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Bollywood Grooves February Newsletter Movie Reviews

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Jodhaa Akbar

Directed by: Ashutosh Gowariker

Starring: Hrithik Roshan, Aishwarya Rai

On general release from 15th Feb



When Hrithik Roshan and Aishwarya Rai teamed up on screen last time for

Dhoom 2, the film was a huge success and though the film was not one made for

posterity, Roshan and Rai both impressed audiences with their on screen

chemistry. This time, in the hands of the capable Ashutosh Gowariker, (who

directed the Oscar nominated Lagaan and the enjoyable Swades – We The

People) we get to see two of India’s biggest stars in a lavish period film. While

Aishwarya is no stranger to period films (Devdas and Choker Bali are but two

examples), this is the first time Roshan will be seen in such a film and obviously,

expectations are sky high. Also, Rai’s best performances seem to be in period

films and as a director’s actress, her collaboration with Gowariker should prove

rewarding. As well as casting coups, the film also sees Gowariker and AR

Rehman come together again, hopefully rekindling their magical chemistry that is

all too rare in Bollywood these days. Rehman (arguably India’s best music

composer of recent times) has created a sublime musical score that is growing

more and more popular whilst Gowariker is known for pushing the envelope

when it comes to Bollywood cinema and Jodhaa Akbar is no exception.

Gowarkier has made the news many times with the extensive research and time

that he has put into making the film and his attention to detail is often faultless.

Whilst Bollywood has seen many period films in its time, only a small minority

have gone on to become commercial successes and be remembered fondly. As

the first big budget film of 2008 and as a major period drama, it will be

interesting to see whether Jodhaa Akbar will make a history of its own at the box

office.



Check out the official website:

http://www.jodhaaakbar.com/



Film Review



Halla Bol

Directed by: Rajkumar Santoshi

Starring: Ajay Devgan, Pankaj Kapoor, Vidya Balan

On general release



Rajkumar Santoshi is well known in Bollywood for being able to make

entertaining films which also carry a social message without preaching to the

audience. Halla Bol (which literally means ‘to attack’ in the sense of charging to

battle) is indeed an entertainer with a social message, dealing with the familiar

themes of conscience and corruption. Ashfaq (played by Devgan) is a successful

actor who is the flavour of the month – seen at the right places, saying all the

right things, winning all the awards. However, in reaching the top, he has

alienated his wife (Vidya Balan) and his mentor Siddhu (Pankaj Kapoor), a fiery

Sikh man who helped Ashfaq realise his passion through street theatre. At the

top of his game, things are going well for Ashfaq. But this all changes when

Ashfaq witnesses a young girl being murdered by two men in a nightclub. In a bid

to regain the faith of his wife and mentor, Ashfaq agrees to testify against the two

men, only for his world to be turned upside down as the murderers are sons of

corrupt tycoons, who rally to make his life a misery. But armed with the moral

high ground, Ashfaq decides to fight back, leading a battle against his

tormentors.



Halla Bol is not as slick as Santoshi’s previous work – at times it feels outdated

and especially in the first half, the audience do not get a chance to engage with

the supporting characters which makes understanding Ashfaq’s character a little

difficult. But where Santoshi has always scored is getting top notch performances

out his actors and writing superb sequences and dialogues which make the flaws

of the film forgivable. Ajay Devgan is back on form with this film and makes the

role his own with his trademark understated manner. He also shares a wonderful

chemistry with Santoshi. But it is Pankaj Kapoor who steals the show as Siddhu,

channelling all the anger and tension of his character into an electrifying

performance. His delivery of the dialogue is second to none and though his role

is short, he makes his presence felt through the film. Halla Bol reminds one of

Santoshi’s earlier cinema and the unique voice he has in Bollywood. Though it

may not be on par with those earlier films, it certainly shows Santoshi still has a

lot to offer Bollywood and that films with serious ideas can still be entertaining.



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