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Henry VIII

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Shakespeare’s

World

The Tudors

London

The theatres

Henry VII

ruled 1485 to 1509





• Restores people’s faith

in the monarchy



• A stronger monarch

means a weaker

parliament, and a

watering down of the

influence of the nobles

Henry VIII

Born 1491,

ruled 1509 to 1547



• Established Church of

England:

Act of Supremacy 1534

First English Bible 1539

”Book of Common Prayer” 1584





• …there is also

Reformation in the rest of

Europe

Anne of Cleves

Anne Boleyn Jane Seymour









Katharine of Aragon







His six wives

Catherine Howard









Divorced, beheaded, died, divorced, beheaded, survived. Katharine Parr

Henry Princess Princess

VIII Mary Tudor Margaret









Katharine Anne Jane Anne Catherine Katharine Frances James V

of Aragon Boleyn Seymour of Cleves Howard Parr Grey









Mary I Elizabeth I Edward VI Jane Mary

Bloody Mary Grey

Stuart

3 4 1 2 Executed

1587









The Tudors James VI

+I





5

Edward VI

Born 1537,

Ruled 1547 to 1553









Mother:

Jane Seymour

Church of England,

like his father

Lady Jane Grey

Born 1537, ruled for nine days in

July 1553, executed 1554









Protestant

Mary I ”Bloody Mary”

Born 1516,

Ruled 1553 to 1558







Mother:

Katharine of

Aragon Catholic

Born 1516,

Elizabeth I Ruled 1558 to 1603





Protestant +

Church of England









• Encouraged

exploration of

Mother: and trade with

other continents

Anne Boleyn which would lead

later to the

creation of the

British Empire

The Virgin Queen

Armada Portrait

Spanish Armada 1588

James I



Mother:

Mary Stuart of

Scotland +

Queen of France

The Elizabethan World:

• Still Feudalism in rural England

• Urbanisation with merchants and craftsmen

• ”The Poor Law” 1601



• A strong England:

• Defeat of the Spanish Armada 1588 (Sir Francis Drake)

• Leading maritime nation (collapse of Dutch wool market 1550)

• Monopoly on the slave trade

• Colonial expansion US+ India (Sir Walter Raleigh)

• Colonisation of Ireland (Lord Mountjoy 1601)





• Renaissance of art and literature

• Humanism (rebirth of classical learning)

• Reformation: Battles between religions

• Catholics vs. Protestants



• Nature sciences appear

Elizabethan London

• Expansion of London

• The plague

• Sanitary and hygienic

conditions?

• The Thames, The

Tower, Whitehall,

London Bridge,

Southwark

London Bridge at Shakespeare’s time

The theatres:

Reasons why drama flourished under Elizabeth I and

James I:

• Theatre appealed to all social classes, from the

sovereign to the lowest class

• Plays could be understood by the illiterate, who formed

the largest section of the population

• There had been a strong theatre-going tradition in Britain

since the Middle Ages

• The theatre was patronised by the Court and the

Aristocracy

• The language of drama was less artificial than that of

poetry

• There was a great number of talented playwrights who

produced works of extraordinary quality

• The prosperity of the Elizabethan and Jacobean periods

meant that people had both the time and money to go to

the theatre

The theatres:

Galleries





’heavens’









Balcony





Doors





Dressing rooms

(’tiring house’)





’hell’





Open courtyard

(for ’groundlings)

theatres ’in the round’

polygonal shape

De Witt sketch

1596

A rectangular stage platform thrust out into

the middle of the open-air yard. This

stage measured roughly 40 feet wide

and 30 feet deep. On this stage, there

was a trap door for use by performers to

enter from beneath the stage; the area

beneath the stage was known as the

'cellarage'. There was a second trap

door in the back of the stage that was

used for the same purpose. Often the

area beneath the stage is also called

'hell', since supernatural beings (such as

the ghost in Hamlet) enter and exit the

stage from this area.

Large columns either side of the stage

supported a roof over the rear portion of

the stage. This ceiling was called the

'heavens', and was probably painted with

images of the sky. A trap door in the

heavens enabled performers to 'fly' or

descend using some form of rope and

harness.

The back wall of the stage consisted of three

doors on the first floor and a balcony on

the second. The doors entered into the

'tiring house' (backstage area) where the

actors dressed and awaited their

entrances. The balcony housed the

musicians and could also be used for

scenes requiring an upper space, such

as the balcony scene in Romeo and

Juliet. In addition, it could be used as the

'Lord's Room', where higher-paying

audience members could pay to be

seated - more to be seen than to see the

play, since they would have been behind

the performers.

Wikipedia.com

• Plays and gambling

• The audience: culture and entertainment



• Dialogue, soliloquy (monologue), comic relief

• Few props, not much scenery: illusions

• Asides: communication with the audience



• Theatre companies with noblemen as patrons

• No Women! –young boys instead

• A new play every two weeks (-a role)

The Elizabethan World Picture:

• Order in the

Universe

• The Great Chain

of Being

• The four elements,

the four tempers









season element humour body fluid location



Spring air sanguine blood heart



Summer fire choleric "yellow bile" liver



Autumn earth melancholic "black bile" spleen



Winter water phlegmatic phlegm (various)



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