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CUTE, QUAINT, HUNGRY AND ROMANTIC GLAMOROUSNESS







who slumps in chairs, brazenly straddles fire hydrants, fanatical of fashion fetishists, that the color of their fin­

and sprawls on street curbs, oblivious to the damage gernail polish is coordinated with their lipstick, their

being done to her white silk shantung "cocoon" dress belt buckles with their earrings. The contemporary

and her canary yellow tuxedo pants. What's more, she fashion plate is a make-believe enemy of the very aes­

is frequently careless about her grooming, specifically, thetic she embodies, a law unto herself, a rebel who is

about her hair, which can be as tangled as a rag doll's, constantly flouting traditionally feminine poses and im­

a windswept rat's nest of frazzled split ends, as if she possibly ornate coiffures, disobeying the strictures that

had just participated in a high-speed chase in a con­ the consumer must follow to the letter even as she en­

vertible. Bad posture and bad grooming are key com­ vies the model's license to transgress the intricate and

ponents of contemporary glamor because they exhibit constantly changing regulations that make dressing

the contempt that this sylph-like slob feels for the dress such a risky enterprise.

she is wearing, a blase attitude that sends an unequivo­ While manufacturers have devised subtle ways oflur­

cal message to readers that that woman in the snake­ ing the consumer, only the most affluent people can

skin Versace dress and Medusa curls is above posing, actually afford to buy the clothing and accessories ad­

above trying to look good, above conforming to social vertised in Vogue. The outfits of models pouting in

expectations. Her languid stances and disheveled ap­ chain-mail mini-skirts or strutting bare-chested down

pearance serve an explicitly ideological function, that the catwalk in conservative business suits unbuttoned

of showing how little glamor matters to her, how she to the waist bear little resemblance to the wrinkled

holds in disdain the very thing her admirers most de­ khakis, Lacoste shirts, down parkas, and baggy Polo

sire: to make certain that they look perfect, that when sweaters found in most women's closets. In fact, just as

they venture out of doors every hair is in place, that the "wondrously articulated classic sauces" and the

their pantyhose don't sag, that the straps of their bras "coconut-milk broth [that] smooths the dissonant

don't show, that their slips aren't hanging raggedly notes of fiery chiles" in Bon Appetit and Gourmet bear an

below their hemlines, and even, in the case of the most inverse relation to what we really eat-the "big 01' juicy



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