The Growth Of Jazz Music (PDF)

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					The Growth Of Jazz Music

In the turn of the century around 1920, many artists made their mark by playing in the discreet underground
nightclubs known as "Speakeasies" which are high class , "Blind pig" lower class or "Smokeasy" for
smokers. The United States once prohibited the sale of alcoholic beverages and smoking tobacco in clubs as
a constitutional amendment. One could usually find an underground nightclub by the doors without a sign to
indicate that there was such as establishment inside. Those dives also had a secret door that lead out to a
passageway or alley in case the police came to investigate. The police had the power to arrest everyone in
the place due to the fact that they were broke the law by being there.

However, thing were beginning to look up for Jazz Music once the invention of the record player or
phonograph was made to play jazz albums. In addition, radio stations helped promote Jazz music, and made
it popular among the public. Jazz Music became a music of class that earned the era a nick name known as
the "Jazz age". The band leaders who became famous as Jazz musicians were Paul Whiteman, Ted Lewis,
Harry Reser, Leo Reisman, Abe Lyman, Nat Shilkret, Earl Burnett, Ben Bernie, George Olson, Bob Haring,
Vincent Lopez, Ben Salvin and many more. Paul Whiteman claimed to be the king of Jazz music due to his
popularity. He earned the title when he hired some white Jazz musicians with Bix Beiderbecke included to
combine jazz with larger orchestrations.

In fact George Gershwin's "Rhapsody In Blue' was commissioned by Whiteman as his debut for the

Ten years after Jazz music became popular it was reinvented into a style that would be suitable for radio and
dancing. This style was known as "Swing" which allowed musicians to improvise their own interpretation of
the melody or theme that was sometimes difficult to do. In the Swing era Jazz bands grew into a larger size
which was often referred to as "Big Band" music that would always feature a soloist.

The band leaders and music arrangers for Jazz music who became famous for this style of music was Cab
Calloway, Duke Ellington, Earl Hines, Fletcher Henderson, Walter Page, Benny Goodman, Don Redman,
Chick Webb, Jimmie Lunceford, and Jay McShann. During this time there were racial issues of segregation
between black and white people, but it slowly died down enough for the white band leaders to find black
musicians to perform with them. In the middle of the 1930's Benny Goodman invited Teddy
Wilson(pianist), Lionel Hampton (vibraphonist), and Charlie Christian (guitarist) to be a part of a group.
Each musician learned from the style of other musicians in order to form their own. For example, Cab
Calloway, Dizzy Gillespie(trumpeter), Bing Crosby (vocalist) were influenced by the improvising of Louis
Armstrong. Later, the vocalists Ella Fitzgerald, Billie Holiday, Frank Sinatra, and Sarah Vaughn joined the
scene with Jazz Improvisation known as the scat. To Scat is to vocally imitate musical instruments using
such non verbal language as doot 'n doo bee yah bah loo bey doo ee ya boy lay bah doo doot 'n doo yah doo

In the beginning of the 1940's Jazz music evolved yet again into a new style known as "Jump Music" which
was upbeat music using blues chords performed by small music groups. These small music groups are the
forms many bands make today. Later, another style of Jazz music came using the music of the 1930's as an
inspiration called "Boogie-Woogie" where the usual 4 beat bar section expanded into an eight beat bar
section in the rhythm which Big Joe Turner took the lead in the 1940's.

In the 1950's, music reinvented again when turner turned to "Rock and Roll music". As for the Swing era
music it was reborn in the use of the modern dance trends. Kansas City made memorial for Charlie Parker
in their American Jazz Museum that displays the history of the music and the people who made Jazz music
what it has become.

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