pasadena or Brooklyn or something. You want
                 her to sound like she's from another world in a way, but you don't want her to
                 be inaccessible.

                 So hopefully - I don't know if you've all seen the second episode, but
                 hopefully you like her sound and it's something that, that you respond to
                 because it was one of the things that was really important for me.

Steve Eramo:     Dichen, just as a quick follow-up. You mentioned the mother character. I
                 wanted to get your take sort of how you see Suren's relationship with her
                 mother. How does that sort of play out in the series?

Dichen Lachman: Well, I mean Suren's relationship with her mother is very complicated. She's
                 always let her mother down and anything she did was never good enough.
                 And it's sort of like, it's one of those relationships which is very strained and
                 there's a lot of love there and there's a lot of hate there, and resentment and

                 And you really see that as the episode sort of continue on. You really feel the
                 tension. She can never do the right thing by her mother and so sometimes she
                 just doesn't even try. And then other times, she's tries and then she fails. And
                 it's just a very difficult relationship. I actually have a really wonderful
                 relationship with my mother, so it was difficult to find something personal
                 that I connected to bring that to life.

                 But I found other things and hopefully that really comes across and you enjoy
                 the tension in that relationship plays out.

Steve Eramo:     Dichen, thank you again so much for your time. I'm thrilled you got the part
                 and really looking forward to seeing more of your work on the series.
Dichen Lachman: Thank you so much.

Steve Eramo:      Take care.

Dichen Lachman: You too.

Operator:         And our next question comes from the line of Jamie Steinberg from Starry
                  Constellation Magazine, you may please proceed.

Jamie Steinberg: Hi, it's such a pleasure to speak with you.

Dichen Lachman: You as well.

Jamie Steinberg: I was just wondering what is it you think about Being Human that keeps
                  people tuning in?

Dichen Lachman: Well, it’s such a wonderful show and I think just people, human beings
                  struggle with being human and just being part of society every day. I mean
                  there's a lot of people who feel outside of the community or they don't feel
                  like they fit in or they're trying to fit in or they're just trying to get by.

                  And I think, even though it's a show about a vampire, ghost and a werewolf, I
                  think it's very relatable. Everyone's trying to make a relationship, work with
                  a job and juggling, different things that come up in their day to day lives. And
                  I think people relate to the show. And the characters are so fun and watchable
                  and they have that balance of sort of drama, but also that lightness.

                  And the camaraderie between the house mates is so beautiful and I think
                  Aidan's sort of love of - he wants to sort of serve and yet he's sort of always
                 pulling between giving and also satiating his hunger. And I think that's in life -
                 I think that's a balance that everyone struggles with. Everyone struggles with a
                 dark side and they're always trying to do the right thing.

                  We all - everyone always tries to do the right thing. We don't always manage,
                 but I think most people I think are inherently good. And sometimes where
                 there are a lot of good people who just aren't good at being a good person, but
                 sometimes it’s a push and pull like we all have it. And I think people relate to
                 that and it's a beautiful show.

                 The storyline's are wonderful and when I first watched the whole series, I
                 watched it all back to back and I thought I just found this really lovely balance
                 between sort of tragedy and comedy. And usually those things go hand in
                 hand anyway. But I think it's that, you know. I think people just they respond
                 to the characters.

Jamie Steinberg: And what would you like to say to everybody who is a fan and supporter of
                 you and your work?

Dichen Lachman: Of me and my word? Just, I just can't thank the people who support me and
                 the shows that I do and the movies I try and make. Who constantly tune in to
                 watch and support me. I can't thank them enough, you know. I would be
                 nowhere without the viewers and the fans and I have this very soft place in my
                 heart for the people who enjoy my work and who believe in me because,
                 actors we're funny creatures.

                 We have these enormous egos, but we're deeply insecure. There's an
                 incredible paradox and a lot of the time I, will find - not all the time, but we
                 all have our moments where we don't sometimes believe in ourselves and we
                 think, "Oh, I'm never going to work again and I'm a terrible actor."
                   But then it's the fans, I look to them and they believe in me and they help me
                   keep believing in myself. And it's - and maybe that's unhealthy. I should
                   probably speak to a therapist or something about that. Everyone in L.A. has a
                   therapist, but I don't. But I do look to my fans sometimes and they give me
                   more confidence and hope that, I'm not too bad at what I do and I'll continue
                   to be able to do it.

