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UNIVERSIDAD DE ESPECIALIDADES ESPÍRITU SANTO

FACULTAD DE ESTUDIOS INTERNACIONALES

SYLLABUS

FOR DAC 11 VER 17 07 07





COURSE: Survey of North American Literature SCHEDULE:

FACULTY: Dr. Rosvita Rauch BIMESTER: Spring II

’08

ACADEMIC UNITS/CRÉDITS: 3 UEES (SNCC. 4.8) DAYS: Mon-

Thurs

PRE REQUISITES: ROOM:

CONTACT HOURS: NON-CONTACT HOUR



Survey of North American Literature 1860s to 1939



From the Pony Express to the Chicago World Fair; from a home in Concord,

Massachusetts to a Civil War battlefield; from the jazz of a New York speakeasy to

the desperate dream of a California migrant worker, this course presents literature that

speaks to or of experience in the United States between the Civil War and World War

II. Different genres of writing are taken into consideration – the essay, the novel, the

short story and poetry – and a spectrum of writers – including African American and

American Indian perspectives – are represented.

The reading will be supplemented and informed by electronic materials

including maps, images, film clips, newspaper articles, memorabilia, etc., that will

provide rich contextual background. The aim of the course is to provide students with

knowledge of the broader currents shaping North American literature during this

period through reading, critical enquiry and engaged response.



Besides brief weekly responses to the assigned readings, there will be one longer

paper due at midterm and a final essay-exam. Class structure will vary, but generally

consists of a brief lecture-presentation (usually 10-15 minutes), online activities,

student debates, and some in-class writing. In-class discussion based on close reading

of the assigned texts is strongly encouraged and informed student participation will

form part of the final mark.



Essay (These readings, being pre 1860s, form part of introduction to the course)

Henry David Thoreau, excerpts from Civil Disobedience

Ralph Waldo Emerson, excerpts from The American Scholar

Margaret Fuller, excerpts from Women in the 19th Century and Summer on the Lake



Marthy Cannary Burk, Life and Adventure of Calamity Jane, 1896

Simon Pokagon, The Future of the Red Man 1896



Novel

Louisa May Alcott, Little Women 1868

Stephen Crane, Red Badge of Courage 1895

F. Scott Fitzgerald The Great Gatsby 1925

John Steinbeck, Of Mice and Men 1937

Short Story

Edith Wharton

Mark Twain

Kate Chopin

Ernest Hemingway

Willa Cather

Henry James

William Faulkner

Zora Neale Hurston



Poetry

Emily Dickinson

Walt Whitman

Poets of The Harlem Renaissance





Websites Include

The Valley of the Shadow: Two Communities in the American Civil War

http://valley.vcdh.virginia.edu/



Making of America

http://quod.lib.umich.edu/m/moagrp/



Documenting the American South

http://docsouth.unc.edu/



New Perspectives on the West

http://www.pbs.org/weta/thewest/



3. COURSE CONTENT OUTLINE



DATES & SPECIFIC COMPETENCIES CONTENTS READINGS &

SESSIONS Contact Hour W

Session 1 The student recognises the Ralph Waldo Emerson read Civil

M May 12 basic tenets of pre-Civil War The American Scholar Disobedience

Session 2 North American literary Henry David Thoreau

Philosophies & Personalities









T May 13 thought Civil Disobedience

Session 3 Louisa May Alcott read Margaret F

W May 14 Little Women to be watched in class excerpts; write “

paper” for Lesso

Week 1









Session 4 Margaret Fuller read Civil War P

Th May 15 Excerpts from Summer on the Lake and Dickinson p

Session Emily Dickinson, Sarah Piatt read Leaves of G

5 selections

M May

19

Session Walt Whitman read Stephen Cr

6 Leaves of Grass write “ideas pap

T May for Lesson 7

20

Session Stephen Crane read Mark Twai

7 The Red Badge of Courage selection

Th May

22



Session Mark Twain (ck dates) read “Calamity

8 and Simon Poka

M May selection

26

Session Marthy Cannary Burk 1896 read Cather sele

9 Simon Pokagon 1896 write “ideas pap

T May for Lesson 10

27

Session Willa Cather (ck dates) read Kate Chopi

10 selection

Th May

29



Session Kate Chopin read Wharton/H

11 James selection

M June

2

Session Edith Wharton/Henry James read The Great

12 Gatsby; write “i

T June 3 paper for Lesson

Session F Scott Fitzgerald read Hemingwa

13 The Great Gatsby selection

Th June

5



Session 14 The student recognises Ernest Hemingway read Faulkner

th

M June 9 hallmarks of early 20 century selection

Session 15 North American literature

T June 10 (cont.)

The Bust

Week 5









Session 16 The student considers William Faulkner (ck dates) read Of Mice an

Th June 12 Southern Gothic literature and Men; write “idea

the experience of the paper for Lesson

Depression Of Mice and Men read Zora Neale

Hurston selectio







Session 17 The student identifies Zora Neale Hurston read Harlem

Renaissa

Week 6



Harlem









M June 16 characteristics of the Harlem Renaissance poe

nce









Session 18 Renaissance. Poets of the Harlem Renaissance read Harlem

T June 17 Renaissance poe

Session 19 Poets of the Harlem Renaissance write “ideas pap

W June 18 for Lesson 20







Session 20 The student prepares for Final Review prepare outstand

Th June 19 Exam, Monday, June 21. questions of con

for comment in

Overview & Session 21 Final Exam

Conclusion M June 23

Week 7









Session 22 Feedback, marks

June 24









4. METHODOLOGY

This course uses both text and online resources, as well as writing and research tasks,

in-class discussions, presentations, and group activities



5. ASSESSMENT

Assessment is based on:

20% midterm

20% final exam

40% weekly papers

20% presentations and discussions



All work must be typed and submitted on time. No work will be accepted late. A

half-term mark, based on submission of work to date, in-class participation and

attendance will be available for students in week 5.



MLA style will be followed for all work submitted. There are a number of sites,

including the MLA itself and tutorial sites that I will direct you to, in due course.

One tutorial is available at:

http://ustudies.semo.edu/writing/owl2/tutorials/mlab/mlab4.asp

Another is at:

http://www.umuc.edu/library/tutorials/mla_citation/index.html





6. BIBLIOGRAPHY



6.1 REQUIRED

All the texts will be available as either photocopies from the Copy Centre or

online, sent directly from Professor Rauch



6.2 COMPLEMENTARY



--a college-level English dictionary --a college-level English thesaurus

--a Spanish-to-English dictionary



6.3 HANDOUTS:

tba



6.4 WEBLIOGRAPHY:

7. COURSE BASICS

Attendance and participation are obviously mandatory. Please be on time, bringing

with you the materials you will need to participate: paper, pen, books, readings, etc.

There is a maximum of 6 absences for the course. Please switch off all mobile phones.

The use of electronic dictionaries is not permitted.



8. FACULTY INFORMATION



NAME: Rosvita Rauch

.

ACADEMIC CREDENTIALS--UNDERGRAD:

BA Florida International University, Miami



GRADUATE:

Post Graduate Certificate in Education, Homerton, Cambridge University

PhD, English and Comparative Literature

E – mail: rauch@uees.edu.ec





Prepared by: Rosvita Rauch Date: May 5, 2008



Reviewed by: Dean Mónica Reynoso Date: May 5, 2008

Please note that I reserve the right to make changes to the syllabus in accordance with the learning requirements of the class.



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