EVA CONFERENCES: MIRRORING, REFLECTING &
AMPLIFYING ‘CULTURE x TECHNOLOGY’
James Hemsley*, Vito Cappellini** & Monica Kaayk*
EVA Conferences International; James Hemsley is also a
Visiting Researcher at the University of Florence
** University of Florence
INTRODUCTION
‘EVA’ in a number of European languages is ‘Eve’ in
English, Adam’s wife in the Old Testament. In this paper
however, the word is an acronym (ubiquitous in European
Commission, EC, funded projects) representing ‘Electronic
Imaging & the Visual Arts’. This expression reflects the
origins of digital imaging in the cultural sector in the 1980s
being centred in paintings in particular. Since then the scope
of the international EVA Conferences has broadened and
deepened with each year now over three hundred papers being
presented to some 1,500 participants in 5 – 6 cities across
Europe and beyond with supporting exhibitions and other
events.
This paper focuses on the on the role of the EVA Conferences
in ‘mirroring, reflecting and amplifying’ the remarkable
successes of digital imaging in helping to join the two worlds
of Culture and Technology – often seen as largely
independent of each other - or even opposing. The paper
begins with a brief historical sketch of ‘Culture x
Technology’ from the mid-1980s to the present, with
particular regard to Information & Communications
Technology (ICT) with a concentration on its origins in its
first decade. This serves as a background for a discussion of
the history, nature and role(s) of the EVA Conferences. The
time frame then switches to the future: firstly of ‘Culture x
Technology’ and then the EVA Conferences and their
community of interest before drawing conclusions.
A particularly important issue is that of polycentric
Technology R & D and its diffusion and the importance, even
in the internet age, of face-to-face human contact not only for
diffusion but also its stimulation by assisting in the early
stage ‘trust’ formation in cross-border and cross-cultural
relationships for cooperative projects by groups of institutions
and individuals. Another specific topic of attention is the role
of ‘Culture’ in inspiring Technology R &D. It is not just a
question of Technology from basic research and other more
well funded application fields, including of course, defence,
being applied to a ‘passive’ cultural sector. The latter’s role in
supporting technology progress is still not sufficiently
appreciated.
THE ORIGINS OF ‘CULTURE x TECHNOLOGY’ IN
EUROPE
During the mid -1980s there were four principal strands of
activity in the application of digital imaging technologies to
the field of the visual arts which were to prove decisive:
1. Scientific work in the laboratories of major galleries
and museums such as the National Gallery, London,
and the Central Research Laboratories of the French
National Museums (C2RMF) – supported by some
academic researchers (e.g. at ENST in Paris), using
powerful (for the time!) mini-computers
2. Bold, visionary French efforts employing the still new
but and rapidly improving PC to improve access by
visitors to museum collections.
3. Pioneering use by artists of computers as tools for
artistic creation
4. Early use by art historians for education and research.
The second of these was the first to achieve major public
success in 1986 at the opening of the Musee d’Orsay with the
inclusion of a digital image-based Visitor Information
System. The third strand constituted by individual artists’
efforts proved also to be very promising and is currently the
subject of important art historical archiving research e.g. the
CACHE project on early British computer artists. The fourth
strand including for example William Vaughan’s work in the
mid -1980s on artwork retrieval, the Morelli system, at
Birkbeck College, London University, constituted the first to
our knowledge of a long line of efforts to use ‘intelligent’
systems in the field of culture. The first strand will be
considered in somewhat more detail in this paper since
(together with strand (4)) it was the main line of the first
European Union supported Technology R&D project in the
computer field, VASARI (Visual Arts System for Archiving
& Retrieval of Images), the acronym paying homage to the
great Renaissance figure of Giorgio Vasari, the ‘father of Art
History’. The very positive reception, professional, public,
scientific and political to the British, French, German and
Italian project which was conceived in 1985-1986 and
delivered its main results in 1990 and 1991, including as a
‘spin-out’ activity, the first EVA conference, which was held
in London in 1990.
