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Funny Faces

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posted:
12/30/2011
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Group 4









• More complex

sentence structure

Funny Faces

• Text may fill page

by Parker Smith

• Text features:

subheadings

Overview

Some artists paint portraits. Others draw cartoons. In this descriptive

nonfiction book, you’ll learn about some artists who draw carica-

tures, or funny pictures of people.









Teaching Focus



★ COMPREHENSION STRATEGY ★ LITERACY SKILLS

Bridge to CQ5

The Main Character Monitoring • Understanding type of nonfiction:

descriptive

• Using text features: captions

• Using graphic elements: illustrations

• Recognizing related words





Vocabulary Opportunities Individual Needs

caricature (p. 2)

Additional Resources exaggerates (p. 2) • understanding words related to

pedestrians (p. 8) drawing, art, and the theater

fascinated (p. 8)

politicians (p. 15)

• pronouncing multisyllable words









Bridge to Home

Bridge to Home

• Invite students to take home the • Encourage students and a family

book Funny Faces to share with family member to look for caricatures drawn

members. by other artists in magazines or news-

• Suggest students ask family members papers.

what they know about caricature

artists and places where family mem-

bers have seen caricatures.





BTC 68 Bridge to Comprehension, Grade 5

boldfaced words and point to

Day 1 them as you speak. Tell students Have on hand a variety of

you are using the words that will art books for students to

help them read the book by look through. Include

Warming Up themselves. books on well-known

artists as well as introduc-

3. Invite students to look through the

Mention a book you are reading or tory books on the tech-

book to find three words that are nique of cartooning,

have recently read. Guide students to

tricky for them in Funny Faces. drawing, and painting.

discuss their own reading by asking

what they especially like about a

book they are reading or a Bridge Vocabulary Opportunities, page 58 As you discuss vocabulary

book they have recently completed. and other words, when-

Or you may want to show students Reading the Text ever possible use every-

some caricatures from newspapers day examples, such as

pointing out pedestrians

and magazines and read to them the

Step 1: Book Talk walking near the school,

text that accompanies the art. using exaggerated arm

1. Talkabout the cover. Have movements, or naming

Setting the Scene students point out the title and some local politicians.

author’s name.

1. Share an overview of the book Tell me about what you see on the

Explain that a palette is a

with students. cover. How are the top and bottom board that artists use to

2. Invite students to share what they parts of the picture different? Do you mix paints.

know about artists and about the think both parts show the same per-

different kinds of paintings and son? Why or why not? Let’s have a

drawings they have seen. Talk volunteer read the title of the book. Use magazine pictures if

necessary to illustrate a

about where students have seen art What do you think the title means?

long chin, a wide smile,

displayed or published. Ask them 2. Have students turn to the title or a pointed nose. Then

about times they have seen an page. demonstrate how a cari-

artist at work. cature artist would exag-

Tell me about what you see on this gerate these features.

Vocabulary Opportunities

page. Let’s read the Contents. Who do

1. Listed below are words that you think Al Hirschfeld, Yvette Silver,

students may find challenging. and Lorin Bernsen are? What do you Point out to students

• caricature think we might learn about them? how dividing longer

words like caricatures

• exaggerates 3. Havestudents look at pages 2 and exaggerates into

• pedestrians and 3. syllables can help them

pronounce them.

• fascinated Wow, look at these pictures! Have you

• politicians ever seen drawings like these? What

do you think about these drawings? Have available photo-

2. As you do the Book Talk, use the

Now let’s read the text. What clues graphs of the subjects,

words that are boldfaced on the such as the Beatles on

helped you know what caricature

page and think aloud how you use page 2, for the carica-

means? Let’s look at the pictures

context clues in the text, clues in tures in the book that are

that show the caricatures. What

the illustrations, or a dictionary or not accompanied by

special features do you see that are

glossary to help you determine a “real-life” photos.

exaggerated?

word’s meaning. Emphasize the



Funny Faces 69 BTC

4. Pages 4 and 5 8. Pages 14 and 15

Broadway refers to the Let’s read the heading. I wonder what Look at pages 14 and 15. Let’s read the

major theater and enter- “The Line King” means. Let’s look at headings and subheadings. What do

tainment area in New the pictures on pages 4 and 5. What do you think you’ll learn by reading these

York City.

you think it means? Now let’s read pages?

page 4. Why has Al Hirschfeld been

9. Stop the Book Talk at this point.

Help students with the called “The Line King”? Do you think

Tell students that now they will

pronunciation of signa- this is a good title for a film about his

read the book on their own.

