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The Epic of Gilgamesh

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The Epic of Gilgamesh

World Lit Survey

How the Epic of Gilgamesh

Endured



 Stories of King Gilgamesh were told and handed down

for hundreds of years after his death.

 Finally the tales were written down by the 21st century

B.C.

 When the Babylonians conquered the Sumerians, they

“inherited” the Sumerian cultural traditions.

 A Babylonian author created the start of the unified

Gilgamesh epic as we know it today.

Modifications to the Epic

 Other Babylonian writers modified the epic.

 They added the prologue and the flood story, as

well as emphasized the friendship between

Gilgamesh and Enkidu.

 These writers also gave the narrative its central

theme: the search for immortality.

 By the 7th century B.C., a written version

credited to Sin-liqi-unnini was included in the

library of the Assyrian king Ashurbanipal.

How Did We Get the Story Today?

 After the fall of Babylon, the written epic was

lost in the rubble.

 Archaeologist Austin Henry Layard excavated

Ashurbanipal’s library in the mid-1800s .

 Henry Rawlinson discovered and deciphered

the poem on clay tablets in cuneiform.

 George Smith then translated the 11th tablet

containing the portion of the epic describing a

great flood, an account remarkably similar to the

story of Noah and the ark in the Bible.

The Epic of Gilgamesh: Setting

 Story takes place in

ancient Sumer, one of

the first settled parts of

the Fertile Crescent.

 The Tigris and

Euphrates rivers

allowed for the

development of water

canals and agriculture.

 This is part of modern-

day Iraq.

Historic Map of Mesopotamia

Epic of Gilgamesh: Social

Context

 Gilgamesh was the

actual king of ancient

Uruk about 2700 B.C.

 This statue depicts

Gilgamesh as a powerful

ruler and lion-killer.

 What can we learn about

Sumerian civilization and

kingship by looking at

this statue?

Epic of Gilgamesh: Legacy

 Later classical and

medieval kings also used

lions as their personal

symbol.

 Examples include Henry

“the lion” of Saxony and

Richard “the lion-

hearted” who led the

first crusade c. 1100

(right).

Epic of Gilgamesh: Language

 Gilgamesh was written down

on clay cuneiform tablets.

 Scholars were able to

translate Sumerian cuneiform

by comparing it to later

Akkadian tablets with

similar stories.

 This cuneiform writing

consists of wedge shapes

read right to left.

Cuneiform



 The earliest writing in Mesopotamia was a picture writing invented

by the Sumerians who wrote on clay tablets using long reeds. The

script the Sumerians invented and handed down to the Semitic

peoples who conquered Mesopotamia in later centuries, is called

cuneiform, which is derived from two Latin words: cuneus , which

means "wedge," and forma , which means "shape." This picture

language, similar to but more abstract than Egyptian

hieroglyphics, eventually developed into a syllabic alphabet under

the Semites (Assyrians and Babylonians) who eventually came to

dominate the area.

Cuneiform



 In Sumer, the original writing was pictographic ("picture

writing"); individual words were represented by crude pictorial

symbols that resembled in some way the object being represented,

as in the Sumerian word for king, lu-gal :

Cuneiform

 These wedges and hooks are the original cuneiform and represented in

Sumerian entire words (this is called ideographic and the word symbols are

called ideograms, which means "concept writing”.

 The Semites who adopted this writing, however, spoke an entirely different

language, in fact, a language as different from Sumerian as English is different

from Japanese. In order to adapt this foreign writing to a Semitic language, the

Akkadians converted it in part to a syllabic writing system; individual signs

represent entire syllables.

 However, in addition to syllable symbols, some cuneiform symbols are

ideograms ("picture words") representing an entire word; these ideograms

might also, in other contexts, be simply syllables. For instance, in Assyrian, the

cuneiform for the syllable "ki" is written as follows:

Cuneiform

 However, as an ideogram, this cuneiform also stands for the

Assyrian word irsitu , or "earth." So reading cuneiform involves

mastering a large syllabic alphabet as well as a large number of

ideograms, many of them identical to syllable symbols. This

complicated writing system dominated Mesopotamia until the

century before the birth of Christ; the Persians greatly simplified

cuneiform until it represented something closer to an alphabet.