                   And I just - I have so much gratitude towards the people who support me and
                   who believe in me.

Jamie Steinberg: Well, thank you so much for your time. It was such a pleasure to speak with
                   you. I loved you on Dollhouse.

Dichen Lachman: Oh, thank you. Thank you so much.

Operator:          And our next question comes from the line of Ernie Estrella from
         , you may please proceed.

Ernie Estrella:    Hi Dichen, nice to speak with you today.

Dichen Lachman: Hello.

Ernie Estrella:    I - my first question is, how much - we know the theme of the show this
                   season is temptation. Is Suren going to be tempted as well?

Dichen Lachman: I think there is some temptation there for her to, I think she's just been in this
                   world for so long and she's so deeply entrenched in that because her mother is
                   sort of like the queen of the vampires. I think if it's there it's very fleeting
                   because she knows her fate and that's why in a way she's so damaged.
                  I think the main - you'll see more of the temptation creep in with Aidan who's
                  constantly being pulled back into this world. Somehow he's always trying to
                  escape it and he's always trying to sort of run away from who he is and the
                  people around him. And she's just there, she's like just pulling him back in and
                  pulling him back in.

                  And as much as he tries to resist, there's sort of just this - I mean, I guess it all
                  becomes relative and if you've been alive for 500 hundred or 1000 years, 80
                  years isn't really that long. In the grand scheme of things, maybe it's like, five
                  years or something. The equivalent of that, in your mind. But yes, she has
                  been a part of his life for a very long time and yes she was gone for a little

                  But, she's back and that sort of feeling with him I think even though he's never
                  let it really live and occupy too much space. The fact that he's working so
                  closely with her is making that harder and harder for him. So I think you will
                  see her go through a little bit of that, but her fate is very much,
                  (unintelligible). There's no question where her future is.

                  And it's a very hard thing I think ultimately for her to accept, but it's just
                  something that she knows. And there are things about, my character as a
                  person, that I don't like, but I know that I'm always going to be like that and
                  there's nothing I can do to change it even if it's just a little, mundane thing.
                  There are just some things that we can't change.

Ernie Estrella:   Yes, hey is your interaction with (Deena) more on a flashback basis or is it
                  more like she's a constant presence watching over what you and Aidan are
Dichen Lachman: Yes, no I think you'll - she is in the flashbacks. Absolutely, but their - Suren's
                   relationship with mother is played out, very much in the present and in her
                   conversations with Aidan and you really understand that dynamic with the
                   way Aidan, and Suren communicate. And how she communicates with Aidan
                   and mother like in the present day.

Ernie Estrella:    Great, well thank you very much and good luck on Season 2.

Dichen Lachman: Thank you. Thank you very much.

Operator:          And our next question comes from the line of Suzanne Lanoue from the TV
                   MegaSite, you may please proceed.

Suzanne Lanoue: Hi, thank you for speaking with us today.

Dichen Lachman: Thank you for joining.

Suzanne Lanoue: Oh, it's great to talk to you. I wanted to know, do you know are you going to
                   be on the entire season or do you know how many episodes you'll be on?

Dichen Lachman: Yes, yes. Suren's character is in seven episodes, but they'll refer to her in the
                   other episodes and you know.

Suzanne Lanoue: That's really great.

Dichen Lachman: Yes.

Suzanne Lanoue: And you've done a lot of science fiction, fantasy, horror. Now, were you a fan
                   of these kind of things before you started doing them?
Dichen Lachman: I love sci-fi and fantasy. It's, for me, I - my friend, a very good friend of mine,
                   (Max Kabalek), he always - he's in casting. But he always says, "I'm Asian,
                   but from the future." So it's sort of - it's very hard for me to fit into like a
                   period piece or, you know - I mean, yes in modern days, they can sort of slip
                   me into a show here or there, but for the family involved forget about it
                   because, I have like this sort of weird, unique alien thing going.

