AP USH Harlem Renaissance for 2-28-08
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The Harlem Renaissance
Mr. Oppel
AP US History
Harlem Renaissance
“The Harlem Renaissance
probed racial themes and
what it meant to be black in
America”
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Harlem Renaissance
I. Introduction
A. Definition
Generic term
describes Manhattan-based
(NYC) cultural movement
1920s and 30s
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Harlem Renaissance
B. Location
New York
City
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Harlem Renaissance
Manhattan
Island
Harlem
Central
Park
WTC 5
Harlem Renaissance
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Harlem Renaissance
C. European Origins
1. European Art
French artists study West African
sculpture
Popularize artistic primitivism
Spontaneous
Instinctive
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Harlem Renaissance
Amedeo Modigliani
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Harlem Renaissance
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Harlem Renaissance
Pablo Picasso
•Les
Demoiselles
d'Avignon
•1907
•African masks
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Harlem Renaissance
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Harlem Renaissance
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Harlem Renaissance
2. European Music
Incorporate syncopation
from ragtime
Later reintroduced to jazz
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Harlem Renaissance
Sousa on Tour in Europe
1893 Chicago
World‟s Fair
touring repertoire
began to include
early ragtime
cakewalks and
syncopated songs 14
Harlem Renaissance
introduced
ragtime to
Europe
Performances
Paris
Exposition
Kaiser
Wilhelm II of
Germany 15
Harlem Renaissance
Incorporate American jazz
Claude DeBussy
Children’s Corner, 1906-8
Igor Stravinsky
Le Sacre duprintemps, 1913
Eric Satie
Parade, 1917
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Harlem Renaissance
Black jazz
bands
toured
Europe
during
WWI
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Harlem Renaissance
D. American influences
Southern
Counter-
Reconstruction
Black Codes
Jim Crow laws
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Harlem Renaissance
WWI Experience
in Europe
Harlem
Hellfighters
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Harlem Renaissance
The Great Migration &
Urbanization
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Harlem Renaissance
The Red Scare
The NEW YORK
TIMES lamented the
new black militancy:
"There had been no
trouble with the Negro
before the war when
most admitted the
superiority of the
white race."
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Harlem Renaissance
Claude McKay
If We must Die, 1919
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
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Harlem Renaissance
II. Harlem Renaissance
A. Activists
B. Artists & Photographers
C. Writers
D. Composers, Musicians,
Actors & Singers
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Harlem Renaissance
Prognostications
“The nation was on the verge
of a „renaissance of American
Negro literature‟”
W.E.B. DuBois
NAACP‟s Crisis, 1920
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Harlem Renaissance
“America was „on the edge, if not
already in the midst of, what
might not improperly be called a
Negro renaissance‟”
New York Herald Tribune, 1925 25
Harlem Renaissance
A. Activists
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Harlem Renaissance
Marcus Garvey
1887-1940
Jamaican
“Back to Africa”
movement
Universal Negro
Improvement
Association 27
Harlem Renaissance
Uniform of the
“Provisional
President of Africa”
Opened office in
Harlem in 1917
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Harlem Renaissance
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Harlem Renaissance
Black Star
steamship line
Raised money
to help blacks
emigrate to
Africa
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Harlem Renaissance
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Harlem Renaissance
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Harlem Renaissance
Liberia feared he
was a revolutionary
and pulled away its
support
Jailed & deported
to Jamaica, 1923
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Harlem Renaissance
African Folklore &
Africanism
W.E.B.
DuBois
Alain
Locke
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Harlem Renaissance
B. Artists & Photographers
Aaron Douglas
Jacob Lawrence
LM Jones
Arthur J. Motley, Jr.
James Van Der Zee
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Harlem Renaissance
Aaron Douglas
Painted murals
Illustrated The
Crisis and
Opportunity
taught art at
Fisk University
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Harlem Renaissance
Aaron Douglas
Aspects
of
Negro
Life,
1934
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Harlem Renaissance
Into
Bondage,
1936
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Harlem Renaissance
L.M. Jones
The Ascent
of Ethiopia,
1932
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Harlem Renaissance
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Harlem Renaissance
Arthur J. Motley, Jr.
