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DOMAINS AND PRECEDENTS

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Daniel J. Kramer

Son of a Robot

Anezka Sebek & Barbara Morris









DOMAINS AND PRECEDENTS

Log Line:

When a mad scientist spreading conformity through the suburb of Dallas, Texas,

discovers he had a terminal illness, he builds a robotic family to look after his only son. 6

years after the death of his father, the boy‟s robotic parents malfunction and free him

from his oppressive surroundings.





The take away is to support individuality and creativity instead of medicating children

who do not conform to societies‟ norms.





I am studying alienation in the suburbs of America because I want to find out the affect

mass conformity has on children who are do not fit into society‟s norms. I want to

understand where this alienation stems from and what is the best way to raise children to

be happy and productive adults.





I am writing about the alienation and overmedication of children in the suburbs because I

want to show you the way to raise children is not to medicate them jus because they are

different.





My domains include overmedication and alienation in the American suburbs.





I have conducted primary research by interviewing people who grew up overmedicated

and alienated. When I find people who fit this description, I ask them why there were

alienated and how being overmedicated as children affected them. I am at the beginning

stages of this research, but have already met a few people who were overmedicated and

alienated as children. These are stories that no one has told and are compelling and

disturbing.



1

I am using my experience of growing up in the suburbs of Dallas as primary research for

the backdrop of my thesis. There are not any films, books or music that came from that

time and depicted that world. The best way to study this world is to look at pop culture in

the early „80s in Texas. Most of world revolved around the Dallas Cowboys.





My secondary research comes from movies, music and books. Alienation is a popular

topic in all these forms of media; however the overmedication of children is not.





My domains connect directly to my thesis as I am creating a short animated film about

alienation and overmedication in the suburbs of Dallas, Texas.





The theme of prescription overmedication has not been explored much in cinema.

“Requiem For A Dream” explores this briefly, but also deal with recreational

overmedication i.e. drug addiction. This is not the path I am heading down. King of the

Hill explores overmedication in the episode “Peggy‟s Turtle Song”. Bobby is

misdiagnosed with ADD after he is disruptive in class. Bobby is medicated and finds

himself interested in things that he would usually find boring. By the end of the episode,

Hank realizes that Bobby does not have ADD and the medication is bad for him.





My research for overmedication will primarily come from interviewing individuals who

grew up being fed medication like candy.





Alienation is not a new concept. In fact, it has been around since the mid 19th century.

When Karl Marx wrote his Economic and Philosophical Manuscripts of 1844 he

developed the theory of alienation. This was not a modern use of the term as seen in the

later half of the 20th century when individuals felt as though they did not belong in

mainstream society.





Alienation was original used in reference to the separation of things that naturally belong

together, or to put antagonism between things that are properly in harmony. Marx saw

the divide between capitalism and socialism and saw how these to theories would create



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societies different and alien to the other. It seemed that this term was only referring to

economic division, but what if the term actually became alienated from its original

meaning?





In the early 20th century, the comic and cartoon industry began and protagonists were

often alienated from the world around them. Although the characters never came out and

said “I feel alienated”, like they would later on, they did not fit into the world around

them. From Betty Boop in the opening sequence to “Minnie the Moocher” to the birth of

Superman, we began to see characters that left or ran away from their homes in order to

find a better world. In Betty‟s case, her parents do not understand her. She runs away in

hopes of finding a better life. She run into a cave, but is chased out by a ghostly Cab

Calloway. We do not know if her home life is any better on her return. Superman has a

deeper story of alienation. His home planet was destroyed and was raised by a human

family. His alienation stems from actually being an alien on earth.





Cinema was also emerging at this time and the theme of alienation was beginning to find

its way into cinema. Charlie Chaplin was one of the pioneers in comedic alienation in

cinema. In his first film as the Tramp, “Kid Auto Races at Venice he looks like

everyone else at the races, but doe not behave in a manner that is socially acceptable. He

alienates himself from the spectators, filmmakers and motorists as he continually disrupts

their race.





By the 1950‟s themes of alienation began creeping into films as the concept of the

teenager began to emerge in pop culture. The protagonist, Jim, in 1955‟s “Rebel With

Out A Cause” feels a sense of alienation when he moves with his family to Los Angeles.

This is more to do with Jim being the new kid in a close and tight knit community. By

the end of the film, he is no longer alienated from his parents or peers. Although the

ending is happy, the beginning set a trend for the alienated youth in films.





Bellow I have listed a few films that reflect a strong theme of alienation that have been

influential in writing the story of Son of a Robot.







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 Welcome to the Dollhouse – Dawn is alienated from her suburban family, peers

and school because she doesn‟t like her life.

 Billy Elliot – Billy is alienated from his working class miner family because he

wants to be a dancer.

 Harold and Maude – Harold is alienated from his conformist high society mother

because he doesn‟t want to follow her rules.

 Fight Club – Ed Norton is alienated from the world around him because he feels

lost in a world of conformity.

 Beetlejuice – Lydia is alienated from her suburban family because she loves the

strange and unusual while Adam and Barbara are alienated from the world of the

living because they are dead.

 My Life in Pink – Ludovic is alienated form his suburban family, peers and

school because he wants to be a girl

 The Adams Family – The family is alienated from the world because they are

different.

 Special – Les becomes alienated from society because he thinks he has super

powers after taking antidepressant medication.

 The Brother From Another Planet – Joe is alienated from his surroundings

because he is from another planet. In Harlem, he is accepted, but when he

ventures further south into Manhattan, he is alienated because he is black.





Music is another avenue for alienation in the media and has been a major influence on the

story I am telling and the development of each character. From the Talking Heads and

the Flaming Lips to Marilyn Manson and Radiohead, the theme of alienation runs

rampant through the lyrics of these artists that lives just outside the mainstream.





As well as music and movies, books such as “Where the Wild Things Are”, “Harry

Potter” and “Catcher in the Rye” depict alienated children. There are thousands of books

that deal with this topic, but the realm of comics is where alienation and the narrative

story really mesh together. As I mentioned earlier, Superman and Betty Boop were great

examples of alienation in comics. In fact almost every comic, except Archie, deals with





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alienation is some shape or form. From American Splendor to the X-men, the

protagonists are never the popular or pretty people. They are the ones who live outside

the mainstream world. They don‟t subscribe to the masses and because of it,they are

alienated from the world around them.





As I was developing Ben, I used Wolverine as a template. Themes of alienation, chaos,

rebellion, conformity are prevalent tones to these comics, but what sets Wolverine apart

from his other mutant friends is a forgotten past.





My thesis, “Son of a Robot” adds to the conversation on alienation in the suburbs by

adding overmedication and robots into the mix. These elements have all been used to

explore the suburbs, but no animated film has combined all three elements.





I have not found any conference that deal with alienation or the overmedication of

children.





KEY TERMS

Alienation

Conformity

Conservative

Oppression

Freedom

Individuality

Bourgeois Society

Middle class

Rebellion

Zeitgeist

Theory of Alienation









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