                   And so I'm very grateful that I guess in a way it just kind of works. Like I love
                   sci-fi, fantasy and I kind of fit into that world because I don't - it's weird.
                   People find it hard to cast me in real circumstances. I hope that changes
                   because I've always loved period pieces and I love the fact that on this show
                   because it is a fantasy, I actually get to be - I get to exist in, the 1920s and

                   in the normal world - I mean, like I love Deadwood, but I'd never be on that

Suzanne Lanoue: Right.

Dichen Lachman: Like I think it's one of the greatest shows ever and if I was on that show, I'd
                   probably be one of the Chinese hookers that they throw into the fire and that's
                   about all I would be doing on that show. And it's sad because I am half,
                   Australian and my father's family is European and I really respond to that. I
                   understand sort of that time and I would love to explore that, but I can't.

                   I mean, unless someone writes a show or a movie about one of the little
                   people or the women who work in like in an opium den way back then or
                   something. It's just not going to happen. So one of the most exciting things
                   about reading the scripts they came in with that I could be a person or a
                   vampire at least.
                  But in that period and I get to be like a person that people acknowledge and
                  not just like one of the Asian people that do something in the background. So
                  that was really exciting and I've digressed very much from your question. I
                  don't even know if I've answered it.

Suzanne Lanoue: No, no. No, you answered it very well. I always wonder why they don't have
                  more like Asians and Latinos and other types of people on TV. It's weird.

Dichen Lachman: Well, I guess it's because they weren't like doing things of like note because
                  they were sort of like the people that were kind of pushed down to the bottom
                  of the thing. It was just the way it happened. I don't think - obviously there
                  are stories like that that are really fascinating, that occurred in those
                  communities, but I feel like no one wrote them down.

Suzanne Lanoue: Yes, yes.

Dichen Lachman: I hope something surfaces sometime soon, but at the moment, I love sci-
                  fi/fantasy and somehow I just - thanks to Joss Whedon I guess I've made a
                  little home there. And I hope I can continue to do this genre because I love it.
                  I love it, I think it's a wonderful place to play out ideas and opinions about the
                  world today in a safe place, you know.

Suzanne Lanoue: Well, thank you very much and I enjoy seeing you on the show.

Dichen Lachman: Oh, thank you. I hope you enjoy the rest of the season. It's going to be pretty

Suzanne Lanoue: Oh, I'm sure I will.
Operator:         And our next question comes from the line of John Keegan from MediaBlvd
                  Magazine, you may please proceed.

John Keegan:      Yes, hello. Good speaking to you today.

Dichen Lachman: Hello.

John Keegan:      Big fan of Dollhouse and very happy to see you on this second season of
                  Being Human.

Dichen Lachman: Oh, thank you.

John Keegan:      Good question here about your experience on Being Human. What would you
                  say was probably your most memorable moment so far on the shoot?

Dichen Lachman: It's probably - memorable. If it's just about the shoot, it was probably one of
                  the days I woke up at like 4:00 in the morning and the whole city was covered
                  in snow. And no one had like driven on the road yet. So even the roads were
                  white, everything was white and I just was jumping up and down shouting,
                  "It's snowing, it's snowing. It's snowing" all by myself. Montreal hotel room.

                  And then driving to work that day was just spectacular because I've never
                  lived in a city where it snowed. And I was just so excited by it. I just - the rest
                  of the day I just kind of spent making footprints in the snow and like a kid just
                  kicking it around. It was just the most beautiful thing.

                  As far as like the character, I think definitely the flashbacks because I think
                  everyone can hear my answers, but just the opportunity to go - to be in a
                  period situation, the 1930s and get to wear the clothes and have the hair done
                  like that and take myself back into that time was such a cool experience. And
                   I'll always be so grateful that the writers wrote that for me and they had the
                   courage to sort of say, "Why can't you be in the 19, 30s or 20s?"

                   She's a vampire. I'll be very, very grateful for that opportunity. I hope I have
                   it again, to do something like that. But to feel the extras dressed up and the
                   props and the art department did such a beautiful job. And I mean, I didn't
                   even really have to take myself back into that time. It was built around me and
                   I just had to be the character. And I'd say it was definitely that.

