Yoshitoshi - iSites

					Prefix   Part no.       Image   Title Japanese   Title
                                                 Transliteration
                    0




                    1           うるささう:寛政年 Urusa-sō: Kansei
                                間処女之風俗    nenkan shojo no
                                          fūzoku




                    2           しだらなささう:寛 Shidaranasa-sō:
                                政年間京都芸子風 Kansei nenkan
                                俗         Kyōto geiko no
                                          fūzoku




                    3           いたさう:寛政年間 Ita-sō: Kansei
                                女郎の風俗     nenkan joro no
                                          fūzoku




                    4           あつたかさう:寛政 Attaka-sō: Kansei
                                年間町家後家の風 nenkan chōka goke
                                俗         no fūzoku




                    5           ひんがよささう:享 Hinagaya-sō:
                                和年間宮女之風俗 Kyōwa nenkan
                                          kanjo no fūzoku
6    けむさう:享和年間 Kemu-sō: Kyōwa
     内室之風俗     nenkan naishitsu
               no fūzoku




7    つめたさう:文化年 Tsumeta-sō: Bunka
     間めかけの風俗   nenkan mekake no
               fūzoku




8    あつさう:文政年間 Atsu-sō: Bunsei
     内室の風俗     nenkan naishitsu
               no fūzoku




9    おもしろさう:文政 Omoshiro-sō:
     年間奥女中の風俗 Bunsei nenkan
               okujochū no fūzoku




10   しなやかさ:天保年 Shinayaka-sō:
     間傾城之風俗    Tenpō nenkan
               keisei no fūzoku




11   さむさう:天保年間 Samu-sō: Tenpō
     深川仲町芸者風俗 nennkann
               Fukagawa
               Nakamichi geisha
               fūzoku
12   おもたさう:天保年 Omota-sō: Tenpō
     間深川かるこの風 nenkan Fukagawa
     俗         karuko no fūzoku




13   みたさう:天保年間 Mita-sō: Tenpō
     御小性之風俗    nenkan okosho no
               fūzoku




14   にあいさう:弘化年 Niai-sō: Koka
     間廓の芸者風俗   nenkan kuruwa no
               geisha fūzoku




15   めがさめさう: 弘 Megasame-sō:
     化年間むすめの風 Koka nenkan
     俗         musume no fūzoku




16   かゆさう:嘉永年間 Kayu-sō: Kaei
     かこゐものの風ぞ nenkan kakoi-mono
               no fūzoku




17   むまさう:嘉永年間 Muma-sō: Kaei
     女郎之風俗     nenkan joro no
               fūzoku
18   かいたさう:嘉永年 Kaita-sō: Kaei
     間おかみさんの風 nenkan o-kamisan
     俗         no fūzoku




19   じれつたさう 嘉 Jire-tsuki-sō: Kaei
     永年間      nenkan anego no
     鳶妻之風俗    fūzoku




20   たのしんでゐさう: Tanoshindei-sō:
     嘉永年間師匠之風 Kaei nenkan shisho
     俗         no fūzoku




21   あいたさう嘉永年 Aita-sō: Kaei
     間おいらんのふう nenkan kuruwa no
     俗        geisha fūzoku




22   のみたさう:安政年 Nomita-sō: Ansei
     間町芸者俗二酌人 nenkan
     之風俗       machigeisha zoku
               ni shakunin no
               fūzoku



23   にくらしさう:安政 Nikurashii-sō:
     年間名古屋嬢之風 Ansei nenkan
     俗         Nagoya-jo no
               fūzoku
24   すゞしさう:明治五 Suzushii-sō: Meiji
     六年以来芸妓の風 nen irai geigi no
     俗         fūzoku




25   おきがつきさう:明 Ogatsuki-sō: Meiji
     治年間西京仲居之 nenkan saikyō
     風俗        nakai no fūzoku




26   かわゆらしさう:明 Kawayurashi-sō:
     治十年以来内室の Meiji jūnen irai
     風俗        naishitsu no fūzoku




27   暗さう:明治年間妻 Kura-sō: Meiji
     君の風俗      nenkan saikun no
               fūzoku




