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From Wikipedia, the free encyclopedia Two Thousand Maniacs!









Two Thousand Maniacs!



Two Thousand Maniacs! The film and its director attracted a following, largely

due to the over-the-top quality of the violence and the

villains. The film starred 1963 Playboy Playmate Connie

Mason. It was remade in 2005 as 2001 Maniacs, starring

Robert Englund.

The film’s title song was written and sung by director

Lewis. The movie would later inspire the name of the

band 10,000 Maniacs.

In the restrospective of Lewis’ films, A Taste of Blood:

The Films of Herschell Gordon Lewis, by Christopher Wayne

Curry, the author notes the particular fondness the di-

rector had for Two Thousand Maniacs!: "The prop plaque,

bearing "Pleasant Valley’s Epitaph", hung for years in

Lewis’ Chicago home in remembrance of one of his finest

film achievements. Released in 1964, Two Thousand Mani-

acs "was one of my favorites," [1]





Synopsis

Promotional poster for 2000 Maniacs The story of the film is inspired by the 1947 Lerner and

Loewe musical Brigadoon.[2] Six Yankee tourists are lured

Directed by Herschell Gordon Lewis into the small southern town of Pleasant Valley by the

Produced by David F. Friedman redneck citizens to be the guests of honor for the cen-

tennial celebration of the day Union troops destroyed

Written by Herschell Gordon Lewis

the town. The tourists are separated and forced to par-

Starring William Kerwin ticipate in various sick games which lead to their gory

Connie Mason deaths. The methods employed by the festive townspeo-

Jeffrey Allen ple include:

Music by Larry Wellington • Dismembering a woman with an axe, and thereafter

roasting her in a barbecue pit;

Cinematography Herschell Gordon Lewis

• Staging a "horse race" in which a man is ripped limb

Editing by Robert Sinise from limb;

• rolling a man downhill in a barrel embedded with

Distributed by Box Office Spectaculars

nails;

Release date(s) March 20, 1964 • Crushing a woman with a boulder held aloft in a

Running time 87 min.

contraption resembling a carnival-style dunk tank.

After discovering the nefarious plans of the townspeople,

Country USA the two remaining tourists manage to escape; they then

return with a local sheriff, only to discover that the town

Language English

has disappeared. The film ends with two of the towns-

Budget $65,000 (estimated) people looking forward to the next centennial in 2065,

when Pleasant Valley will rise again to resume its vendet-

Two Thousand Maniacs! is a low budget 1964 splatter film ta against the Yankees.

directed and written by Herschell Gordon Lewis. It is the

second part of what the director’s fans have dubbed "The

Blood Trilogy", including Blood Feast (1963) and Color Me Production

Blood Red (1965). The film has since become known as a Two Thousand Maniacs! was filmed in 15 days, early in

classic of the drive-in theater era. 1964, in the town of St. Cloud, Florida. According to a

The film is known for its scenes of full color gore and contemporary report, the entire town participated in the

torture, as well as for B-movie type direction and acting. film.[3]





1

From Wikipedia, the free encyclopedia Two Thousand Maniacs!





Critical Analysis by us today – but here the possibility of southern hos-

pitality is transformed into a cruel joke: the visitor be-

Two Thousand Maniacs! introduced drive-in theater audi- comes victim [8]. ” Throughout the film, the "Yankee"

ences to the formulaic plot-line of southern gore films: victims are simultaneously celebrated as “guests of hon-

northern outsiders who are stranded in the rural South or” while being tortured. Together, with the theme song

are horrifically murdered by virulent, backwoods south- The South’s Gonna Rise Again and other twists on South-

erners [4] This subgenre of Grindhouse peaked with the ern tropes, like the cannibalistic communal barbecue of

release of The Texas Chain Saw Massacre (1974) ten years the northern outsiders, the film alludes that region’s his-

after 2000! Maniacs. torical conflict and intractability towards modernization

During the Civil Rights Movement, television and are still unresolved.

mainstream narrative films opted for a less realistic de-

piction of redneck than the televised news of the era.