The successful results of the VASARI project and two
related projects in Telecoms (European Museum Network)
and Multimedia (NARCISSE) convinced the EC that Culture
was indeed a suitable area for financial R&D support, thus
breaking down the previous prejudices of the ‘technology
establishment’ against the field as a potentially driver for ICT
R&D. ‘The rest is history with hundreds of ‘Culture x
Technology’ projects being funded by the EC in the 1990s
and early 2000s with also corresponding support at national
and regional levels in Europe. Significant also were other
developments in the 1990s such as the following:
In 1992 the Maastricht Treaty brought ‘Culture’ into the
area of activity of the European Commission in general
as regards selected cross-European activities.
‘Convergence’ of the previously separate EC R&D
Programmes for Information Technology, Telecoms and
Multimedia and the establishment of a specific R&D
funding line for ICT in Cultural & Scientific Heritage
led by Bernard Smith, amplifying an earlier one
restricted to Libraries.
The ‘Peace Dividend’ on both sides of the Cold War e.g.
the majority of the Computer Department of a major
Moscow Gallery being from the Defence Industry by
2000. Another example was in Tuscany where a number
of hi-tech companies with defence activities began to get
engaged in ‘Culture x Technology’
Continuing very rapid technology developments ranging
from the Web to scanner, storage and display
improvements and digital cameras.
Intense interest in Russia and former USSR countries in the
combination of Culture and Technology and the desire for
corresponding links especially with the European Union led
to substantial developments in these countries as evinced at
the first EVA Moscow in 1998. In Japan there was also great
interest but driven by a different combination of forces with
the Consumer Electronics and TV industries playing a key
role in a distinctive ‘Japanese Way’ in the early 1990s, but
later converging with the rest of the developed world. North
America followed a similar path to that of Europe eased by
relative absence of linguistic and cross-border problems, but
without the compensating advantage of EU funding.
In technology management theoretic terms there was thus a
rapid process both of technology development and diffusion
especially in the industrialised countries with regard to the
new ‘Culture x Technology’ field. In this paper the
expression ‘Culture x Technology’ is used to indicate the
reciprocal multiplicative impact of the two fields on each
other.
THE EVA CONFERENCES - A BRIEF HISTORICAL
OVERVIEW
The EVA Conferences since 1990 have mirrored, reflected
and amplified the ‘Culture x Technology’ movement
internationally in a unique manner: by the building of a multi-
site set of events each year. They spread across the European
Union and then in 1998 in North America, Russia and Japan.
In general, each EVA Conference has been locally driven
corresponding to locally determined cultural and scientific
priorities while also taking into account international trends.
Since the first EVA in London in 1990 the cumulative total
number of EVAs reaches 80 with the 10th EVA Moscow
conference, having been held in 25 cities altogether:
Athens Los Angeles
Beijing Kiev
Berlin
Brussels Madrid
Cambridge (England) Montreal
Cambridge (USA) Moscow
Dallas New Delhi
Edinburgh New York
Florence Paris
Gifu, Japan
Glasgow Prague
Jerusalem Thessaloniki
London Vienna
Warsaw
A fuller account of the EVA Conferences’ history is given in
a previous EVA Moscow paper by Hemsley & Duncan. The
ever increasing range of topics covered may be seen from the
Conference Programmes on the various individual conference
web-sites via the EVA London site (although some are
unfortunately no longer maintained). EVA Moscow papers
are however provided in full on their excellent site, a practice
which some other EVAs appear likely to follow
Each year now 5-6 EVA conferences are held with well over
300 papers presented to over 1,500 participants. They begin
each year with EVA Florence in spring followed by the other
three main annual EVA conferences in London (July), Berlin
(November) and Moscow (December), the latter being the
largest reflecting the great interest in ‘Culture x Technology’
in Russia and former USSR countries, notably Ukraine. In
addition, EVA conferences are held in other cities- for
example in Jerusalem now coming up to its fourth annual
conference year and in Vienna in 2006.