ture. Guide students in life? Why or why not?

breaking the word into

syllables, then putting the 5. Pages 6 and 7 Step 2: Individual Reading

syllables together to say Let’s read page 6 to find out more Have each student read the whole

the whole word. about Al Hirschfeld. What did you learn book at his or her own pace while

about Al’s daughter, Nina? Let’s look at remaining in the group. Observe

List on the board the the drawing on page 7 and find Al’s students as they read.

signature. Do you see the number?

steps Yvette Silver follows ✔Assessment Think about and

in drawing her carica- How many times does NINA appear in

note, mentally or in writing, the

tures. Encourage students this drawing? Let’s see if we can find

to use the list to tell how

following:

where Al has hidden her name. Wow,

Yvette drew the Bill

he’s really done a good job of hiding

• Did students stop and reread when

Cosby caricature. they didn’t understand something

Nina’s name!

in the text?

6. Pages 8 and 9

Write pedestrians, cus- • What words did students have

tomers, and fascinated Read the heading. What caricature difficulty with? How did they

on the board. Help stu- artist will we read about now? Let’s figure out the words they didn’t

dents divide the words look at the caricature she drew on page know?

into syllables and pro- 9. How is it different from Al

nounce them.

• How did students use the pictures

Hirschfeld’s drawings? Let’s read the

to understand the text?

first paragraph on page 9 to find out

how Yvette Silver draws her carica-

• Which sources of information

Write caricaturist on the (graphophonic, semantic, syntactic)

board. Explain that the tures. Does this make sense to you?

suffix -ist means “a per- Why or why not?

did students use in their problem

son who.” A caricaturist solving?

is a person who creates

7. Pages 10–13

caricatures. Let’s read the heading and look at the

pictures. How would you describe Lorin

Bernsen’s caricatures? Now let’s read

Here catch refers to pick-

pages 10 and 11. What details of himself

ing the most important

details to draw. did Lorin “catch” in his self-portrait on

page 10? Do you think it would be easy

to draw caricatures? Why or why not?

An airbrush is used to

blend colors together, Pages 12 and 13 tell more about Lorin

which gives a “soft” Bernsen. Look in the right bottom

effect to a drawing. corner on page 13. This tool is called

an airbrush. It helps Lorin make his

caricatures.





BTC 70 Bridge to Comprehension, Grade 5

describes how people who watch a

Day 2 caricature artist at work frequently

become interested in the artists’ draw-

Invite students to use the

5 Ws Chart on page 16

ings and become customers. On page 9, as they talk about the

Returning to the Text we learn the steps that the caricature book.

artist Yvette Silver takes in creating a

1. Discuss the book. Encourage caricature.

Have students share their

students to use their own words Ask students to look back at responses to the thinking

to tell what they learned about pages 4 and 5 and identify the prompts on pages 7, 11,

caricatures from reading Funny words the author used to describe and 13.

Faces. Hirschfeld’s drawings.

2. Depending on students’ success

★ Using text features: captions

with the book, address one or Have students turn to pages 2

more of the following. and 3.

★ COMPREHENSION STRATEGY Look at the pictures on these pages.

Before you read the book, did you rec-

★ Monitoring Tell students that ognize the people in these pictures?

when they read, they can monitor Many pictures in books have captions

their reading to make sure they that tell about them. Captions identify

understand everything. Sometimes the picture and often give information

this means they will need to slow that is not included in the text. Let’s

down or reread certain passages. look through the book and find the

Before I read Funny Faces, I had seen captions that tell who or what the

drawings by Al Hirschfeld, but I didn’t pictures on these pages show.

know much about his art. Because I

★ Using graphic elements:

didn’t know much, I read slowly. As I

illustrations

read, I realized that artists have differ-

Illustrations are included in many books

ent styles. Looking at the pictures of Al

so readers can see exactly what the

Hirschfeld’s drawings, reading the text

author is describing. A Chinese saying

carefully, and then looking again at his

explains, “A picture is worth a thou-

drawings helped me learn more about

sand words.” We understand, by look-

his kind of art and appreciate its

ing at the illustrations, for example, the

unique style.

author’s description that Al Hirschfeld’s

Ask students how reading Funny drawings have flowing lines. How does

Faces changed their mind about the illustration on page 7 help you

caricatures or about art. understand how Al Hirschfeld hides

Nina the name in his drawings?

★ LITERACY SKILLS

Explain that the illustrations in

★ Type of nonfiction: descriptive Funny Faces can also let readers

In Funny Faces, the author gives the more easily compare the work of

reader information about artists who two artists. Have partners study the

draw caricatures by describing their drawings of Silver and Hirschfeld

drawings and how the artists work. and tell how they are different.