John Keegan:       Great and I know you mentioned before the difficulty of wearing the contacts,
                   but in terms of the character itself, what would you say was the biggest
                   challenge in approaching that character along the way?

Dichen Lachman: I think it was just not to make her too sort of bitchy. It's very easy to just slide
                   into just being plain old mean. When you have a character like this who's so
                   powerful and who doesn't really care about anybody, very sort of, princessy.
                   She is, she's a princess and she behaves like one. And it was just to make her
                   likable, to make you feel for her. That was challenging.

                   And I really hope that she is likable and I made her likable. I hope you guys
                   feel that when you watch the show because, as an actor you do have to fight
                   against that because it's very easy to slip into just being plain old mean. But, it
                   was something that I had to always, bring back. Pull myself back. Also, my
                   face is to - if I don't smile, I look really mean.

                   I think people always they misinterpret me unless I have like a really big grin
                   on my face; they think I'm in a terrible mood or that I hate them. But I often
                   say, “I'm sorry, it's just my face. It's the way it's constructed." So I hope she
                   comes across likable. I hope that's something you got in the second episode.
John Keegan:       Well great, thank you. It's been a pleasure speaking with you.

Dichen Lachman: Thank you.

Operator:          And our next question comes from the line of Sheldon Wiebe from
         , you may please proceed.

Sheldon Wiebe:     Hi Dichen, thanks so much for doing this.

Dichen Lachman: Hello.

Sheldon Wiebe:     Now, I don't want to spoil the exact sequence of events or anything, but before
                   Suren came back from being in the ground, the last time she saw Aidan was in
                   a situation where she went a bit nuts which is why she was put in the ground
                   to being with. So I think that being in the ground on top of that for 80 years
                   can’t have been good for her sanity.

                   And in your first ep, Suren seems pretty lost and I'm just wondering if you can
                   speak to whether she ever really gets over the effects of her punishment? How
                   that plays out in regards to sanity over the course of the season?

Dichen Lachman: Right, yes I mean it is a long time, but I think she's been alive for so long, it
                   probably doesn't feel as long for her as far as her sanity's concerned. I don't
                   think it like affects her too much. It's like, every year we live our lives as
                   humans, they years go like .7 or 7% faster and they feel like that because it's
                   relative to how long we've been alive.

                   And I feel like yes, it is a long time and she still thinks it’s a long time, but I
                   don't think it feels like what 80 years would feel like to us. So as far as her
                   sanity goes, I think there is a slight adjustment and I discussed this with the
                   show runners. Like how different do you want her to be like coming out of the
                   ground. I mean, the world's changed and they're like, "No, she's a vampire.
                   she adapts very quickly."

                   And she's - that element of it is not, something that we want to play into too
                   much. It doesn't affect her sanity so much. I think it's more about her
                   relationship with her mother, that her mother could do something like that to
                   her. It's like when your mom says to you, "You're grounded and you can't go
                   out, the next month and you can't see your boyfriend. And you can't see your

                   You're stuck in your room; weirdly it's sort of the same thing. And it's that
                   resentment that she has towards her mother I think which you'll see more
                   throughout the show that her mother would do that. Its like how could you do
                   that to me? But, maybe it does affect her sanity slightly. But it's not something
                   that, you see present too much in the character.

Sheldon Wiebe:     Okay and you say that as a vampire, she's pretty adaptable. And in the first
                   episode, she does seem a little lost, but I'm just wondering how quickly does
                   she get - gain her bearings in terms of all the changes that have been
                   happening while she's been away?

Dichen Lachman: In the vampire world or just the world in general?

Sheldon Wiebe:     Both actually.

Dichen Lachman: In both, yes. I think that she seems a little lost since she's still sort of like
                   adjusting from being woken up, but I think it's pretty fast. Like she, she's
                   already out on the street looking for (Cecilia), you know - I mean, she might
                 have said, "I was completely lost and I found this," but I think she's very - she
                 has a plan.