‘CULTURE x TECHNOLOGY: FUTURE
PERSPECTIVES & SCENARIOS
The future progress of ‘Culture x Technology’ may be
regarded as a complex process of ‘widening and deepening’.
Firstly let us consider the simpler issue of ‘widening’ based
on polycentric impulses, i.e. diffusion, with regard to
geography, cultural ‘sub-sector’ and societal segments .
‘deepening’ (or perhaps better ‘raising’) is a more complex
issue since the future course of technology developments are
far from certain and so we use a scenario-based approach
taking into consideration Kondratieff’s Wave Theory of
economic progress.
Technology diffusion or widening may be confidently
expected to continue in the cultural sector as long as the
technology is increasingly affordable, cost-effective and
usable. Thus for example, thanks in particular to telecoms
improvements even in the most remote cities of the world,
museums and libraries may be expected to use computers and
the web provided of course that that general socio-economic
development is positive, a caveat that in view of humanity’s
history is unfortunately far from certain. But there is also the
question of rural regions especially in the disadvantaged
countries of the world. ‘Culture x Technology’ may be
regarded as lying in the upper part of Maslow’s famous
Hierarchy of Needs and so for example in the poorer regions
of Africa such as the northern province of Niassa in
Mozambique (country GNP per capita below $1 per day).
Niassa, sometimes termed the ‘Siberia’ of Mozambique - is
still recovering from 25 years of war and is below general
Mozambique ‘wealth’ levels. Now it is also threatened by –
inter alia – the impact of global warning caused largely by the
industrialised and industrialising countries according to many
scientists. Diffusion here will take considerable time although
a positive aspect is the increasing availability of mobile
telephones and television except in the very remote rural
areas and the ‘digital divide’ is starting to be partially
bridged.
However, there are grounds for optimism for diffusion or
‘widening’, regarding the application of ICT to almost every
sub-sector of ‘Culture’ judging by the increasing number of
EVA papers on R&D work in Music, Dance and other
performance-based activities including even Poetry (EVA
2007 London) contrasted with the situation only 7 years
previously. Another illustrative positive aspect of diffusion is
with regard to the case of patients in hospitals. Dreams of one
of the authors while in hospital for a considerable period only
15 years ago that it would one day be possible from one’s bed
to virtually visit the world’s museums for example are now
already a reality even in the UK’s much maligned National
Health Service, e.g. Frimley Park Hospital in Surrey. This
type of widened access and similar improvements for other
disabled people may be expected to become more widely
available in the not too distant future, with the usual caveats
of funding availability for system infrastructure and
equipment.
Thus the ‘ripples’ from stones thrown into the ‘lake’ of
society may be expected to spread outwards, provided that
force majeure of natural or man-made disaster does not occur!
Future ‘widening’ perspectives and scenarios thus differ
primarily in the rate of ‘ripple’ extension.
‘Deepening’ (or better perhaps, ‘raising’) of the technology
side of the formula is more difficult to assess. Here we limit
discussion to just sketching three potential scenarios which
are substantially different:
A ‘Optimistic Scenario’ : ICT continues to develop rapidly
with not only new ‘disruptive’ breakthroughs but also the
effective functioning of the whole chain from R&D to Market
launch followed by diffusion as discussed above. Candidate
technology examples include 3D imaging, Grid technologies,
Haptics for touch and even the senses of taste and smell
looking forward perhaps 20 years. Also on the far horizon are
advances in the area of Intelligent Systems for ‘complex
fuzzy’ fields such as literature and history with significant
advances of such work in the field of music already being
reported and applied.
