Early 20 century European Modern Art

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Early 20 century European Modern Art

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Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Themes in Early Modern Art 1. Uncertainty/insecurity . 2. Disillusionment. 3. The subconscious. 4. Overt sexuality. 5. Violence & savagery. Edvard Munch: The Scream (1893) Expressionis m  Using bright colors to express a particular emotion. Franz Marc: Animal Destinies (1913) Wassily Kandinsky: On White II (1923) Gustav Klimt: Judith I (1901) Secessionist s  Disrupt the conservative values of Viennese society.  Obsessed with the self.  Man is a sexual being, leaning toward despair. Gustav Klimt: Wrogie sily (1901) Gustav Klimt: The Kiss (1907-8) Gustav Klimt: Danae (1907-8) Henri Matisse: Carmelina (1903) FAUVE  The use of intense colors in a violent, and uncontrolled way.  “Wild Beast.” Henri Matisse: Open Window (1905) Georges Braque: Violin & Candlestick (1910) CUBISM  The subject matter is broken down, analyzed, and reassembled in abstract form.  Cezanne  The artist should treat nature in terms of the cylinder, the sphere, and the cone. Georges Braque: Woman with a Guitar (1913) Georges Braque: Still Life: LeJeur (1929) Pablo Picasso: Les Demoiselles d’Avignon (1907) Picasso: Studio with Plaster Head (1925) Pablo Picasso: Woman with a Flower (1932) Paul Klee: Red & White Domes (1914) Paul Klee: Senecio (1922) George Grosz Grey Day (1921) DaDa  Ridiculed contemporary culture & traditional art forms.  The collapse during WW I of social and moral values. George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II (1919-1920) George Grosz The Pillars of Society (1926) Raoul Hausmann: ABCD (1924-25) Marcel Duchamp: Fountain (1917) Marcel Duchamp: Nude Descending a Staircase (1912) Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936  Surrealis m Late 1920s-1940s.  Came from the nihilistic genre of DaDa.  Influenced by Feud’s theories on psychoanalysis and the subconscious.  Confusing & startling images like those in Salvador Dali: The Persistence of Memory (1931) Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938) Salvador Dali: Geopoliticus Child Watching the Birth of a New Man (1943) Walter Gropius: Bauhaus Building (1928) Bauhaus  A utopian quality.  Based on the ideals of simplified forms and unadorned functionalism.  The belief that the machine economy could deliver elegantly designed items for the masses.  Used techniques & materials employed especially in industrial fabrication & manufacture  steel, concrete, chrome, glass. Walter Gropius: Lincoln, MA house (1938)

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