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Movies and Culture

► Pressure to be Thin: The Plague of

Hollywood

► The Korean Wave among Asian Countries

► The great decrease in Markets and Box

Office Earnings in Taiwanese Cinema

► Caribe: Social Implications in Costa Rica

Pressure to Be Thin:

The Plague of Hollywood

Some Facts:

► The average American woman is 5’4” and

weighs 140 lbs.

► The average television icon is 5’7” and

weighs 100 lbs.

► The average American model is 5’11” and

weighs 117 lbs.

► Most fashion models are thinner than 98%

of American women

An Infectious Disease



Today’s Hollywood places a considerable

amount of pressure upon its actresses to be

extremely thin and waif-like. As a result,

most American women experience a similar

pressure – the pressure to look like

Hollywood stars.

Yesterday’s Hollywood

1930s: Bette Davis

illuminates Hollywood

at 5’2” and an average

weight.



1950s: Marilyn Monroe

becomes America’s top

pin-up icon at 5’5.5”

and roughly 130 lbs.

The shift toward rail-

thin models and

actresses began in the

1960s when Twiggy,

5’7” and 91 lbs.,

emerged on to the

scene.

Today’s Hollywood

Today, many female

Hollywood stars are

extremely thin.



Exposure to such

unhealthy and unrealistic

ideas of body image

negatively affects young

girls and women through

depression, the loss of

self-esteem, and the

development of eating

disorders.

Kirsten Dunst: 5’7”, 115 lbs.



Kate Bosworth: 5’5”, 100 lbs.

The Results

► 80% of women admit that they are insecure

about their bodies compared to those in the

media.

► In the U.S., 5 to 10 million people suffer

from eating disorders

► Of those with eating disorders, more than

90% are women between the ages of 12

and 25.

The Bottom Line

► The National Eating Disorders Association lists as

one of the contributing factors to eating disorders

“cultural pressures that glorify thinness and place

value on obtaining the perfect body”.



► WhileHollywood continues to promote these

images through its movies, American women will

continue to suffer the consequences.

Korean Wave among Asian

Countries

Korean Wave among Asian

Countries



► Many Korean movies and TV dramas are

very popular in Asian Country, including

China and Japan.

 Most Asian countries share Confucian culture

 Korean culture professes nonviolence

 The quality of Korean culture and

communications

Korean Wave among Asian

Countries

 Korean cultural products convey similar Asian

Ideas.

 Implicit way of love in Asian Culture.

Korean Wave among Asian

Countries

► Korean Drama and Movie

 Winter Sonata : Fairytale Love story.

 Dae Jang Geum: Korean Traditional Drama.

 The Host : Current Popular Movie in Korea.

Korean Wave among Asian

Countries

Top Ten Films Ratio Between Korea and USA

90

80

70

60

50

40

Korea

30

20

10 Usa

0

1998 2002 2004 2006



Source: Korean Film Council (KOFIC).

Taiwanese Cinema

Introduction History

► Over the fifty years the 1. Propaganda tools against

communism.

Taiwanese cinema has

experienced the 2. The early 60s: Most movies

emphasized the morality and ethics

germination, growth,

of humanity, and avoided darkness

maturity, and decline. in the society.

► Current Issues: The 3. The 70s: Patriotism became the

great decrease in major theme because Taiwan

markets and box office withdrew from the united nations

earnings. and broke off with Japan and

U.S.A..

4. In the middle of 80s: The freedom

of speech had been achieved. The

diversification of movies was

developed and movies were not

political tools any more.

Issues

► Commercial movies made in Taiwan lacked creativities

and concrete stories. (1) The lack of new ideas during

the late 80s cause the decay of Taiwanese cinema. (2)

The globalization and convergence, large number of

foreign movies crowd into Taiwan and carve up most

markets. Thus, Taiwanese cinema turned into a new era

of art movies.

Foreign films reached 98% of the total earnings this

year. (Government Information Office: Taiwan Cinema

2006)

► Art movies win many awards all over the world and gain

a lot of international attention. However, these art

movies of brilliant results still have a small market in

Taiwan. They only increase the reputation of Taiwan but

do not bring economic benefits.

Comparison of two kinds of movies

► Art movies ► Commercial movies

1.Director-centered 1.Lack creativity

2.Overspending easily 2.Because of the strong

because of the support of

persistence of the government, quality

director. of the products is

3.Too conceptualized neglected.

and hard to achieve

wide acceptance.

The government policies and current

situation

Critique

(1)To support cinema industries ► The government on the one

through funding. hand actively supports the

(2)To set cinema industry Taiwanese movies through

development as one of the 13 funding; on the other hand

sub plans of the Challenge 2008 totally opens up the import

National Development Plan. of foreign movies.

(3)To join WTO, Taiwanese

government signed an ► The development cannot

agreement to remove the

rely only on money, and the

restriction of the screen

numbers of foreign movie government should realize

imports, which deprived the the impact of their policies.

protection of movie industries in

Taiwan.

Evaluation of the government policies



► In2005, the government information office

spent over 3.9 million US dollars on funding

Taiwanese movies (Government Information

Office: Taiwan Cinema 2005), but the total

box office earnings of Taiwanese movies are

less than 1.5 million (Government

Information Office: Taiwan Cinema 2006).

Conclusion

► The major problem is not the capital.

► The producers of art movies need to

understand the markets and do proper

promotions.

► The producers of commercial movies need

to have more original and creative ideas in

making each movie.

Critical thinking

► To analyze more deeply, the attitude of the producers

and the audiences is the root cause of the development

of Taiwan cinema industries.



(1)The lack of talent.: In Taiwan, arts and cultural related

subjects are not respected because people do not think

they have economic benefits.



(2)The cinema education in Taiwan still focuses on the

theory, rather than the technology (personal interviews,

October 15, 2006).



(3)To improve the cinema education is more significant.



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