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MUSIC APPRECIATION \m/



- Serenade No. 13 for Strings in G Major: “Eine Kleine Nachtmusik” (A Little

Night of Music): Wolfgang Amadeus Mozart

- Someone Who Believes in You: Carole King and Gerry Goffin

- Fur Elise/Therese (Therese Malfatti): Ludwig Van Beethoven

- The Blue Danube: Johann Strauss

- Jesus, Joy of Man’s Desiring: transcribed for instrument by Myra Hess

- Heart and Mouth and Deed and Life: J.S. Bach

- The Four Seasons (Le Quattro Stagioni): Antonio Vivaldi

- Nocturne in Eb Major: Frederic Chopin

- Umagang Kay Ganda: Ray-An Fuentes and Tillie Moreno

- Aba, Ginoong Maria: music/arrangement by Paulo Tirol, soloist: Paul Mejia

- Veni Creator Spiritus (Come Holy Spirit, Creator): Rabamus Maurus

- Ave Maria: music by Fruto Ramirez, arranged by Arnel Aquino

- “Hallelujah Chorus” from “The Messiah”: George Frederic Handel

- Do You Hear What I Hear: written by Noel Regney, composer: Gloria Shayne

Baker, popularized by Bing Crosby

- A Funky Christmas Medley: Viva Popstars (made up of “Joy to the World”, “We

Three Kings of the Orient Are”, “Angels We have Heard on High”, “Hark! The

Herald Angels Sing”)

- Etude Op. 10 No. 3 in E Major: Frederic Chopin

- The Swan: Camille Saint-Saens

- Sa Tabi ng Punong Saging- Federizon

- Ikaw and Lahat sa akin – Azareon and Delgado



An Overview of Western Classical Music: by Raul Sunico, PhD.

- Doctor of Humanities, Honoris Causa

- International concert pianist

- Dean of conservatory of music in UST

- Recording artist

- 1986: 10 Outstanding Young Men in Music



Classical Music

- Carefully crafted; survived through the years

- More carefully thought out



Western Classical Music

- More of European music, not American

- Their scale was composed of two tetrachords



Major Periods of Western Classical Music: * Even music had a dark age, and not much is known about it



1. Renaissance

- After the Arts of the New Century

- Before 1600

- All arts flourished: painting, music, sculpting, etc.

- Golden age for polyphony

 Polyphony (multi/ many) vs. monophony and homophony

 Polyphony: more than 1 voice, not simultaneous in sequence

- All religious music

- Composers: Giovanni Perluigi Palestina (who wrote mostly acapella pieces), Orlando di Lasso



2. Baroque

- 1650-1750

- Everything had a lot of decoration, from music to paintings to architecture

- Development of polyphony, a lot of décor was present in the sounds

- J.S. Bach was a prolific composer (he composed for all instruments)

- Other composers include G.F. Handel and Antonio Vivaldi



3. Classical

- 1750-1810

- Form was very important (everything was measured carefully)

- All musical compositions had light texture

- Composers include:

 Amadeus Mozart

 Joseph Heiden: Father of Symphony/ Orchestra

 Composed more than 100 symphonies, which were all at least 30 minutes long

 Ludwig Van Beethoven (he became the bridge between the Classical and Romantic periods)



4. Romantic

- 1810-1900

- Melody was of sublime importance

- Waltzes were popular

- Composers: Frederick Chopin, Johannes Brahms, Franz Liszt, Franz Schubert, Peter Il’gich Tchaikovsky,

Johann Strauss Jr., Giuseppi Vivaldi



5. Impressionist

th

- Early 20 century

- Mostly from France

- A lot of the works were “hazy”

 This included paintings. The painter Claude Monei had a lot of hazy works

- Composers: Claude Debussy, Maurice Joseph Ravel



6. Modern/ Avant Garde

th

- Modern/ late 20 century

- Offbeat syncopation

- Composers: Sergei Rachmaninov, Sergei Prokofiev, Igor Stravinsky, George Gershwin, Bela Bartok, Arnold

Schoenberg



Music Classifications

- Absolute Music (no imagery)

- Program Music (with imagery)







OVERVIEW OF WESTERN MUSIC



Renaissance

 Golden age of Polyphony

 Church or sacred music, particularly liturgical music

 polyphonic music: interaction of more than one voice (question and answer)

 Composers:

a. Giovanni Pierluigi de Palestrina

 composed purely religious music

 savior of “out of control sacred music composers”, savior of

liturgical music

b. Orlando di Lasso

 composed secular music (and some sacred music)



Baroque

- more ornamented or decorated style, the term is usually associated with paintings

and architecture

- Composers:

a. Johann Sebastian Bach

 composed music for nearly all instruments except saxophone

 specialized in composing for the organ

b. George Frederic Handel

 composed almost operatic compositions

 sample work: “Halleluiah from the Messiah (an Oratorio)”

c. Antonio Vivaldi

- composed program music (compositions with visual imagery or

literary connections)

- sample work: “Four Seasons”



Classical

 General genre of Western Music

 Symphonies, almost everything about composition is measured

 Invention of piano

 Composers:

a. Franz Joseph Hydn

- father of Symphony, composed more than 100 (orchestral)

symphonies

b. Wolfgang Amadeus Mozart

- greatest Classical composer, composed more than 100 pieces

- sample work: “Eine Kleine Nachtmusik”

c. Ludwig Van Beethoven

- deaf composer

- sample works: “Fur Elise” and “Moonlight Sonata”

- transition composer from Classical to Romantic period



Romantic

 Melody is given importance

 Composers:

a. Frederick Chopin – composed mainly for piano

b. Johannes Brahms – composed lullabies

c. Franz Liszt

d. Franz Schubert

e. Peter Tchaikovsky – composed “Swan Lake” and the “Nutcracker

Suite”

f. Johannes Strauss – “Waltz King”

g. Giuseppe Verdi – composed operas

h. Richard Wagner – composed heavy and lengthy compositions

Twentieth Century

 Impressionism – based on French Impressionist painters (Claude Monet)

 Texture and tone color are given importance, not anymore the melody

 Composers:

a. Claude Debussy

b. Maurice Ravel

 Modern or Avant-Garde – 12-tone system, expressionist style

 Composers:

a. Sergei Rachmaninoff

b. Sergei Prokofiev

c. Igor Stravinsky

d. George Gershwin – father of American Jazz, sample work: “Rhapsody

in Blue”

e. Bela Bartok

f. Arnold Schoenberg



*Other notes!

- Beat: heartbeat of every music

- Concerto: solo + accompaniment; extended composition usually in 3 movements for

solo instrument/small group solo instruments and the orchestra

- Tone Painting: music that describes its nonmusical subject; ex: a piece of music about

rain that is intended to mimic the sound of rain

- Tutsi: full orchestra

- Oratorio: vocal form; musical drama for voices and orchestra usually based on

religious narrative, usually performed without scenery/action; ex: Hallelujah Chorus of

George Frederic Handel

- Counterpoint/Polyphony: melody against melody

- Conciertino: soloist passages

- Red Priest: Antonio Vivaldi (since he had red hair. WOW.)



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