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What is a Screenplay

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What is a Screenplay
Tips on Writing a

Powerful Screenplay



Welcome Las Vegas Screenwriters Group

Introductions



Instructor Deborah Shariff

January 25, 2007

Class Objectives

 How to organize your thoughts and get it out on

paper.



 Writing the synopsis & treatment.



 The development and creation of writing

unforgettable characters and understanding

back-story.



 learning the basic structure of writing an effective

screenplay that includes a beginning, middle and

ending.

How to get the story out of your head onto

paper !









by

writing a

Treatment

What’s a Treatment?







Hand outs

Writing Exercise

 Each writer will pick a partner and pitch

their story for 5 minutes then change

partners and let the other partner pitch

their story.

 When you finish pitching both stories

write either a page or half a page of a

short treatment and be prepared to

verbally pitch your story to the class

What is a Screenplay?

 A story told with pictures!

What is a screenplay made up of ?

 Characters

 Dialogue

 Scenes

 Acts

 Plots, sub plots

 Climax

 Resolution

Moving your story forward



Syd Field’s structural model



Hand – Out!

Who we are/Why we want to write a

screenplay?

 Original voice and how to discover it.

 First thoughts & the subconscious.

 Childhood memories & point of view on

life.

 Obsessions (the good, the bad, the ugly).

 Knowing what to write about.

 Identifying your own particular history-

cultural coupled with personal experience

(back-story on yourself)

Writing your Screenplay

 What perspective can you bring to this

subject matter that’s fresh? Make a list of

distinctions.

 Study the genre-buddy films, gay women

in love, road adventures, ensemble

pieces/so you can determine how to

extrapolate from it.

 Research the story-begin a clip file/an

ideas journal/interview people.

Creating a literate script

 Rich characterization-people with history

and context: character bios are vital!

 Vivid descriptive paragraphs-using visual

detail and fresh language.

 Dialogue that zings and reveals character-

make it sharp, witty and varied. Characters

who are themselves literary, who speak in

believable yes memorable ways, make

your script rich and engaging-rather than

talky.

Writing a Rich Script

 Layered plotting-the best scenes do

several things at once; foreshadow/reveal

character/give multiple pov’s/mark time

passage/move the story forward.

 Innovative structuring-the bookend

approach/fresh usage of time

passage/emotional movement that

parallels physical movement/flashbacks.

Find a Structural Model on which to

hang your story

 Exposition-a necessary evil. Know the

difference between what you the writer

needs to know and what the reader needs

to know.

 Don’t explain/Don’t over tell.

 Use visual metaphors-adding texture to

the work via symbols, repetition, humor,

powerful scenes-get in late, get out early.

The Writing Process

 Character bios





 Outlines and note cards.





 Revision,revison,revision!





 Workshops, readings and feedback.

Writing Exercise

 Write a two or three page screenplay from

your treatment outline.

 Remember to include; concise

descriptions of your main characters,

setting/location, your story premise, and

clear crisp dialogue.

FEEDBACK

Q&A



Volunteers share screenplay with the class



The class reviews and gives constructive

feedback


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