1891 – 1981
Art Institute of Chicago
Realistic, urban subjects, jazz, &
abstract painting
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Harlem Renaissance
Cocktails, 1926
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Harlem Renaissance
Motley
Blues,
1929
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Harlem Renaissance
James Van Der Zee
1886 – 1983
photographer
celebrated the black middle
class
brought dignity
reshaped the image of blackness 44
Harlem Renaissance
"A Couple Wearing Raccoon Coats With a Cadillac, Taken on West
127th Street," photograph by James Van Der Zee, 1932
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Harlem Renaissance
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Harlem Renaissance
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Harlem Renaissance
Alpha Phi Alpha Basketball
Team, 1926
Alpha Phi
Basketball
Team,
1926
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Harlem Renaissance
C. Writers
Countee Cullen Jessie Fauset
Langston Hughes Zora Neale
Alain Locke Hurston
Claude McKay Nella Larsen
Wallace Thurman
Jeane Toomer
Walter White
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Harlem Renaissance
purpose of writing?
Many The writers
themselves
establishment
wanted to
blacks “wanted show realism
black writers to of life in
promote Harlem
positive images”
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Harlem Renaissance
African–American
publications
NAACP Urban League
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Harlem Renaissance
The NAACP magazine
Art
Aaron Douglas
Literature
Countee Cullen
Langston Hughes
Clause McKay
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Harlem Renaissance
Claude McKay
Born in Jamaica
Wrote poetry
and novels
Tried to use
poetry to inform
as well as please
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Harlem Renaissance
Wrote poem “If We must Die” in
response to a series of 1919 race riots
Fled to Soviet Union and Europe,1922
In conflict with “Harlem Renaissance”
and claimed to be an older
“forerunner”
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Harlem Renaissance
Langston Hughes
Lived in MO and
Cleveland
Worked or
traveled in
Mexico, Europe,
and Africa
Harlem
Renaissance poet 55
Harlem Renaissance
Stressed nobility of lowly walks
of life, developed racial pride,
place of AA in white world
Gained attention of whites and
raised self-esteem of blacks
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Harlem Renaissance
Wrote in African-American
vernacular
Brought rhythm of blues and jazz to
writing process
“The Negro Speaks of Rivers”,
“Negro”, “Harlem”, “Weary Blues”
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Harlem Renaissance
Zora Neale Hurston
Raised in all-black
town in Florida
near Orlando
Literary realism and
consciousness of
race issues like
degree of skin-color 58
Harlem Renaissance
“Color Struck”
Mules and Men, 1935
Their Eyes Were Watching
God, 1937
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Harlem Renaissance
D. Composers & Musicians
Jazz Stage Concerts
Music Brodaway
Clubs
artists
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Harlem Renaissance
1. JAZZ
Harlem jazz culture
Clubs, cabarets, theaters,
ballrooms, rent parties
Liquor
White and black worlds
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Harlem Renaissance
Musical origins
African American
Southern
poor
rural
Blues, Negro Spirituals, Ragtime
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Harlem Renaissance
Criticism of jazz
as music
“cacophpony” and “deliberate
vulgarity”
“Bolshevistic smashing of the
rules of music”
Jazzing and ad libbing
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Harlem Renaissance
as a cultural influence
Promoted “daring couple
dancing”
The “sex-exciting” music
affected girls morals and
threatened chaste girls
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Harlem Renaissance
White Clubs
segregated dance shows
shows and light-skinned
music girls
5‟6” or taller
black staff
under 21
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Harlem Renaissance
NEGROTARIANS
Hurston‟s name for whites
interested in Harlem life
fascinated with Negro culture
still condescended with views
of exoticism and a lack of
civilization 66
Harlem Renaissance
Connie‟s Inn
Fats Waller
Bill “Bojangles”
Robison
Louis
Armstrong
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Harlem Renaissance
Cotton Club
Cab
Calloway
Duke
Ellington
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Harlem Renaissance
Black Clubs
for blacks
less expensive
food, music, no shows
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Harlem Renaissance
Duke Ellington, 1899 - ?
