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From Wikipedia, the free encyclopedia Emilio Lari









Emilio Lari

Emilio Lari is an Italian born movie stills photographer. Candy, Director: Christian Marquant, 1967

The Beloved, Director: George P. Cosmatos, 1969

Career Barbarella, Director: Roger Vadim, 1968

Romeo and Juliet, Franco Zeffirelli, 1968

Emilio started his career by bluffing his way on to the set Kelly’s Heroes, Director: Brian G. Hutton, 1969

of Richard Lester’s A Hard Day’s Night in 1964. On set, the The Godfather, Francis Ford Coppola, 1972

crew and actors happened to be waiting for a photogra- The Godfather II, 1974

pher from L’European magazine and welcomed Lari ac- Just a Gigolo, Director: David Hemmings, 1977

cordingly. Emilio happily played the role until he was ex- Raging Bull, Director: Martin Scorsese, 1979

posed when the official photographer arrived. However, Once Upon A Time in America, Director: Sergio Leone,

his talent and friendly approach led to an invitation to 1984

the filming of Help! in 1965. Ladyhawke, Director: Richard Donner, 1984

Lari’s charm and happy-go-lucky attitude took him The Godfather III, 1990

through 40 years of European and Hollywood movies –

from the cult 1966 hit Barbarella and Franco Zeffirelli’s

classic 1968 Romeo and Juliet, to Francis Ford Coppola’s

References

iconic Godfather trilogy and Martin Scorsese’s Raging Bull. [1] Francis Ford Coppola, quoted in Lari, Emilio, Back

As the official on-set photographer to the biggest to Help, Lampi di Stampa, 2006

stars of the Big Screen, Lari’s stills are infused with a

sense of ease that comes from his relationship with the

actors and directors that he worked with. His portfolio

External links

includes some incredible shots of iconic figures caught • Italian Cultural Institute in London

off guard; we see John Lennon mucking about in a long • [1]

dark wig, and Jane Fonda stealing the director’s chair to • [2]

put her feet up between takes. Facing us from the back of

that chair is the Director’s name: Roger Vadim. Lari has Persondata

tipped the viewer a cheeky wink... Name Lari, Emilio

As much as his considerable skill with the camera,

Emilio Lari’s ebullient personality and playful eye char- Alternative names

acterises his unique brand of photography. Short description

As Francis Ford Coppola said of him, you ‘.. can’t sepa- Date of birth

rate the work from the man, but both lifted your spirits.’

Place of birth

[1]

Date of death

Selected Films Place of death

Help!, Director: Richard Lester, 1965









Retrieved from "http://en.wikipedia.org/w/index.php?title=Emilio_Lari&oldid=453073522"



Categories:

• Living people

• Italian photographers





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