28   あぶなさう:明治年 Abuna-sō: Meiji
     間当時芸妓の風俗 nenkan toji geigi no
               fūzoku




29   はずかしさう:明治 Hazukashii sō: Meiji
     年間むすめの風俗 nenkan musume
               no fūzoku
30   ねむさう:明治年間 Nemu-sō: Meiji
     娼妓の風俗     nenkan shogi no
               fūzoku




31   うれしさう:明治年 Ureshii-sō: Meiji
     間当今芸妓之ふう nenkan tokon geigi
     そく        no fūzoku




32   遊歩がしたそう:明 Sanpogashita-sō:
     治年間妻君之風俗 Meiji nenkan saikun
               no fūzoku
Title Translation        Series Japanese   Series              Series Translation Object type
                                           Transliteration
                         風俗三十二相            Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
                                                               of Customs and
                                                               Manners




Looking tiresome: the    風俗三十二相            Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a virgin                                         of Customs and
of the Kansei era                                              Manners




Looking relaxed: the  風俗三十二相               Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a Kyoto                                          of Customs and
geisha of the Kansei                                           Manners
era (1789-1801)




Looking in pain: the     風俗三十二相            Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                                of Customs and
prostitute of the Kansei                                       Manners
era (1789-1801)




Looking warm: the       風俗三十二相             Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of an urban                                         of Customs and
widow of the Kansei era                                        Manners
(1789-1801)




Looking refined: the     風俗三十二相            Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a court                                          of Customs and
lady during the Kyōwa                                          Manners
era (1801-1804)
Looking smoky: the      風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                      of Customs and
housewife in the Bunsei                              Manners
era (1801-1804)




Looking chilly: the    風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                      of Customs and
concubine of the Bunka                               Manners
era




Looking hot: the        風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                      of Customs and
housewife in the Bunsei                              Manners
era (1818-1830)




Looking amused: the    風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a high                                 of Customs and
ranking maid in the                                  Manners
Bunsei era (1818-1830)




Looking feminine: the 風俗三十二相     Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a 'castle                              of Customs and
toppler' of the Tenpō                                Manners
era




Looking frozen: the     風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                      of Customs and
Fukagawa Nakamichi                                   Manners
geisha in the Tenpō era
Looking weighted      風俗三十二相      Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
down: the appearance                                  of Customs and
of a waitress at                                      Manners
Fukagawa in the Tenpō
era (1830-1844)



Looking inquisitive: the 風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a maid                                  of Customs and
in the Tenpō era (1830-                               Manners
144)




Looking suitable: the   風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a brothel                               of Customs and
geisha of the Koka era                                Manners




Looking as if she is   風俗三十二相     Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
waking up: the                                        of Customs and
appearance of a                                       Manners
maiden of the Koka era
(1844-1848)



Looking itchy: the      風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a kept                                  of Customs and
woman of the Kaei era                                 Manners
(1848-1854)




Looking tasty: the      風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                       of Customs and
prostitute during the                                 Manners
Kaei era
Looking as if she wants 風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
to change: the                                       of Customs and
appearance of a                                      Manners
proprietress of the Kaei
era (1848-1854)



Looking as if somebody 風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
is about to arrive: the                              of Customs and
appearance of a                                      Manners
fireman's wife in the
Kaei era (1848-1854)



Looking as if she is    風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
enjoying herself: the                                of Customs and
appearance of a                                      Manners
teacher during the Kaei
period (1848-1584)



Looking eager to meet   風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
someone: the                                         of Customs and
appearance of a                                      Manners
courtesan of the Kaei
period (1848-1534)



Looking as if she wants 風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
a drink: the appearance                              of Customs and
of a town geisha, a so-                              Manners
called wine server, in
the Ansei era (1854-
1860)


Looking disagreeable: 風俗三十二相     Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
the appearance of a                                  of Customs and
Nagoya princess of the                               Manners
Ansei era (1854-1860)
Looking cool: the          風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a geisha                                  of Customs and
in the fifth or sixth year                              Manners
of Meiji




Looking capable: the      風俗三十二相    Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a Kyoto                                   of Customs and
waitress in the Meiji era                               Manners




