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Practice, organization and quality control

of digitization projects





Henriette Reerink

Project coordinator Digitization

Metamorfoze

National Preservation Programme for Library Materials

Preservation and digitization



 1997-2000 subsidy € 8 preservation microfilming

deacidification

research

publicity

 2001-2004 subsidy € 10 idem

&

digitization for access

Preservation and digitization



 Technical coherence between microfilming

and scanning

 Advantages of combining microfilming

and digitization

Financial

Organizational

Practical

Logistic

Preservation and digitization

Substitution microfilming:

To make authentic surrogate copies of the source

material for the long term.

“Substitution” digitization:

Digital images cannot yet give a measurable and

retraceable representation of the source material.

Standardization for this, however, is evolving.

The long term durability of digital images cannot

yet be assured.

To increase access.

Metamorfoze criteria for digitization



 Preservation via substitution microfilming

 Importance of the collection

 Frequency of use

 Target group of users

 Physical state of the collection

Infrastructure



Memory of the Netherlands

 A cross-sectoral national digitization programme

for museums, libraries, documentation centres

and archives

 A multimedia database on the Internet, which

gives access to information on many aspects of

Dutch culture and history

 Focuses on a general public, as well as on

scholars, secondary school pupils and teachers

Memory of the Netherlands

Infrastructure



 Storage of scans and metadata

 Retrieval of scans and metadata

 Presentation of scans and metadata

 Quality demands scanning

 Long term preservation?

 Keeping and maintenance of scans and

metadata in the (near) future

Project organization

 Project leader

 Cataloguer with database experience

 Quality manager of the Memory of the

Netherlands

 Programmers of the Memory of the

Netherlands

 Project coordinator Metamorfoze

 IT Deparment to keep and maintain the

collection when the project is finished

Metamorfoze digi projects

 Manuscript collections: Theatre songs

Musical scores

Album amicorum

Archival collection

 Printed books: Children’s books

Illegal brochures and pamphlets

 Newspapers: 1910-1930



 Periodicals: De Gracieuse

De Gracieuse

De Gracieuse

Outline of digitization projects



 1. Preliminary phase

 2. Metadata

 3. Digitization

 4. Presentation

 5. Final report and evaluation

1. Preliminary phase



 Selection

 Material analysis (types, numbers, sizes)

 Copyright research

 Request for a quotation

 Judging offers and test results

 Project proposal, estimate and planning

Request for a quotation

 One company

 Test:

Technical specifications (quality demands)

Filenames

(OCR)

 Storage costs

 Planning

 Back-up

 Treatment of the collection & insurance

2. Metadata



 Metadata research

 Creating / complementing / correcting

metadata

 Writing conversion scripts for metadata

 Selecting dump from database

 Metadata control after conversion

 Correcting conversion errors

3. Digitization





 Making of intermediaries

 Digitization (and OCR)

 Quality control of digital images, filenames

(and OCR)

4. Presentation: development site



 Specifications for the site



 Writing and editing introductory texts

 Technical development of the site

 Making testplan

 Testing site

 Adapting site following test results

 English translation of the texts

5. Evaluation



 Evaluation

 Financial end report

Costs digitization





 Digitizing 30%

 Metadata 30%

 Management 30%

 Overhead 10%

Costs preservation microfilming





 Microfilming 50%

 Organizing the collection 20%

 Management 20%

 Overhead 10%

Costs of combination





 Microfilming and digitization 40%

 Organizing the collection (incl. metadata)

25%

 Management 25%

 Overhead 10%

Planned Metamorfoze research



The state of the art of combining microfilming

and digitization

 Survey of combined projects

 (Im)possibilities of COM and hybrid camera’s

 Examination of standards for scanning from film

 Scan targets for creating sound surrogate copies



 Scanning from positive and negative greyscale films



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