Films that tried to comment on the issue of race relations

References

were commercial failures [5] . However, Herschell Gordon [1] Curry, Christopher. A Taste of Blood: the Films of

Lewis’ plotline in Two Thousand Maniacs! focuses on the Herschell Gordon Lewis. [London]: Creation, 1998.

ghost of a violent, vengeful Confederacy, and is aware of pg. 67 ISBN. 1-871592-91-7

the region’s violent history and place in the anxiety of [2] Doll, Susan; and Morrow, David. Florida on Film: The

the rest of the United States [6] Although the film was re- Essential Guide to Sunshine State Cinema & Locations.

leased in 1964, in the midst of the Civil Rights movement, Gainesville, Florida: University Press of Florida,

issues of race relations and segregation are never inter- 2007. ISBN 978-0-8130-3045-6. p. 163.

rogated in the film. Despite the lack of African Ameri- [3] Romer, Jean-Claude, Silver Alain (trans.) "A Bloody

can characters, the racial element of the violent South New Wave in the United States" (July 1964), in

does not lurk far beneath the surface. By returning to cel- Silver, Alain & Ursini, James (eds.) Horror Film

ebrate the centennial destruction of Pleasant Valley by Reader. New York: Limelight Editions, 2000. ISBN

Union troops, the redneck ghouls take part in ritualistic 0-87910-297-7. p. 63-64.

acts of revenge that is indicative of the South obstinate [4] Graham, Allison. Framing the South: Hollywood,

refusal of desegregation and Civil Rights in the 1960s. Television, and Race during the Civil Rights Struggle

The film dictates the anxieties the rest of the nation held Baltimore: Johns Hopkins UP, 2001. ISBN

towards the South’s, and its white inhabitants, history 0-8018-7445-9. p. 168-169.

of extra-legal violence, perceived primitivism, and unre- [5] Graham, Allison. Framing the South: Hollywood,

solved regional conflict [7]. The 2005 remake, 2001 Mani- Television, and Race during the Civil Rights Struggle

acs, explores some of these same themes. While the orig- Baltimore: Johns Hopkins UP, 2001. ISBN

inal film’s “Yankees" were strictly white, the remake fo- 0-8018-7445-9. p. 168-169.

cuses on the race relations, Gender equality, and Sexu- [6] Szczesiul, Anthony. "Re-mapping Southern

ality and gender identity-based cultures of the outsiders Hospitality: Discourse, Ethics, Politics." European

as they are slaughtered and turned into barbecue by the Journal of American Culture 26.2 (2007). pg.133.

residents of Pleasant Valley. This suggests that while the [7] Szczesiul, Anthony. "Re-mapping Southern

original parodied the images of the virulent, rural South- Hospitality: Discourse, Ethics, Politics." European

erner, or redneck, the remake posits the nation’s anxi- Journal of American Culture 26.2 (2007). pg.132.

eties towards the reactionary backlashes against race and [8] Szczesiul, Anthony. "Re-mapping Southern

sexuality in the new millenium on, and working through, Hospitality: Discourse, Ethics, Politics." European

motifs of Southern redneck. Journal of American Culture 26.2 (2007). pg.132.

The film is also an ironic commentary on the myth

of Southern hospitality, and how it elides some of the

ethical dimensions and historical atrocities imbedded in

External links

its discourse. In his essay entitled "Remapping Southern • Two Thousand Maniacs! at the Internet Movie

Hospitality", Anthony Szczesiul explains the film’s use Database

of Southern hospitality and other Southern stereotypes: • Two Thousand Maniacs! is available for free download

“The film’s ironic parody of southern hospitality high- at the Internet Archive [more]

lights the performative nature of the discourse. When • Two Thousand Maniacs! at AllRovi

Mayor Buckman delivers his promise of southern hos-

pitality in his thick, cartoonish accent, the reference is

immediately recognizable to all – the characters in the

film, its actors and director, its original audience, and



Retrieved from "http://en.wikipedia.org/w/index.php?title=Two_Thousand_Maniacs!&oldid=458582940"



2

From Wikipedia, the free encyclopedia Two Thousand Maniacs!









Categories:

• English-language films

• 1964 films

• 1960s horror films

• Films directed by Herschell Gordon Lewis

• American horror films





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