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Chapter 8





Magazines in the

Age of Specialization

Online Image Library

Go to

www.bedfordstmartins.com/mediaculture/

catalog

to access the Media & Culture, 8th Edition

Online Image Library.



The library contains all your favorite images from

Media & Culture, 8th edition!

The Story of Cosmopolitan



―The story of how a ’60s babe named

Helen Gurley Brown (you’ve probably

heard of her) transformed an

antiquated general-interest mag

called Cosmopolitan into the must-

read for young, sexy single chicks is

pretty damn amazing.‖

Magazines in Colonial America

 American colonies, early 1700s—no middle

class, no widespread literacy

 Early magazines documented early American

life.

 Concerns over taxation, state vs. federal

power, etc.

 Ben Franklin in Philadelphia

 General Magazine

 Ruthlessly suppressed competition



 Used privileged position as postmaster

 By 1776 about 100 magazines in colonies

National, Women’s, and Illustrated

Magazines

 Increases in literacy and public

education, combined with better

printing and postal technology, created

a bigger magazine market.

 The Nation (1865–present): Pioneered the

national political magazine format





 Women’s magazines on the rise

 Godey’s Lady Book (1830–1898)

 Helped to educate lower- and middle-class

women denied higher education

The Development of Modern American

Magazines

 Postal Act of 1879 lowered postage

rates, increased magazine circulation.

 By late 1800s, advertising revenues

soared.

 Captured customers’ attention and built

national marketplace

 Magazine circulation flourished.

 Ladies’ Home Journal

 1903—first magazine to reach a

circulation of one million

Social Reform and the Muckrakers

 Teddy Roosevelt coins term in 1906.

 Early form of investigative reporting

 Journalists sought out magazines where

they could write in depth about broader

issues.

 Famous American muckrakers:

 Ida Tarbell, ―The History of the Standard

Oil Company‖ (oil monopoly)

 Lincoln Steffens, ―Shame of the Cities‖

(urban problems)

 Upton Sinclair, The Jungle (meatpacking

industry)

The Rise of General-Interest

Magazines

 Popular after WWI from 1920s to

1950s

 Combined investigative journalism

with broad national topics

 Rise of photojournalism plays a

prominent role in general-interest

magazines.

 Gave magazines a visual advantage

over radio

The Rise of General-Interest

Magazines (cont.)

 Saturday Evening Post

 300+ cover illustrations by Norman Rockwell

 Reader’s Digest

 Applicability, lasting interest, constructiveness

 Time

 Interpretive journalism using reporter search

teams

 Life

 Oversized pictorial weekly

 Pass-along readership of more than 17 million

Table 8.1

The Top 10 Magazines

(Ranked by Paid U.S. Circulation and Single-copy Sales,

1972 vs. 2009)

The Fall of General-Interest

Magazines

 Nation fascinated with TV

 TV Guide is born.

 Postal rates dramatically rise in early 1970s.

 Life, Look, and Saturday Evening Post all fold by

1972.

 Notable exception to decline of mass market

magazines: People, 1974

 First successful magazine of its kind in decades

 Some charge that People is too specialized to

be mass market with its focus on celebrities,

music, and pop culture.

Convergence: Magazines Confront

the Digital Age

 Magazine companion Web sites ideal

for increasing reach of consumer

magazines

 Feature original content such as blogs,

videos, social networks, other interactive

components





 Webzines made the Internet a

legitimate site for culture, politics,

current events.

The Domination of Specialization

 Magazines grouped by two important

characteristics

 Advertiser type

 Consumer

 Business or trade



 Farm



 Noncommercial category

 Includes everything from activist newsletters

to scholarly journals

 Ad-free magazines like Ms., Cook’s Illustrated

also included

The Domination of Specialization

(cont.)



 Magazines also broken down by target

audience

 Men and women

 Leisure, sports, and music

 Age-group specific

 Elite magazines aimed at cultural

minorities

 Minorities

Magazine Departments and Duties

 Editorial

 Content, writing quality, publication focus,

and mission

 Production

 Machines and paper

 Layout and design

 Advertising and sales

 Manage the income stream from ads

 Circulation and distribution

 Either ―paid‖ or ―controlled‖

Figure 8.1

Top Magazine Companies by Total Circulation, 2010

What Time Warner Owns

Books/Magazines – Time – Telepictures Productions

• DC Entertainment • IPC Media (75 U.K. – Warner Bros. Television

– DC Comics magazines) – Warner Bros. Animation

– Mad magazine – Warner Home Video

• Time Inc. Television/Cable

– Coastal Living • HBO Movies

– Cooking Light – HBO • New Line Cinema

– Entertainment Weekly – Cinemax • Warner Bros. Pictures

– Essence • Turner Broadcasting • Warner Bros. Theatre

– Fortune System Ventures

– Fortune Small Business – Cartoon Network

– Golf – CNN Internet

– Health – HLN • 10best.com

– InStyle – TBS •CNN.com/CNNMoney.com

– Money – TCM • FanNation.com

– People/People en Español – TNT • Life.com (with Getty

– People StyleWatch – truTV Images)

– Real Simple • Warner Bros. Television • myrecipes.com

– Southern Living Group • PeoplePets.com

– Sports Illustrated – The CW Network

– This Old House

Major Magazine Chains

 Time, Inc.

 Largest magazine chain in U.S.

 Advance Publications

 Owns Condé Nast, which controls

magazines like Vanity Fair, GQ, Vogue

 Rodale

 Meredith Corporation

 Specializes in women’s, home-related

magazines

 Hearst

 Hachette Filipacchi

Alternative Voices

 Many alternative magazines define

themselves through politics.

 Struggle to serve small but loyal

contingent of readers





 Some alternative magazines have

achieved mainstream success.

 Early 1980s—William F. Buckley’s

National Review had circulation of more

than 100,000.

Magazines in a Democratic

Society



 Magazines provide essential information

about our society and unite groups of

people.

 But magazines are growing increasingly

dependent on advertising—readers are

just viewers and purchasers of material

goods.



How can magazines straddle the need to be

both commercially and culturally viable?



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