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COMMUNICATION

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COMMUNICATION
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COMMUNICATION



The process of sending a message in such a way that the message

received is as close in meaning as possible to the message intended.



DATA

Raw figures and facts

We have 35 working machines

Each machine can produce 1000 widgets in a day

Current demand is 30000 widgets daily

Machine operators earn $20/hour



INFORMATION

Data summarized and presented in such a way that it “makes sense”

…or has logical meaning.



“Our plant has excess production capacity, and is incurring $800 of

unnecessary labor costs per day.”

CHARACTERISTICS OF

USEFUL INFORMATION

ACCURATE

The information is precise…it reflects reality…it can be trusted

…it’s true!



TIMELY

The information can be made available to the manager in time for

appropriate action. If it takes too long to get it…it won’t be helpful.



COMPLETE

The information is all here…nothing important has been omitted.



RELEVANT

Is this information really needed by the manager? Will this knowledge

aid the decision-maker…or will it confuse or distract him/her?

THE COMMUNICATION PROCESS



KEY PARTS OF THE COMMUNICATION MODEL



• SENDER -- initiator of the message

• ENCODING -- creating a message we want to send

• MESSAGE -- the specific words, signals, and images we send

• CHANNEL -- the method of delivery of the message

• DECODING -- translating, interpreting the meaning

• RECEIVER -- the target of the message

• NOISE -- signals which compete with (disrupt) the intended message

• FEEDBACK -- checking to be sure the message was understood

INTERPERSONAL COMMUNICATION



ORAL COMMUNICATION

Managers spend 50 – 90% of their time talking to people.

55% of managers don’t feel their written communication skills are

very good…so they use oral communication to avoid embarrassment.



ADVANTAGES

• Promotes prompt feedback and clarification…listen/watch to see

whether they understand. If not, questions will be asked, etc.

• It’s easy…you don’t need a computer…all you have to do is talk.



DISADVANTAGES

• Sender may leave out important details

• Noise may distort the process

• The receiver may forget part of the message

• There is no permanent record of what has been said

BARRIERS TO COMMUNICATION



SEMANTIC PROBLEMS (WORD MEANINGS)

LANGUAGE

VOCABULARY

TECHNICAL JARGON

Bits, bytes, bauds, bandwidths...does OB = obstetrics or organizational behavior?

POLITICALLY CORRECT TERMINOLOGY

Follically challenged, people of gender, visually impaired

negative patient outcome, vertically challenged, caloric overload

CLICHES AND FILLER

“That’s the way the cookie crumbles”…“That’s water under the bridge”

Yadda, yadda, yadda”…“Like, you know…”… “sure, whatever”





TECHNICAL PROBLEMS

DISTRACTIONS AND INTERRUPTIONS

PHYSICAL BARRIERS AND DISTANCE

ABSENCE OF FEEDBACK (no signal)

STRUCTURE OF GROUP NETWORKS

POOR CHOICE AND USE OF COMMUNICATION CHANNELS

Upward, downward or lateral?

“Rich” vs “Lean” Channels

SMALL-GROUP COMMUNICATION

NETWORKS





CRITERIA CHAIN WHEEL ALL CHANNEL



Speed Moderate FAST FAST



Accuracy Moderate HIGH Moderate



Emergence of

a Leader Moderate HIGH Low



Member

Satisfaction Moderate Low HIGH



Centralized Decentralized

COMMUNICATION TOPICS



ORAL

• WORK DISPUTES

• DISCIPLINARY ISSUES

• SENSITIVE PERSONAL MATTERS

• ANYTHING THAT CAN BE EASILY MISUNDERSTOOD



WRITTEN

• GENERAL REPORTS

• ROUTINE ANNOUNCEMENTS

• GENERAL INFORMATION (FYI)



COMBINATION (USE BOTH)

• DIRECTIVES OR ORDERS

• PERFORMANCE APPRAISALS

• POLICY OR RULE CHANGES

CHOICE OF CHANNELS



DOWNWARD

FOLLOWS THE CHAIN OF COMMAND – FORMAL HIERARCHY

LESS LIKELY TO BE FILTERED OR DISTORTED

LEAVES LITTLE OPPORTUNITY FOR FEEDBACK (ONE-WAY)

UPWARD

ACHIEVEMENT OF OBJECTIVES, PERFORMANCE REPORTS

UNRESOLVED PROBLEMS …unless the Boss will be upset!