For example, on page 8, the author





Funny Faces 71 BTC

✔Fluency ★ Recognizing related words Make ✔Assessment Use the Blackline

Model reading the text a web on the board with draw in Masters and their writing projects

with expression. the center and drawn, drawings, and as a way to assess students’ com-

Encourage students to

drawing around it. Explain that prehension of the book.The

read in unison with you

until they feel comfort-

these words are related; they are all Blackline Masters may be filed in

able with the text. Have formed by adding endings to the students’ portfolios.

students choose one base word draw. Have students find ✔Assessment To assess students’

artist and practice read- another word related to draw on reading abilities further, you may

ing the information page 9 (draws). Continue by dis- want to follow up with an oral

about that artist in a con- cussing other groups of related

versational tone of voice,

reading record. See the Reading

words from the book, such as cari- Workshop Assessment Book for

as if they are talking to a

friend. cature (caricaturist, caricatures, caricatur- guidance.

ists), art (artist, artists), and political

(politicians).

3. Invite students to reread their

favorite section of the book with

Day 4

partners. ✔

Revisit the Text



Day 3 1. Have students use the chart on

page 16 to talk about caricatures

and the artists who create them.

Responding to the Text Then review the comprehension

strategy of monitoring. Ask stu-

Optional independent response dents how monitoring can help

activities are listed below: them when they are reading the

Reread the book. Invite students instructions for putting together a

to reread Funny Faces on their model or learning a new game.

own. 2. Have students reread the book

Write about the book. Invite independently or in pairs. Partners

students to write in their journals may alternate reading pages of text

about what they learned from aloud.

reading this book or suggest their

own writing projects. For example, Wrap It Up, page 62

they may write a note to a friend

telling what they like or do not

like about caricatures. 5 Ws Chart, page 43





Vocabulary Opportunities Search, page 59;

Respond To, page 60; Skill Builders, page 61



“Humor is not a mood

but a way of looking at

the world.”

—Ludwig Wittgenstein





BTC 72 Bridge to Comprehension, Grade 5

Extending to CQ



The Main Character

In the Issue 2. After reading, ask students why they

think the author considers Kokomo,

“Remembering Guthrie” Jr., a character.

Pages D4–D8 “The Forgotten Man of

1. Before beginning to read, ask Gettysburg”

students what they know about Pages D19–D23

gorillas. Make a web on the board 1. Before reading, talk with students

and record students’ ideas. about the Civil War and the Battle

2. After reading, ask students what new of Gettysburg. Explain that Abraham

The structured guided things they learned about gorillas. Lincoln’s “Gettysburg Address” is

reading lessons Add to or change entries to the web one of the most famous speeches of

accompanying Funny to reflect the additional information. all time.

Faces focus on com- “The Name Game” 2. After reading, ask students why they

prehension strategies think learning about this “forgot-

Page D10

and literacy skills that ten” man is important.

enable students who 1. Before reading, ask students how

are reading below many of them were named after “Helping Hands”

grade level to achieve someone in their family. Pages D25–D28

greater levels of suc- 2. After reading, ask partners to 1. Ask students about things they have

cess in this correspon- compare the lists to see which two done recently to help someone else

ding issue of Rigby male names and which female name or things others have done to help

Literacy’s CQ. Listed appear on both lists (William, them. Make a list of “Good Deeds”

to the right are sug- Joseph; Elizabeth). on the board.

gestions for helping 2. Have students read a section of the

“The Gift of Life”

students as your class story with a partner. Suggest part-

reads The Main Pages D11–D15

ners list the good deed Sammy does

Character. 1. Before reading, explain that the

and talk about why they think it was

selection tells about a teenage boy

or was not really helpful.

who had a kidney transplant. Tell

students that most people have two “A Cast of Characters”

kidneys. The kidneys clean our blood Page D32

and help keep us healthy. 1. Read the title and introduction

2. As you read, stop often and discuss aloud. Explain that the poem is

with students the medical terms. about a school performance of the

play A Music Man. Tell students that

“Kokomo, Jr.—What a

“Gary, Indiana” and “76 Trombones”

Character!”

are two songs in the play.

Page D17

2. Read the poem aloud to students.

1. Read the title aloud and tell Then have them read it independ-

students that Kokomo, Jr., was a ently. Invite volunteers to read sec-

famous TV star. Explain that the tions of the poem aloud.

word character can mean a person

in a story or play and an unusual

person.







Funny Faces 73 BTC



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