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Auditory Tactics

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Auditory Tactics
Auditory Tactics

Philippe Pasquier and Philippe-Aubert Gauthier, 2007

Auditory Tactics

Philippe Pasquier and Philippe-Aubert Gauthier, 2007









Create a sound installation

which includes spatial sound technologies

... but not just for the fun of it :

use spatial sound as a conceptual,

significant or esthetical component

of the artistic proposition.

Auditory Tactics

Philippe Pasquier and Philippe-Aubert Gauthier, 2007



● Intentions ... ● Plan of the

– Explore the notions of presentation:

private and public – Loudspeaker array

auditory spheres in a (workshop theme) and

public space with a beam-forming

sound installation:

● Beam-forming to create

– The design process

small private zone of – Speaker selection

sound radiation ...

● Use voice sound ... – The fabrication

– Explore the spatial – Pure-Data patch

sound possibilities with – The in situ installation

BF and the building ...

– Play!

Auditory Tactics: Beam-Forming?

Auditory Tactics: Beam-Forming?

Auditory Tactics: Beam forming?

A single loudspeaker ...









y [m]









x [m]

Auditory Tactics: Beam forming?

Two loudspeakers ...









y [m]









x [m]

Auditory Tactics: Beam forming?

Four loudspeakers ...









y [m]









x [m]

Auditory Tactics: Beam forming?

Eight loudspeakers ...









y [m]









x [m]

Auditory Tactics: Beam forming?

Private auditory spheres

Sixteen loudspeakers ...









y [m]









x [m]

Auditory Tactics: Beam forming?

A different delay ...









y [m]









x [m]

Auditory Tactics: Beam forming?

End firing ...









y [m]









x [m]

Auditory Tactics : Bessel array

Public auditory spheres







y [m]









x [m]

Auditory Tactics: The Design

● Initial technical

constraints:

– Need a compact array

of full-bandwidth

loudspeaker: coax

speakers.

– Design an array:

closed-box

Car 4-inches 4-ohms speakers

loudspeakers.

– Save money: car

audio.

Auditory Tactics: The Design

● Importance of baffling the

loudspeakers: cancellation

of the acoustical short-

circuit, very effective at low

Push-pull: Acoustical

freq. short-circuit without

baffle









The baffle [1] cancels the

acoustical short circuit and [2]

increases the sound radiation!

Auditory Tactics: The Design

Realistic baffling: Closed box or vented box?



Closed box ma







ka ka



Vented box



k and m k and m





ma



ka ka

Auditory Tactics: The Design

Realistic baffling: Closed box or vented box?



Vented Closed

Auditory Tactics: The Design

● The closed-box

design:

– Easier to design and tune.

– More safe for dust and

other intrusive objects. Box vol.: 0.33 Cuft



● Selecting the box

volume: typical car

audio speakers ...

● Found the minimum

box size that adds

stiffness ... (ka)

Auditory Tactics: The Design

Effect of the baffle: baffle step and corner diffraction

Freeware: The Edge,

version 1.8 for Windows

Auditory Tactics: The Design



Speakers

Top cover









Boxes









Grill cloth

Box and array design

Auditory Tactics: The Design

Auditory Tactics: The Design

Auditory Tactics: Speaker Selection

● Paramaters: Rendement n

4,00

– Sensibility dB 1W/1m 3,75

3,50

3,25 =10

 M −109/ 10

3,00

Gives efficiency (%) to









Rendement n (%)

● 2,75

2,50

convert electric power 2,25

2,00



in acoustical power. 1,75

1,50

1,25

Example: 90dB 1W/1m 1,00

0,75

gives1.25%! 0,50

0,25

0,00

– Maximum RMS power 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95

Sensibilité M [dB 1W/1m]



● Max electrical power

(P) gives max

acoustical power (E):

E=nP with the

efficiency n.

Auditory Tactics: Speaker Selection

● Paramaters:

– Number of speakers: increase in acoustical power:

– LWarray = LW 10 log 10  N 

– +3dB when doubling N

10log(N)

14

13

12

11

Gain en dB (10log(N))









10

9

8

7

6

5

4

3

2

1

0

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24

N

Auditory Tactics: Speaker Selection

● Estimation of the direct reproduced sound pressure

level for the total acoustical power of the array

L p =L Warray −20log 10 r −11

D





Champ direct SPL [dB]

120,00

110,00

100,00

90,00

80,00

SPL [dB]









70,00

60,00 Column B

50,00 Column C

40,00

30,00

20,00

10,00

0,00

01122334455667788991111111111111111111122222222222

, , , , , , , , , , , , , , , , , , , 0011223344556677889900112233445

5050505050505050505, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Distance [m]

Auditory Tactics: The Fabrication







Each loudspeaker

is in front of a

independent cavity.

Auditory Tactics: The installation

Auditory Tactics: Pure-Data

Auditory Tactics: Pure-Data

Auditory Tactics: The workshop!

● Using loudspeaker array?

● Closely spaced loudspeakers.

● Experiment with two-channel array:

– Try to explore the radiation patterns.

– Play with phase and gains in PD ...


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