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From Wikipedia, the free encyclopedia Chhayavaad









Chhayavaad

Chhayavaad (Hindi: छायावाद) ("Shadowism refers to

Shadowism") er in his career and was associated with other genres like

the era of Neo-romanticism in Hindi literature particu- Rahasyavaad, Pragativaad and Haalaavaad.

larly Hindi poetry, 1917–1938,[1] and was marked by an

upsurge of romantic and humanist content. Chhayavad

was marked by a renewed sense of the self and personal

Notable works

expression, visible in the writings of time. It is known for Jaishankar Prasad’s Kamayani (Hindi:कामायनी) (1936) is

its leaning towards themes of love and nature, as well as considered an important magnum opus of this school,

an individualistic reappropriation of the Indian tradition followed by Mahadevi Verma’s , Nihar (Mist, 1930), Hari-

in a new form of mysticism, expressed through a subjec- vansh Rai Bachchan’s, Madhushala (Hindi: मधशाला) ु

tive voice. (1935).





Period Criticism of Chhayavaad

In Hindi literature, Chhayavad Yug is 1918 to 1937, and is When it arrived, Chhayavaad was very well received by

preceded by Bharatendu Yug (1868–1893), and Dwivedi Yug readers and critics alike. However, subsequent scholars

(1893–1918), and is in turn, followed by the Contempo- have criticized Chhayavaad for excessive use of decora-

rary Period, 1937 onwards.[1][2] tive language, romanticism aloof from contemporary so-

Chhayavad continued till later half of 1930s, when cial and economic malaise and setting stricter rules on

the golden era of modern Hindi poetry was gradually re- meter, rhyme etc.

placed by social didacticism inspired by the uprising na-

tionalist fervour, when some of the later poets of this era,

like Dinkar, Mahadevi and Bachchan took nationalist and

Notes

social critiquing within their poetry. [1] ^ Hindi Language

[2] Historical Development of Hindi University of

Illinois at Urbana-Champaign

Notable authors [3] Chhayavaadi Movement

Jaishankar Prasad, Suryakant Tripathi ’Nirala’, Sumi-

tranandan Pant and Mahadevi Varma[3] are considered

as the four pillars of Chhayavaadi school of Hindi litera-

References

ture. Other important figures of this literary movement • Romantic Poetry in the Era of Convention

were Ramdhari Singh ’Dinkar’, Harivansh Rai Bachchan • Chhayavad study in The Journal of the American

and Makhanlal Chaturvedi. Though Harivansh Rai Oriental Society, Jul 1, 2001

Bachchan became excessively critical of Chhayavaad lat-









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Categories:

• Hindi literary movements

• Neo-romanticism

• Indian literature stubs





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