SUGGESTIONS AND IDEAS FOR IMPROVEMENT

ATTITUDES AND FEELINGS OF WORKERS

LATERAL

ESSENTIAL FOR COORDINATION AND INTEGRATION

SAVES TIME BY SHORT-CUTTING THE VERTICAL HIERARCHY (TO

EXPEDITE ACTION)

FORMAL vs INFORMAL

USE OF OFFICIAL CHANNELS

GRAPEVINE

Usually is 75-95% accurate

COMMUNICATION CHANNELS



ARE THESE DOWNWARD, UPWARD, LATERAL, FORMAL OR INFORMAL?



REPORTS

PROCEDURES & HANDBOOKS

NEWSLETTERS

PERSONAL LETTERS

PAY INSERTS

POSTERS & BULLETIN BOARDS

MEMOS & FLYERS

E-MAIL

VOICE MAIL

INTERCOM (LOUDSPEAKERS)

SPECIAL MEETINGS

INFORMAL DISCUSSIONS

ONE-ON-ONE MEETINGS

MORALE QUESTIONNAIRES

GRAPEVINE

SUGGESTION BOXES

GRIEVANCE SYSTEM

HIERARCHY OF CHANNEL RICHNESS

ROUTINE, CLEAR, UNAMBIGUOUS MESSAGES (LEAN MEDIA)

FLYERS

BULLETINS

GENERAL REPORTS

MEMOS

LETTERS

ELECTRONIC MAIL

INSTANT MESSAGING

VOICE MAIL

TELEPHONE

VIDEOCONFERENCE

GROUP MEETINGS

FACE-TO-FACE

NONROUTINE, AMBIGUOUS, SENSITIVE MESSAGES (RICH MEDIA)





HOW “RICH” DOES THE CHANNEL HAVE TO BE?

WHAT IS THE POTENTIAL FOR MISUNDERSTANDING?

BARRIERS TO COMMUNICATION

PSYCHOLOGICAL & PERCEPTUAL PROBLEMS

CONFLICTING, INCONSISTENT MESSAGES

PERCEIVED CREDIBILITY OF THE SENDER (can the source be trusted?)

RELUCTANCE TO COMMUNICATE (suppress “bad news”)

POOR LISTENING SKILLS

Filtering – only “hearing” what you want to hear

A “tired” Receiver – psychological readiness to listen

OVERLOAD -- Too much, too fast, can’t comprehend…

CULTURE & GENDER DIFFERENCES

Men v. Women

Asian v. North American

INDIRECT ORAL COMMUNICATION*

Voice Intonations, Prompting Mannerisms and Pseudo-questions

NON-VERBAL CUES*

Performance, Artifactual, Contextual, and Mediational codes



*One study showed as much as 55% of the message was received through

nonverbal means and another 38% from voice inflection and tone. Words

themselves accounted for only 7 % of the content of the message.

CULTURE & GENDER DIFFERENCES - 1



CULTURAL DIFFERENCES



USA To “TABLE” something means to postpone it

ENGLAND To “TABLE” means to move it up for discussion



USA “INCONVENIENT” means distasteful, but do-able

CHINA “INCONVENIENT” really means downright impossible!



USA People are quick to fill silence with words

OTHER Silent spaces are not to be interrupted



USA Expressions of anger and frustration are often public

OTHER It is not only unacceptable, it’s taboo!



USA Get straight to the point, get down to business right away

OTHER This is an insult and is resented. We do social things first



IS THIS A “HIGH CONTEXT” OR A “LOW CONTEXT” CULTURE?



LEARN TO BE EMPATHETIC & SENSITIVE TO CULTURAL DIFFERENCES

CULTURE & GENDER DIFFERENCES - 2



GENDER DIFFERENCES



MEN --- EMPHASIZE STATUS & INDEPENDENCE

WOMEN --- MAKE CONNECTION & ESTABLISH INTIMACY



EXAMPLES



Women want support and understanding, but men offer advice instead.



Women say men don’t listen, but men say women just talk on and on.



Women often approach problems indirectly, while men are more direct.



Men often speak in ways that establish their independence and status.



When women say “I’m sorry” are they apologizing unnecessarily?

Or, are they saying “I know you feel bad about this, and so do I.”

