“She wanted something a little disheveled and deconstructed, so I imagined an exaggerated version of her,” celebrity coiffing star Serge Normant said of the texturized, side-sweeping strands he created for L’Wren Scott’s Fall show. “I’m using a lot of my dry shampoo,” Normant added, referring to his recently launched Meta Revive Dry Shampoo with Cedar Bark, which joins a full lineup of eponymous products he now uses exclusively when tending to the tresses of Sarah Jessica Parker, Julia Roberts, and Gisele B�ndchen, among other famous heads of hair. Normant’s Meta Lush Volumizer and Meta Sheer Dry Oil Finishing Spray were also in heavy rotation backstage, ensuring that his “loose, second-day hair” didn’t appear too stiff or too dry. “It’s girls who just roll out of bed in the morning—or at night—and just go.” Lanc�me artistic director of makeup Aaron De Mey took a similar inspiration and added Scott’s request for a “dangerous eye,” which yielded, well, Taylor Momsen. “It’s nice to see a teenager experimenting with makeup,” De May said as he sculpted the Gossip Girl’s signature raccoon eyes onto models’ lids using Lanc�me’s Le Crayon Kohl eyeliner in Black Ebony smudged outwards to hold a hefty helping of the black pigment from its Gris Fatale eye shadow palette due out in the fall. “I wanted them to look like femmes fatales—rich, luxurious, and expensive,” De Mey continued, piling layer upon layer of Lanc�me’s Hypn�se Drama mascara onto lashes for a clumpy sixties feel. To tone down the Momsen effect just a little, De Mey dabbed Lanc�me’s L’Absolu Rouge La Base lip balm onto the tops of models’ cheekbones for a “girly sheen” before swiping it across pouts and blending it with a bit of concealer to make the look “realistic and cooler.” The Pretty Reckless front woman was back in full force with manicurist Yuna Park’s black shimmering nail, though, courtesy of Lanc�me’s forthcoming lacquer in Noir 29.
The color purple is reprised pretty much every Fall. There’s something about its rich, jeweled tones that speak to the cooler temperatures and work well in complement to the tweeds, plaids, and—if the shows this season are any indication—the onslaught of fur that will hit stores come September. But smudging on a lid-ful of aubergine pigment is just one way to incorporate the regal shade into your makeup arsenal. Subtle hints of the color can have just as much impact, as evidenced by a few tricks we picked up from the face-painting establishment this week. Below, a purple primer, should you want to start practicing for autumn now. Walk the Line Backstage at Narciso Rodriguez, Dick Page incorporated the shade in eyeliner form, dipping into Shiseido’s forthcoming Shimmering Cream Eye Color in Purple Dawn with an angled brush, scrawling a thin line close to models’ lash lines, and blending it with a similarly creamy pigment in black. The pro tip? Shiseido’s Benefiance Full Correction Lip Treatment, which Page smudged over both lines to intermingle the colors and leave a “greasy” finish. Top Gear At Malandrino, makeup artist Gato added hints of shimmering lilac and mauve to his “seventies Parisian girl” smoky eye for a bit of “freshness mixed with sophistication.” Using Maybelline Eye Studio Silk Eyeshadow Quads in Pink Persuasion and Purple Drama, Gato diffused the darker colors of the palettes across lids for a sultry effect, “just touching” a mix of the two purple pans from each compact on the top as a finishing touch to relay the idea of effortless, Saint-Germain-des-Prés cool. Inside Information The lasting impression of the makeup at Altuzarra was definitely the super-graphic, silvery brown eye. But the reason models’ eyes popped so much had less to do with the metallic triangle Tom Pecheux drew on the inner corners and more to do with a little thing called MAC Pro Chromagraphic Pencil in Rich Purple. “It looks amazing with green, blue, and hazel eyes,” Pecheux said of the raisin color he dragged along the inner rims of models’ eyes, eschewing the black or white pencils you typically see in similar situations.
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