                 She's had 80 years to think about how she's going to get to the top of the pile
                 and make sure that never happens to her again. And she's been waiting for
                 them to kind of dig her up I guess. And she's been waiting for this
                 opportunity. So I think in terms of like adjusting to everything - I think the
                 vampire world hasn't really changed that much, like it is changing and,
                 Bishop had all these ideas of how they could sort of, survive in the best way.

                 And I think she's just more concerned about how she's going to survive the
                 best way and how she's going to be happy and get what she wants. I don't
                 think she's so concerned with the world of vampires as much as someone like
                 mother or Bishop is about the greater good for the vampires. I think she's
                 actually quite sort of selfish in many ways and she just wants to be happy and
                 she's still very adolescent in a way, you know.

                 And yet as far as the world, as I said, I talked to about that with the show
                 runners and they're like, "She's already understands how it all works, phones,
                 cars." Just it's all there and she just accepts it.

Sheldon Wiebe:   Terrific, thank you very much.

Dichen Lachman: Thank you.

Operator:        And our next question comes from the line of Jamie Ruby from SciFi Vision,
                 you may please proceed.

Jamie Ruby:      Hello again. So after filming this year on the set, is there anything that you
                 learned about yourself that you didn't know and you didn't realize?
Dichen Lachman: That I didn't realize.

Jamie Ruby:       Or that you learned to do maybe, even the (slides), the content.

Dichen Lachman: Well, I found this really cool voice that sometimes I've been reading different
                  material that's sort of coming in front of me and trying like this voice that we
                  created. And sometimes it works and I loved working with Mary on that. I
                  love doing accents and creating characters.

                  Something I learned about myself, gosh I didn't even think of that. I think,
                  every job you do, you learn something new and I think I learned a lot about
                  my craft, about Sam is such a wonderful actor and most of my scenes are with
                  him. And I learned a lot from him, he’s Julliard trained. He's been doing it for
                  a long time and I loved watching him work.

                  And I was really grateful to have so much time with such a wonderful actor
                  who really takes what he does very seriously and he'll always try and make a
                  scene better. And he'll keep nutting it out with the director to make sure that it
                  is the best scene that it can be. And sometimes we don't always have the time
                  to get everything everyone wants, but within the constraints, it's like shooting
                  fast on a TV show. He did that so wonderfully and I learned a lot watching
                  him work.

                  As far as myself, I realized, as much as I loved Montreal, I really felt like Los
                  Angeles is really - feels like home and I've never spent - since I've been here I
                  haven't spent so much time away from here and I realized that, this is where I
                  feel like I belong now. It's such a beautiful city. There are so many kind
                  people here and they've been so welcoming to me because I’m from Australia.
                  And I've been here about four and a half years now. So I mean, it's getting to
                  that point where I don't even know how long and I learned that it was home. I
                  also went through some personal things with friendships and things which I
                  learned, the distance sometimes puts perspective on how you deal with your
                  relationships and your friendships.

                  And sometimes you realize that, amongst everything you don't actually see
                  what's happening and then you move away from it and you understand, "Oh,
                  that's not healthy for me to behave like that and with that person or whatever."
                  And taking yourself out of a scenario gives you some perspective. So actually
                  probably I learned a lot about myself.

Jamie Ruby:       Okay, great. And also, if you got a chance to be on another Syfy channel
                  series, what would you - what show would you want to be on?

Dichen Lachman: Oh, that's currently on or that's - because I've read some pilots too? Oh gosh...

Jamie Ruby:       Well, anything you can talk about. How's that?

Dichen Lachman: I would love to be and I don't know if it exists, but I would love to be in like a
                  sci-fi western or something. Maybe someone can write one, but I would love
                  to be in a western on another planet or something. Something like Firefly, can
                  someone just make Firefly again? (Unintelligible). I would love to be on
                  Firefly, but I don't know if that's going to happen.

Jamie Ruby:       Well, we're all hoping. Perfect.

Dichen Lachman: We'll keep praying.

Jamie Ruby:       Okay, thanks.
Dichen Lachman: Thank you.