B ‘Pessimistic Scenario’: Followers of the Kondratieff
Wave Theory are likely to regard economic growth based on
the ICT-powered wave of innovation originating during
World War II as a having peaked in the 1990s , its
weakening marked by the dotcom Boom and Bust around the
year 2000. In this view the ‘low-hanging fruits’ have all been
picked -- and also most of the ‘medium-hanging’ ones as
well with relatively little to be expected from the ‘high-
hanging’ fruits which are either largely very difficult to reach,
or like the Anglo- French Concorde, and its Russian
equivalent, beyond market realities, especially as regards
‘Culture x Technology’ with its very limited financial
resources.
C ‘ Middle Scenario’: Lying between the two above
scenarios such a view is characterised by modest but
continued innovation-based technology development with, in
particular, correspondingly slower major advances in both
ICT in general and in the field of ‘Culture x Technology’ than
have occurred in the last 25 years.
The reader’s own beliefs on general socio-economic –
technology progress are likely to affect his/her views on
which of these three scenarios is most likely to occur.
Nonetheless it does appear reasonable even for the pessimists
to anticipate at least significant diffusion-based impact of
current leading-edge practical technologies. Moreover, the
rise of new industrial powers such as China, India and Brazil
as well as renewed ones, especially Russia, with altogether
many more scientists and engineers being produced than even
by the US that there could well be technology advance
surprises! The technology world is becoming increasingly
polycentric.
EVA CONFERENCES – THE FUTURE
The 80th EVA Conference at the 10th EVA Moscow
Conference is a felicitous coincidence which hopefully augurs
well for the future. Looking ahead to 2008 six EVA
Conferences are already being planned as follows:
EVA Florence 2008, April 16 – 18
EVA London 2008, July
EVA Vienna 2008, August ( a biennial event)
EVA Berlin 2008, November
EVA Jerusalem 2008, November (intended to continue
annually)
EVA Moscow 2008, December
In order to help synergy between these connected but
distinctive events the first general meeting for representatives
from each EVA Conference is being planned to be held at
EVA Florence 2008 as part of the International Workshop on
April 16, 2008.
In 2009 it is hoped that there will again be six EVA
Conferences including – possibly – the first EVA Budapest
being held in August and the continue biennially alternating
with EVA Vienna.
In 2010 there should again be six EVA conferences, assuming
that EVA Vienna continues its targeted biennial production.
At an annual rate of six per year already looking to be a
reasonable expectation, this would mean that just two
additional EVAs in the three year period 2008 – 2010 would
lead to the calculation:
80th in Moscow in 2007 + 3 x 6 + 2 = 100
---i.e. the 100th EVA in such a scenario would be at EVA
Moscow in 2010!
However, it is appropriate to stress that the holding of
additional EVAs and indeed even the continuation of the
current regular annual events are critically dependent upon:
Financial resources for each.
Leadership and organizational efforts for each of the
‘decentralised / distributed’ EVA conferences.
Regarding financial resources, each EVA conference needs to
continue to make its own provision as they have all done
since the previous very helpful funding and advice in the late
1990s and early 2000s from the European Commission. This
ceased several years ago and the EVAs were sent on to fly
under their own power, as has so far successfully occurred
thanks to the Chairs and Organizing Groups of each of the
long-standing ones and the new ones in Austria and Israel. In
certain of the cities where EVAs have been held in the past as
listed above, local events have emerged, often inspired by the
example of a one-off EVA conference specially supported by
the EC as part of its general dissemination and promotion
policies. If EC policy changes again then it would be
wonderful for example to see a second EVA Kiev conference.