Writing’s Effect on History

 As with all cultures, writing greatly changed

Mesopotamian social structure and the civilization's

relationship to its own history. Writing allowed laws to

be written and so to assume a static and independent

character; history became more detailed and

incorporated much more of local cultures' histories.

Richard Hooker

http://www.wsu.edu:8080/~dee/GLOSSARY/CUNEI.HTM

Epic of Gilgamesh: Religion

 Sumerian shrine or

Ziggurat, c. 2100 B.C. in Ur

 The ziggurat is a religious

temple “rising like a

mountain in the desert”

where Sumerians worshiped

local gods

 In Gilgamesh’s city of Uruk,

the popular gods were Anu

(father of the gods), Ishtar

(goddess of love), and

Lugulbanda (Gilgamesh’s

personal god)

Epic of Gilgamesh: Themes

 Civilization vs. Nature (or Man vs. Nature)

 Mortality:

 What is the meaning of life?

 Friendship (or Man vs. Man)

 Flood story

 Kingship (or Man vs. Society)

 How a should king rule

 Religion:

 How people and gods interact

 How Sumerians appeased the gods through ritual

The Epic of Gilgamesh

The Story: Prologue



Emphasizes:



 Wisdom Acquired in Life

 Monuments Erected Which Last For

Centuries

The Epic of Gilgamesh

The Story: Characters

Gilgamesh the God and Man

 Bad Ruler



 Arrogant Person



 Oppressive to His People



 Brutal to Friend and Foe

Enkidu

 Created by Gods as a Match for Gilgamesh

 Seduced by a Harlot



 Tamed by Civilization



 Possesses the Best of Man and Beast



 Suffers and Dies for the Sins of Gilgamesh



(rejection of Ishtar)

The Epic of Gilgamesh

The Story: Plot Lines & Action

First Adventure



of Humbaba, the giant who the

 Slaying

gods appointed to guard the Cedar

Forest

The Epic of Gilgamesh

The Story: Plot Lines & Action

Second Adventure

 Gilgamesh rejects the love of Ishtar, the goddess

of the storehouse, love, war, and the evening &

morning star.

 Ishtar, enraged, sends Bull of Heaven against the

people of Uruk.

 Gilgamesh and Enkidu destroy the bull.

 Enkidu, as a result, is cursed and dies a painful,

slow, pathetic death.

The Epic of Gilgamesh

The Story: Plot Lines & Action

Enkidu’s Death

Awakens Gilgamesh





 Emptiness of mortality in spite of worldly

fame

 Search for immortality

The Epic of Gilgamesh

The Story: Plot Lines & Action

Discoveries



 Secrets of immortality from Utnapishtim,

an immortal

 “The Old Men Are Young Again” plant

 Flood story (Universal Story)

 A recorded history

The Epic of Gilgamesh

The Story: Plot Lines & Action

Fails 2 Tests of Potential Immortals





 Can’t Remain Awake for 6 Days and 7 Nights



 Loses “The Old Men Are Young Again” plant

to the Serpent

The Epic of Gilgamesh

The Story: Plot Lines & Action

Return to Uruk

 Empty handed… but is he?



 Knows his worldly endeavors will endure



 Has gained wisdom

Epic of Gilgamesh: Significance

What Does the Story Mean To Us

 We learn how ancient people of Mesopotamia

lived.

 We see that experiences related through the

story are similar to experiences of man today.

 Religion: We see similar roles that God plays in

the attitudes, values, and beliefs of the people of

Ancient Uruk to our own. We see how people

and gods interact.

Epic of Gilgamesh: Significance



 Oldest story ever recorded

 First recorded “author”

 Kingship: How should a king rule?

 Mortality: What is the meaning of life?

 Friendship: Man’s relationship to man

 Flood story: Validation of Bible story

 Shows commonality of human nature, stories,

adventures, etc.



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