Operator:          And our next question comes from the line of Anita Nicholson from
                   CliqueClack, can you please proceed?

Anita Nicholson: Hi, I have just a couple questions for you. But my initial question is that
                   Aidan's relationship with vampires and incredibly violently. Although I know
                   that you can't foresee into the future, how do you see Aidan and your
                   character's relationship? Will it follow along the history that was set up during
                   Season 1 with all the other vampires?

Dichen Lachman: Are you saying will it end violently?

Anita Nicholson: Yes.

Dichen Lachman: I think that Aidan - I can't exactly say, but I think it's fair to assume that
                   Aidan will always be confronting something very difficult and very
                   challenging and something's going to make him very sad. I think, it’s sort of
                   unexpected and expected and I think it's going to be shocking.

                   I think that it's going to be difficult. He's one of those characters who is
                   always struggling, and does get into these incredibly violent scenarios. So I
                   think he can definitely expect it to play out violently in some way, shape or
                   form which I can't talk about right now. Yes, it's not pleasant at all for him.

Anita Nicholson: And I guess during Season 1, he has an intense on again/off again relationship
                   with another female vampire Rebecca who Bishop sired for him. How will
                   your character's relationship to him slightly differ? I mean, yes.
Dichen Lachman: Oh sorry, yes it's different I think with the relationship with Rebecca because
                  this is a relationship that's been going for a very, very long time. I think
                  everyone has that person. Everyone has that person in their life that they've
                  always loved and they've never been able to tell them or make it work.

                   And there's this person in their heart who they're very close with, either in a
                  friendly way or they have a love-hate relationship, but someone who is in their
                  world and they almost feel like they can't breathe knowing that, they're not
                  there. And yet they never get together, you know. So it's different in that way.
                  It's been like a really slow burn.

                  It's almost like she doesn't know what her world is like without him and he
                  doesn't know what his world is like without her. I mean, he's adapted, but
                  prior to her going to the ground. She's - they've just got this thing, this like
                  thing they can't really talk about. And obviously it's already coming together
                  in the second episode. You can see the tension there.

                  So I think in that way, it's different. I think his relationship with Rebecca was
                  true and real and it happened and it was so strong, their attraction towards one
                  another. But this is just - it's living in a different place. And it's living in a
                  different time and his relationship with her, there are so many rules and
                  regulations around it whereas with Rebecca, he was very free to love her.

                  There was no on stopping him. But Suren's from a different class of vampires,
                  she’s mother's daughter and so it's much more complicated in a political sense
                  than his relationship with Rebecca. So I think there's sort of, you can look
                  forward to another element in there, another (unintelligible) in the works, their
Anita Nicholson: Okay and just one final question. You mentioned earlier that they had not
                   consummated their relationship. Do you know if they will consummate it this
                   season on Being Human?

Dichen Lachman: I think you'll see it build towards, it going in that direction because, it's like
                   you can feel that they want to be together, but they can't. And they want to go
                   there, but they don't. And it's going to happen, but he knows that if he does
                   he'll be completely ostracized and in a lot of trouble. So I think that's what
                   will make their relationship somewhat exciting through it as you watch it.

                   I mean you're all very smart people. I almost don't want to say because I
                   didn't check if I could say this, but I think it's - will definitely go in that
                   direction. Yes.

Anita Nicholson: All right, great. Thank you very much.

Dichen Lachman: All right, thank you.

(Maureen):         Hi, this is (Maureen) from Syfy. Just jumping in, we have time for one final

Operator:          Wonderful and our next question comes from the line of (Diane Mirasco)
                   from Mirasco Media, you may please proceed.

(Diane Mirasco): Hi Dichen, how are you?

Dichen Lachman: Good, how are you?
(Diane Mirasco): I'm doing great. I have a question, when was or what was the defining
                  moment that you reached the level of comfort with your character and said,
                  "This is my bitch?"

Dichen Lachman: I would say it was, it was definitely a few weeks in and there was - I think
                  there was a scene that I had with Aidan where I felt very comfortable with,
                  where the character was sitting. But I never felt like I got this, like I never felt
                  like I know exactly what I'm doing here. Like it's actually very, very rare that I
                  ever feel with my work that I'm like, "I got this."