INDIRECT ORAL COMMUNICATION - 1



INFLECTIONS OF VOICE

TONE – THE WAY YOUR VOICE “SOUNDS”

Irritated or impatient?

Do you sound sympathetic?

Do you sound like you mean it?



EMPHASIS – WHICH WORDS ARE STRESSED?





WHY DON’T I TAKE YOU TO DINNER TONIGHT?



“YOU” I was going to take someone else

“I” Instead of the guy you were going with

“DON’T” I’m trying to find a reason why I shouldn’t take you

“WHY” Do you have a problem with me?

“TAKE” Instead of going on your own

“DINNER” Instead of lunch tomorrow

“TONIGHT” Not tomorrow night

INDIRECT ORAL COMMUNICATION - 2



PROMPTING MANNERISMS

Prompts to keep the conversation going

“UH-HUH,” “YES,” and “ OH REALLY”





PSEUDO-QUESTIONS

IMPERATIVE -- A COMMAND

“Have you mowed the grass yet?”

“Has the garden been weeded?”



SCREENED -- THINLY VEILED MOTIVES

“How would you like to work overtime tonight?”



GOT-CHA -- A TRAP OR SET UP

“Didn’t I see you and Cindy at the theatre last night?”

“Didn’t you say that ….. ?”

NON-VERBAL COMMUNICATION

PERFORMANCE CODES (Body Language)

PHYSICAL MOVEMENTS, POSTURE, FACIAL EXPRESSIONS

THE WAYS I USE MY BODY TO COMMUNICATE



ARTIFACTUAL CODES

SIGNS, DRESS, FURNISHINGS, POSSESSIONS, COSMETICS

THE WAY I DRESS AND THE TRINKETS I KEEP AND DISPLAY





CONTEXTUAL CODES

USE OF TIME AND SPACING

THE WAY I REGULATE MY TIME AND ARRANGE MY SPACE





MEDIATIONAL CODES

HANDWRITTEN NOTES v. TYPED; USE OF COLOR, ETC.

IMAGES AND CHANNELS THROUGH WHICH I COMMUNICATE



ONE CANNOT CEASE TO COMMUNICATE…

EVEN SILENCE AND INACTIVITY HAVE MEANING

MODEL OF COMMUNICATION STYLES

POLSKY







---------------------------------------------

HIGH EXPOSING ACTUALIZING

OPENNESS IN

EXPRESSING

FEELINGS AND BARGAINING

SHARING

INFORMATION

LOW DENYING PROTECTING

---------------------------------------------

LOW HIGH

LISTENING & GIVING FEEDBACK



CONTINGENCIES IN COMMUNICATION

SELF-CONCEPT

SELF-DISCLOSURE

EXPRESSION ABILITY

LISTENING ABILITY

JOHARI WINDOW

LUFT & INGHAM





FOUR COMMUNICATOR TYPES



TYPE A - Low in openness and low in feedback

UNCOMMUNICATIVE

PERCEIVED AS TERSE, ALOOF, IMPERSONAL

(The UNKNOWN window)

TYPE B - Low in openness, but high in feedback

CONSTANTLY SEEKS OUT INFORMATION FROM OTHERS

RARELY PROVIDES INFORMATION IN EXCHANGE

DOESN’T TRUST OTHERS WITH IMPORTANT INFORMATION

(The HIDDEN window)

TYPE C - High in openness, but low in feedback

GIVES OUT LOTS OF INFORMATION

RARELY REQUESTS INFORMATION FROM OTHERS

PERCEIVED AS AUTOCRATIC, ARROGANT

DOESN’T VALUE OTHERS’ OPINIONS AND IDEAS

(The BLIND window)

TYPE D - High in openness and high in feedback

IMPORTANT INFORMATION IS FREELY EXCHANGED

COMMUNICATION IS EFFECTIVE

(The OPEN window)

TO FACILITATE COMMUNICATION…



• LISTEN CAREFULLY TO THE MESSAGE…STAY FOCUSED



• RESIST DISTRACTIONS



• WITHHOLD INITIAL JUDGMENT…KEEP AN OPEN MIND



• LISTEN FOR FEELINGS



• PAY ATTENTION TO NON-VERBAL CUES



• USE SIMPLE LANGUAGE



• ASK QUESTIONS FOR CLARIFICATION



• GIVE FEEDBACK – RESTATE WHAT YOU UNDERSTAND


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