Looking cute: the        風俗三十二相     Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                         of Customs and
housewife in the tenth                                  Manners
year of Meiji (1877)




Looking dark: the        風俗三十二相     Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a wife                                    of Customs and
during the Meiji era                                    Manners




Looking like a         風俗三十二相       Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
dangerous situation:                                    of Customs and
the appearance of a                                     Manners
contemporary geisha of
the Meiji era (1867-
1912)


Looking shy: the      風俗三十二相        Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a young                                   of Customs and
girl of the Meiji era                                   Manners
(1868-1912)
Looking sleepy: the       風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a harlot                                 of Customs and
of the Meiji era (1867-                                Manners
1912)




Looking delighted: the    風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
appearance of a                                        of Customs and
present day geisha of                                  Manners
the Meiji era (1867-
1912)



Looking as if she is      風俗三十二相   Fūzoku sanjūni sō   Thirty-two Aspects nishiki-e
enjoying a stroll: the                                 of Customs and
appearance of a Lady                                   Manners
of the Meiji era
Material   Dimension        Description                            Date         Artist
           value
paper      13 by 5 inches   Title page.                                    1888 Tsukioka
           (33 by 14.5                                                          Yoshitoshi
           centimeters)




paper      ōban             Bijin-ga. Young woman in an            February 25, Tsukioka
                            elaborate uroko ("fish scale")         1888         Yoshitoshi
                            patterned robes teasing a cat.




paper      ōban             Bijin-ga. A young female entertainer February 25, Tsukioka
                            in a robe printed with a design of   1888         Yoshitoshi
                            sparrows relaxing.




paper      ōban             Bijin-ga. A lower-class prostitute    February 25, Tsukioka
                            biting her hankerchief in pain as she 1888         Yoshitoshi
                            receives a tattoo on her left forearm
                            of her lover's name.




paper      ōban             Bijin-ga. A merchants wife reading a March 2,       Tsukioka
                            novel under a kotatsu, upon which a 1888            Yoshitoshi
                            cat is sleeping.




paper      ōban             Bijin-ga. An aristocratic woman in     April 13,    Tsukioka
                            four layered traditional red and white 1888         Yoshitoshi
                            robes, holding a cypresswood fan.
paper   ōban   Bijin-ga. A woman narrows her eyes May 19,            Tsukioka
               as she fans smoke away from her.   1888               Yoshitoshi




paper   ōban   Bijin-ga. A young mistress in            April 5, 1888 Tsukioka
               elaborate robes holds tissues                          Yoshitoshi
               between her teeth as she washes
               her hands in an ornate water
               fountain.



paper   ōban   Bijin-ga. A young housewife bent         March 10.    Tsukioka
               over a writing desk receives a           1888         Yoshitoshi
               treatment of burning moxa to her
               back.




paper   ōban   Bijin-ga. A maid of aristocratic birth   February 12, Tsukioka
               looks out over a red lacquered           1888         Yoshitoshi
               veranda.




paper   ōban   Bijin-ga. A courtesan of the highest     April 1, 1888 Tsukioka
               grade dressed in many layer of                         Yoshitoshi
               brocade robes, with numerous
               ornate hairpins.




paper   ōban   Bijin-ga. A young geisha of the       February 25, Tsukioka
               unlicensed Fukagawa district battling 1888         Yoshitoshi
               through the snow with her bamboo
               umbrella.
paper   ōban   Bijin-ga. A harried-looking waitress October 4,   Tsukioka
               carrying a portable table loaded with 1888        Yoshitoshi
               food for a party.




paper   ōban   Bijin-ga. A young maid looks out April 14,        Tsukioka
               from between two bamboo screens. 1888             Yoshitoshi




paper   ōban   Bijin-ga. A young female enterainer April 24,     Tsukioka
               dressed as a fashionable young man 1888           Yoshitoshi
               for a festival procession.




paper   ōban   Bijin-ga. A young woman looking       March 22,   Tsukioka
               dishevelled, having just woken up.    1888        Yoshitoshi




paper   ōban   Bijin-ga. Semi-naked young woman      September   Tsukioka
               with a dishevelled appearance         16,1888     Yoshitoshi
               emerging from a mosquito net.