                   I feel like sometimes like I feel like I understand it and like I know where she
                  has to be. I know who she has to be and like I said at the beginning, I felt like
                  that when I read it. I felt like I understood. I'm like, "I know who this
                  character needs to be. I know where she sits energetically. I know what she
                  wants. I know what she's scared of. I know everything."

                  But actually doing it is like a completely different kettle of fish, you’re on a
                  set with hundreds of other people and there's time and there's, you're like on
                  the verge. You're like so emotionally in that place, you're thinking in that
                  sensory moments which will get you to that emotional place. And they're just
                  about to call "action" and then someone says, "Oh, there's a light that needs to
                  be fixed in that character."

                  And it's like, you've lost it. So there's always these constant challenges where,
                  you're getting ready for your moment to give that character everything you've
                  got in that second and then they stop because of a light or something. So
                  you're constantly faced with challenges. So even if you understand and you
                  know this character and you've got to and you're like, "I get this girl."
Actually executing it is one of the biggest challenges. Everyday there's
something happens or there's something technical or, you get like a massive,
you get shocking news or something which you have to deal with personal or
something and you're always trying to get your idea that's in your head out,
for the audience.

And so you get - there are moments where you feel comfortable absolutely
where yes I feel like in this moment it's happening and I feel like I found a
constant, like a consistent sort of place. But, yes I wish I could be that actor
who is just like, "Oh, I got it." But it's a challenge. It's a challenge to get
what's in your head and your understanding out and well.

And I really hope I've done that, I always try to do my best. That's like a quote
from Dollhouse, one of the doll boys say that, "I try to be my best." And I do
and I hope that I am, but I never walk away feeling like I nailed it or I got it.
If I could go back right now and film the whole thing again, in perfect
scenarios, I would just so that the show could be better for you.

But no, I never feel like that with my work. I don't know, maybe I hope that I
don't because I think that that's what's exciting about being an actor is that
you're always striving to be better, to achieve something greater and that's
what makes it an exciting occupation. I mean, there are the days when you're
like, "Oh, how am I going to pay my rent next month?" I mean, that's exciting.

But as an artist, I think it's exciting because you never really get there and I
love that quote in the Alchemist which I think is a beautiful book and
(unintelligible) or one of the lines in there is, it's the possibility of having a
dream come true that makes life interesting. And I believe that, but I also
believe that it's the idea you can always be better or achieve something greater
that also makes life interesting.
                   I don't know if I ever want to feel like, "Oh my god," like "That's an Oscar
                  winning performance and I nailed it and I wouldn't do anything differently." I
                  always feel like I could have done something differently, but I hope that's not
                  selling the sand short because I hope that they know that in that moment I'm
                  absolutely trying my absolute best.

                   In that moment that was the absolute best I could possibly do because I love
                  what I do and I always try to give everything so that you guys can enjoy the
                  show. But yes, that was a very long-winded answer. But hopefully it answered
                  the question.

(Diane Mirasco): Thank you so much Dichen, have a good day.

Dichen Lachman: Thank you, you too. I'm sitting in my closet at the moment and I don't even
                  know if it's like sunny outside, but enjoy the day. I hope it's beautiful.

(Diane Mirasco): Thank you, you too.

(Maureen):        Okay everyone, I think that is all the time we have for today's call, but Dichen
                  thank you so much for being with us today for a full hour. We really
                  appreciate your time.

Dichen Lachman: Thank you.

(Maureen):        Yes.

Dichen Lachman: Thank you everybody for tuning in. It's - I've never done this before, it's very
(Maureen):      Well, thank you so much and of course we appreciate everyone's time who
                called in. As Bill I think might've mentioned earlier, we will be trans - well we
                have transcribed the call so we'll be getting that out to you very shortly once
                it's ready and if you need anything else, you can either give me (Maureen) or
                Bill a call here at Syfy.

Dichen Lachman: Thank you everybody.

Operator:       Ladies and gentleman, that does conclude our conference call for today. We
                thank you for your participation and ask you please disconnect your line.


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