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About This Document: In "Narrative Multiplicity and the Multi-layered Self in The Blind Assassin," Magali Cornier Michael discusses how, through the narrator of Iris, the novel centers on a "central character who finds it necessary to utilize a number of different kinds of narratives to represent, understand, and, in some sense, justify her life" (88). [...] through her careful manipulation of these various narrative forms, Iris becomes linked to a "whole history of women writers who, in their engagement with established narrative practices, are able to rework them to make them their own" (Michael 89).

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Categories: DocStore > Periodicals > Humanities
Tags: Studies in the Novel, Winter 2011, Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake, Humann, Heather Duerre, Book Review-Favorable, Feminism, Essays

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Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake

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Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake

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unfinished novel and publishing her summation of the novel’s possible conclusion,

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