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Hagia Sophia Istanbul

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Hagia Sophia Istanbul
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Called Hagia Sophia in Greek, Sancta Sophia in Latin and the Church of Divine Wisdom in English, Istanbul's most famous monument has long and fascinating history. Built by Emperor Justinian, it was on the grounds of the Byzantine acropolis, which is also the site of two earlier Aya Sofyas had been constructed.

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Hagia Sophia Istanbul









Hagia Sofia Istanbul



Called Hagia Sophia in Greek, Sancta Sophia in Latin and the Church of Divine Wisdom in

English, Istanbul’s most famous monument has long and fascinating history. Built by

Emperor Justinian, it was on the grounds of the Byzantine acropolis, which is also the site of

two earlier Aya Sofyas had been constructed.



The first of these is a three-aisled basilica with a wooden roof in 360 by Constantine’s son and

successor, Constantinius was completed, and was burned in a rebellion in 404, and the second

was a building that was taken by Theodosius II in 415 and destroyed in the Nika riots of

532nd Justinian, the church, which towers above all other buildings in the city, was completed

in 537 and reigned as the largest church in Christendom until the conquest of Constantinople

in 1453, when Mehmet the Conqueror in possession of it for Islam took and immediately

converted it into a Mosque. How significant is just as Muslims and Christians, it was

proclaimed a museum by Ataturk in 1934. Renovation work (partially funded UNESCO)

means that the interior is filled with scaffolding, but even these can detract from the

experience of visiting one of the world’s truly great buildings. Upon entering his great

creation for the first time, said Justinian, “Glory be to God that I have been judged worthy of

such a work. Oh Solomon, I have surpassed thee!” Entering the building today, it’s easy to

excuse his self-congratulatory tone . The exterior can be a bit clumsy and unattractive, but the

interior, with its magnificent dome rising sky is so sublimely beautiful that many seeing it for

the first time in literally stunned into silence.









Hagia Sophia Museum - Istanbul



The original performance of the Hagia Sophia Anthemeus architects of Tralles and Isidore of

Miletus, who worked without the benefit of today’s technology and materials, remains

unmatched. The Byzantines gasped in astonishment at the sense of air and space in the nave

and the 30 million gold mosaic tiles (stone), the dome on the inside cover. Above all, they

marveled at the apparent lack of support for the huge dome. How was it possible, they asked?

In fact, the original dome lasted only two decades before an earthquake left it in 559th It was

converted into a somewhat less ambitious design, with a smaller base and steep sides, and the

basilica was reopened in 563. In the following centuries it was necessary complement to the

success of Byzantine emperors and Ottoman sultans, to rebuild the dome several times,

buttresses and supports others and steadily the basics.









Hagia Sophia Museum

The dome is 30m in diameter, supported by 40 massive ribs of special hollow bricks in

Rhodes from a unique light and porous clay, resting on four massive pillars in the interior

walls constructed covered. The great Ottoman architect Sinan, who spent his entire

professional life trying to design a mosque to match the splendor and beauty of the Hagia

Sophia used the same trick to hide columns in the design of Süleymaniye Camii almost 1000

years later. To truly appreciate what a difference makes the concealment, we recommend that

you Hagia Sophia is to compare the central pillar-free space to that of the nearby Blue

Mosque, the four large free-standing column functions. You will find that Hagia Sophia

stands out in comparison.









Hagia Sophia Istanbul



In Justinian’s time, a road went uphill from the West directly to your door. Today is the ticket

kiosk at the southwest side. Past the security check you will find the sunken ruins of a

Theodosian church (404-15) and the low initial steps to be seen. Entering through the main

entrance, all visitors immediately struck by the ethereal beauty from the inside – this is partly

due to the innumerable windows with their jewel-like stained glass. It’s these windows, with

the many arcades that give the building the famous “transparency”. Make your way through

the outer narthex, you are through the inner narthex, and then to walk into the main room. Far

in front of you, in the apse, on the other side of the building, half dome glowing with a golden

mosaic portrait of the Madonna and Child. Above this is another half-dome, and it is the

famous, huge main dome of the church, which seems to be held by anything.

