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Copyright Law

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Copyright Law
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Copyright Law



Boston College Law School

January 9, 2003

Requirements - Fixation

Copyright Law Timeline

• 1556: Stationers‟ Guild

– Right to publish given to publishing houses

– Content heavily regulated by government



• 1710: Statute of Anne

– Right to make copies given to authors

– Term: 14 years, plus 14 year renewal; certain formalities



• 1776: State Copyright Laws

– Modeled on Statute of Anne

– Numerous conflicting requirements

– Constitutional grant of authority

Copyright Law Timeline

• U.S. Const. Art. I, § 8, cl. 8:

– “To promote the progress of science and the

useful arts, by securing for limited times to

authors and inventors the exclusive right to

their respective writings and discoveries ”

Copyright Timeline (cont.)

• 1790: First Federal Copyright Act

– 14 years plus 14 year renewal

– Originally books, but expanded to prints, music, photos, etc.



• 1909: First Major Overhaul

– 28 years, plus 28 year renewal

– Expanded to encompass all writings



• 1976: Latest Major Overhaul

– Life + 50, or 75 years for corporate authors

– Formalities loosened

Copyright Timeline (cont.)

• Recent Amendments to 1976 Act

– 1980: Computer Software included

– 1988: Berne ratified; formalities eliminated

– 1990: Architectural Works protected

– 1992: Audio Home Recording Act

– 1998: Sony Bono Term Extension + Digital

Millennium Copyright Act

Copyright Timeline (cont.)

• Trends

– Steady trend of expansion of protection

• Covered works (from just books/maps to all works)

• Scope of rights (from copying to adaptation, perf., …)

• Duration (from 14 years to life plus 70)

– Increasing complexity

• Originally generalist approach

• Now much more detailed and industry-specific

17 U.S.C. § 102

• (a) Copyright protection subsists,… in original works of

authorship fixed in a tangible medium of expression, ….

Works of authorship include the following categories:

– (1) literary works;

– (2) musical works, …;

– (3) dramatic works;

– (4) pantomimes and choreographic works;

– (5) pictorial, graphic, and sculptural works;

– (6) motion pictures and other audio visual works;

– (7) sound recordings; and

– (8) architectural works

White-Smith v. Apollo

Fixation

• 17 U.S.C. § 101:

– “A work is „fixed‟ in a tangible medium of

expression when its embodiment in a copy … ,

by or under the authority of the author, is

sufficiently permanent or stable to permit it to

be perceived, reproduced, or otherwise

communicated for a period of more than

transitory duration.”

Fixation

• Possible justifications

– Constitutionally required

– Defines scope of the entitlement

• Avoids unreasonable liability

• Evidentiary value in infringement action

– Evidence of commercial importance of work

– Marks point at which copying is problematic

Midway v. Artic

Assignment for Next Class

• Read II.B.1 - Originality - Basic Concepts


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