paper   ōban   Bijin-ga. A lower grade prostitute    March 3,    Tsukioka
               eating battered shrimp under a full   1888        Yoshitoshi
               moon in late summer.
paper   ōban   Bijin-ga. A prosperous proprietress           1888 Tsukioka
               buying adonis plants in anticipation               Yoshitoshi
               of the lunar new year.




paper   ōban   Bijin-ga. A fireman's wife anxiously February 12, Tsukioka
               awaiting the return of her husband; 1888          Yoshitoshi
               his heavily padded coat hung on the
               wall behind her.




paper   ōban   Bijin-ga. A female shamisen teacher November 3, Tsukioka
               holding her instrument.             1888        Yoshitoshi




paper   ōban   Bijin-ga. An off-duty courtesan of a   October 15, Tsukioka
               high grade waiting for her lover       1888        Yoshitoshi
               amongst falling cherry blossoms.




paper   ōban   Bijin-ga. An intoxicated lower class          1888 Tsukioka
               geisha holds out a full saké cup.                  Yoshitoshi




paper   ōban   Bijin-ga. An elaborately dressed              1888 Tsukioka
               daughter of a wealthy household                    Yoshitoshi
paper   ōban   Bijin-ga. A geisha in a thin blue robe May 4, 1888 Tsukioka
               rests her chin on her right hand as                Yoshitoshi
               she looks out the window of a
               pleasure boat on a summer evening.




paper   ōban   Bijin-ga. A young waitree removes     May 15,      Tsukioka
               her hairpin to attend to an untrimmed 1888         Yoshitoshi
               wick in a paper collapsible lamp.




paper   ōban   Bijin-ga. A young mother holding her April 15,     Tsukioka
               young son who is half-tucked into    1888          Yoshitoshi
               her robes.




paper   ōban   Bijin-ga. An upper-class woman         March, 1888 Tsukioka
               lighting a lamp beside her futon in                Yoshitoshi
               early evening.




paper   ōban   Bijin-ga. A young woman lifts her    May 1, 1888 Tsukioka
               robes and holds onto a wooden post               Yoshitoshi
               for support as she steps onto a boat
               (unseen).




paper   ōban   Bijin-ga. A shy young girl bites her   November,   Tsukioka
               sleeve out of embarrassment.           1888        Yoshitoshi
paper   ōban   Bijin-ga. A low ranking prostitute   April 20,    Tsukioka
               taking a nap.                        1888         Yoshitoshi




paper   ōban   Bijin-ga. A young woman in a light           1888 Tsukioka
               summer robe at night catching                     Yoshitoshi
               fireflies.




paper   ōban   Bijin-ga. Young woman in Western     June 22,     Tsukioka
               dress looking over her shoulder      1888         Yoshitoshi
               holding an umbrella, surrounded by
               irises.
Artist        Artist seal   Publisher    Block carver
Signature
Yoshitoshi ga               Tsunashima
                            Kamekichi




Yoshitoshi ga 大蘇 (in gourd- Tsunashima Wada Hori Yū
              shaped        Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in        Tsunashima Wada Hori Yū
              circular      Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in        Tsunashima Wada Hori Yū
              circular      Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in gourd- Tsunashima Wada Hori Yū
              shaped        Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in        Tsunashima Hori Yū
              rectangular   Kamekichi
              cartouche)
Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Koku
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yu
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Koku
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in gourd- Tsunashima Wada tō
              shaped        Kamekichi
              cartouche)
Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada tō
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Koku
              circular     Kamekichi
              cartouche)
Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada tō
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)
Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Horikō Yokichi
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yu
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Koku
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada Hori Yū
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Hori Yū
              circular     Kamekichi
              cartouche)
Yoshitoshi ga 大蘇 (in       Tsunashima Yamamoto tō
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Wada tō
              circular     Kamekichi
              cartouche)




Yoshitoshi ga 大蘇 (in       Tsunashima Horikō Wada
              circular     Kamekichi tō
              cartouche)

				
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