During his nearly 1000 years ago as a church only imperial processions were allowed to enter

through the central, imperial door. You can still notice the indentations in the stone through

any door directly behind the threshold, where imperial guards stood. Note (a type of rock

made of angular fragments) and the balance sheets in the marble walls and columns of

breccia.









Hagia Sofia Istanbul



The chandelier above the ground are low Ottoman additions. Previously lined rows of glass

oil lamps, the balustrades of the gallery and the sidewalk at the base of the dome. Imagine all

the lights in front of her to some great state occasion to celebrate, resonates with the smell of

incense and the chants of the Orthodox (and later Latin) liturgy through the vast interior.



The Byzantine emperor was crowned, while placed on a throne in omphalion, the square of

inlaid marble in the main floor sitting. The nearby elevated platform was taken by Sultan

Murat III (r 1574-1595), as well as the large alabaster urns so that believers could perform

their ritual ablutions before prayer. During Ottoman times the mimber (pulpit) and the mihrab

(prayer niche showing the direction of Mecca) were also added.



The great 19th Century gilded medallions are written with Arabic script, the work of the

master calligrapher Mustafa Izzet Efendi, and enter the name of God (Allah), Muhammad and

the early caliphs Abu Bakr and Ali. Although impressive works of art in their own right, they

seem out of place here, and unfortunately distract from the purity of the interior of the

building form.



The curious elevated kiosk in front of the public is shielded from the imperial box (Hünkar

mahfili). Sultan Abdul Mecit (r 1839-1861) had it built in 1848 so he could come to pray and

go unseen, the preservation of the imperial mystique. The ornate library behind the omphalion

was built by Sultan Mahmut I in 1739.



In the aisle in the north-east of the imperial door crying column is pierced with a worn copper

cladding with a hole. Legend has it that the column is that of St. Gregory the Miracle Worker

and that putting the can with your finger in the hole is healed lead to complaints, if the wet

finger dipped.









Hagia Sophia



Above the ground in the south gallery near the Deesis Mosaic you will see the grave of Enrico

Dandolo (c 1108-1205). Dandolo, the Doge of Venice in 1192, was descended from the

prominent Venetian family who provided Venice with four doges, many admirals and a

colonial empire. During the Fourth Crusade (1203-1204), he’s armies of the Crusaders from

their goal to attack the infidels in an attack on the redirected friendly but rival Christian city of

Constantinople. Hagia Sophia was looted during the attack that destroyed the altar. Venice got

the better part of the rich booty from the sack of the city, and many Byzantine territories.

Dandolo ruled three-eighths of conquered Constantinople, including Sancta Sophia, until his

death in 1205, when he was buried here. Tradition tells us that Dandolo was broken open the

grave after the conquest of the city in 1453, and his bones thrown to the dogs. Also upstairs

(this time in the west gallery) is a large circle of green marble marking the spot where the

throne of the empress stood.



As you exit the building, was the fountain (for ritual) on the right side for ablutions. On the

left side of the church’s baptistry, converted after the conquest of a grave of Sultan Mustafa

and Ibrahim (the madman). These are not open to the public. Other graves are clustered

behind him, including those of Murat III, Selim ‘the Sot’ II (designed by Sinan and beautiful

Iznik tiles) and Mehmet III. Selim’s grave is especially poignant, as it killed the graves of five

of his sons, in the same night in December 1574, the peaceful succession of the eldest, Murad

III to ensure houses. It also houses the graves of 19 Murat sons murdered in January 1595 to

Mehmet III to secure the succession. They were the last of the royal princes are murdered –

after that, the younger brothers of the sultans were the following kafes (cage) held in Topkapı

limited. Building a wall in the southeast of the excavation on a hidden section of the Great

Palace of Byzantium. On the left side of the entrance is a small Ottoman elementary school

built by Mahmut I in 1740.



Hagia Sophia was the first minaret was added by Mehmet the Conqueror (r 1451-1481). Sinan

for Sultan Beyazit II, the other (r 1481-1512) and Selim II (r 1566-1574).









Ataturk Airport to Sultanahmet


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