Went to NYC at 23
Played with bands & then formed own
pianist, conductor, orchestrator
Improvised well
Rose to prominence from 1928 – 1934
playing at the Cotton Club in Harlem
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Harlem Renaissance
Jazz compositions 1928-34
“The Mooche”
“It Don‟t Mean a Thing If It
Ain‟t Got That Swing”
“Mood Indigo”
“Sophisticated Lady”
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Harlem Renaissance
Bessie Smith
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Harlem Renaissance
2. Negro Spirituals
Sung for musical merit
Not baggage of
slavery
Performers
Marian Anderson
Paul Robeson
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Harlem Renaissance
3. BROADWAY
Eubie Blake & Noble Sissle
Shuffle Along, 1921
Chocolate Dandies, 1924
Fats Waller
Ain’t Misbehavin’
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Harlem Renaissance
White writers supported movement
Sherwood Anderson,
Sinclair Lewis, & Eugene O‟Neil
Secret financial benefactors
Tried to encourage the exoticism
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Harlem Renaissance
Paul Robeson
Lawyer
Athlete
Singer
Actor
Political radical
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Harlem Renaissance
Robeson won the
title role in Eugene
O‟Neil‟s Broadway
play The Emperor
Jones on a lark and
improvised on stage
into success
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Harlem Renaissance
George Gershwin
Porgy and Bess
Jerome Kern & Oscar Hammerstein
Showboat
Eugene O‟Neil
The Emperor Jones
All God’s Chillun Got Wings
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Harlem Renaissance
In London
The Emperor
Jones
Showboat, 1928
Othello, 1930
(picture on left
from 1944)
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Harlem Renaissance
Better treatment in Europe led
him to radicalism
Socialism
Communism
Ties to U.S.S.R.
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Harlem Renaissance
Josephine Baker
Born in St. Louis
Performing by 15
as a singer and
dancer
Expatriate
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Harlem Renaissance
Shuffle Along, 1921-23
danced
sang
clowned
improvised
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Harlem Renaissance
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exoticism
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Harlem Renaissance
style
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Harlem Renaissance
showgirl
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Harlem Renaissance
clown
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Harlem Renaissance
sophisticated
lady
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Harlem Renaissance
La Revue Negre
Paris, France
scantily clad
erotic dancing
suggestive
music
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Harlem Renaissance
“La Folie du Jour”
Paris, France, 1926
Folies Berger night club
topless, banana skirt,
climbs down a tree like
an animal
danced the charleston
erotic and comic 90
Harlem Renaissance
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Harlem Renaissance
“the charleston”
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Harlem Renaissance
The end of a
movement
By the late 20s & early 30s
Economic hardships with the
Depression
Participants “moved on”
Some prospered throughout the 30s
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Harlem Renaissance
Bibliography
Harlem Renaissance
http://www.si.umich.edu/CHICO/Harlem/index.html
Josephine Baker
http://www.cmgww.com/stars/baker/home.html
Claude DeBussy
http://www.duke.edu/~aparks/class4.html
Marcus Garvey
http://www.pbs.org/wgbh/amex/garvey/index.html
http://www.isop.ucla.edu/mgpp/sound.htm
http://www.isop.ucla.edu/mgpp/facts.htm
Amedeo Modigliani
http://www.mystudios.com/gallery/modigliani/gallery_wall.html
http://www.trindera.pwp.blueyonder.co.uk/Year%209/modigliani_and_african_art.htm
Pablo Picasso
http://www.moma.org/collection/depts/paint_sculpt/blowups/paint_sculpt_006.html
http://www.moma.org/collection/conservation/demoiselles/analysis_1_la.html
http://cghs.dade.k12.fl.us/african-american/twentieth_century/cubism.htm
http://cti.itc.virginia.edu/~bcr/African_Mask.html
Red Summer
http://www.pbs.org/wnet/jimcrow/stories_events_red.html
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