The first issue is thus critically dependent on the second:
leadership by the Chairs supported by Organisation Group
volunteers from combinations of a diverse range of interested
parties, such as museums, universities, libraries, companies
(large and small), government bodies and others - and
corresponding organizational resources. The crucial factors
for continued success are not only continued commitment by
the key people involved but also-as necessary-by their
replacement by the ‘New Generation’. Fittingly, this has
already been achieved in the case of Eva London, the 2007
Conference being organised by a new triumvirate of Chairs
(Suzanne Keene, UCL); Jonathan Bowen (King’s College)
and Lindsay MacDonald, (LCC, University of the Arts,
London) with the founder now having merely an honorary
role. This transition took three years following the 15th UK
EVA in 2004, the crucial role of Conference administration
and marketing also passing to the three co-chairs and a strong
Organization Group to which Monica Kaayk passed over
these vital aspects. As regards maintaining and enhancing the
linkages between the different EVAs and pursuing future
funding opportunities from the European Commission and
elsewhere to seek joint funding support this should be taken
care of by direct cooperation, beginning at the EVA 2008
Florence meeting of EVA Conference representatives
mentioned above. The batons are being passed on!
We return now to dreams for the future for one of the possible
additional EVAs in 2008-2010 to be held in the Southern
Hemisphere, e.g. Latin America or Australasia and ideally
one in Africa, the Middle East or Asia. Volunteers are
welcome!
CONCLUSIONS
The EVA Conferences and their participants, speakers and
organizers may be seen as playing a role in the ’Global/ Local
Village’ worldview since they constitute a locally/regionally-
driven set of events on the global stage, essentially forming
an international community. Since 1990 they have provided
‘mirrors’ for over 2,000 speakers and hundreds of exhibitors
to help see themselves objectively by peer comparisons,
respectively in the customary scientific and business ways.
Moreover, they ‘reflected’ – including stimulation of
cognitive reflective and even philosophising - and ‘amplified’
their results and messages to both the physical audiences and
readers of the Proceedings, including notably the on-line
versions from EVA Moscow. In particular they have served
to disseminate the results of European projects, including a
number of Russian members, as well as ‘experiences, plans
and dreams’ in ‘Culture x Technology’ from across Europe,
Russia, North America, Japan and also initially at least from
China, India and Israel. As the largest single EVA Conference
and now celebrating its 10th anniversary, EVA Moscow has
made an especially important contribution to our joint
international movement.
A key issue in considering the future of the EVA Conferences
has been identified above as the question of the continued
dynamism of the ‘Culture x Technology’ field. The three
scenarios presented may all be viewed as beliefs or
judgements regarding economic and general societal
development as well as purely technological projections in
the 21st century with its new threats especially of climate
change, dwindling natural resources, still growing population
(except in a small number of countries e.g. Germany and
Italy) and religious ‘clashes of civilisations’. However, it is
our hope that at least a ‘middle’ scenario of ICT, development
will be achieved, and any case there are great challenges and
opportunities in much more widespread global diffusion of
the benefits of ‘Culture x Technology’. Perhaps the most
important one is in helping people to learn about, appreciate
and respect the cultures of other countries and regions –as in
the case of the current rapidly increasing interest in ‘World
Music’. In any case it is our hope that the future EVA
conferences and other events such as the Museums on the
Web conference will continue to act as fora for international
exchange and cooperation in ‘Culture x Technology’ with
beneficial influences extending from the growing intersection
of these two important spheres of human activity to their
respective hinterlands and to the wider societies
Therefore we look hopefully and positively forward to the
100th EVA conference, perhaps as early as 2010 in Moscow;
we trust that such events will continue and also begin to
engage more with other parts of the world, especially the
Southern hemisphere. Such desired developments would
follow the examples in the past five years of China and India
which have begun to become more involved internationally in
‘Culture x Technology’. The University of Florence has
developed (thanks in large part to the EVA conferences)
relationships in China, Japan and Latin America as well as
‘nearer to home’. The strategic role of UNESCO is of course
crucial, but at the grass-roots individual and organization
levels contributions can also be made and the strategic
position of Russia straddling both the Asian and European
continents is especially important and favourable. Thus EVA
Moscow in particular can play an even more important role in
the future ‘mirroring, reflecting and amplifying’ ‘Culture x
Technology’ by continuing to provide opportunities for
people across continents as well as countries to exchange
‘experiences, plans and dreams’ and help build relationships,
cooperative projects and networks in ‘Culture x Technology’.