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Models of Liberty on Our US Coin Design types

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Models of Liberty on Our US Coin Design types
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Models of Liberty on Our US

Coin Design types

What is the source of our earliest

US coinage?









A 1793 Wreath Cent Liberty facing right, a GMM copy

John Wright is said to have prepared some of the

dies for the 1793 and 1794 cents before

succumbing to the Yellow Fever epidemic.

The source is believed to be the

French engraver Augustin Dupré









A contemporary restrike of the Libertas Americana

Medal originally struck by the Paris Mint in 1782

shows Liberty facing left.

Robert Scot’s Flowing Hair type

with Liberty again facing right









The obverses of the three silver Coins of 1794 & 1795;

The Flowing Hair half dime, half dollar and dollar.

were engraved by our first Chief Engraver Robert Scot

probably based on the Libertas American medal.

The reverses of the 1795 half dime, half dollar and

dollar showing Robert Scot’s small eagle design

In 1795, our first official Chief Engraver, Robert Scot

fashioned a new obverse design for the silver dollar

patterned after Gilbert Stuart’s portrait of Lady Anne

Bingham of Philadelphia. This became known as the

Draped Bust type.









At left, the 1795 Flowing Hair dollar;

at right, the new Draped Bust version

Both 1795 silver dollar reverses displayed a small scrawny

eagle, but close scrutiny points to some notable

differences. The coin at left is from the Flowing Hair

obverse. The coin at right, from the Draped Bust obverse.

The Draped Bust, small eagle









The 1795 the Draped Bust small eagle

silver dollar.

The woman on the Draped Bust silver

dollar was said to be Anne Bingham,

nee Willing, a Philadelphia beauty.

Origin of the Draped Bust design









Gilbert Stuart Anne Bingham

Self portrait Portrait by Stuart

One sees very little resemblance between Stuart’s portrait

of Lady Anne Bingham and Scot’s engraving on the dollar.









The 1799 Draped Bust/ Heraldic Eagle dollar.

This coin type was struck from 1798 to 1803

and re-struck in 1834 with the 1804 date.

The next US design types were called the Classic Head on

our copper coinage and Capped Bust on our silver coins.

Both were engraved by Asst. Chief Engraver John Reich.









An 1814 Classic Head large cent

No one actually knows the source for Reich’s designs.

Many years afterward, rumors were spread that Reich

had used his “fat mistress” to pose as Miss Liberty

but these have long been labeled as bogus.

The Capped Bust silver type









An 1811/10 Capped Bust Lettered edge half dollar

The origin of the model for this type is unknown.

In 1835 Mint Director William Maskell Patterson decided to

resume dollar coinage and sought a design type similar to

the Britannia figure on English coinage.









Thomas Sully Titian Peale

He brought in renowned painters Thomas Sully

and Titian Peale to prepare sketches for the

proposed dollar coin.

Patterson asked Chief Engraver William Kneass,

Sully and Peale to prepare sketches.









Sketches for the new 1836 dollar coin

obverse by Kneass, (left), Peale, (center) and

Sully, (right).

Sully obverse and Peale eagle sketches

for the 1836 Gobrecht dollar

Other principle figures in the

resumption of our dollar coinage









William Kneass, William M. Patterson, Christian Gobrecht



After Kneass suffered a stroke in 1835 Mint Director Patterson

asked noted engraver Christian Gobrecht to take over his duties.

Despite extensive research, it is not known

whether any actual live model was used for

the 1836 Liberty Seated “Gobrecht” dollar.









An 1836 Gobrecht dollar graded AU-58 by NGC

Gobrecht died in 1844 and James

Barton Longacre replaced him.









James Barton Longacre, self portrait (1845)

Chief Engraver of the US Mint from 1844-1869

Longacre’s 25 year tenure permitted him to create

more new coinage designs than any engraver

before or since.









His first creations were the Liberty $1.00

and $20.00 coins in 1849.

Shown above right is an 1849 gold dollar

In 1854 Longacre revised the dollar and introduced

the $3.00 gold piece.









Longacre Sketch and the $3.00 gold piece

Origin of the Indian Head cent









Who was the model for this popular coin?

The Indian Head cent first struck in 1859



For years it was thought

that Longacre’s 12 year old

daughter Sarah was shown

in an native American

headdress but as she was

born in 1828, she would

have been a grown woman

of 31, presumably married.

No one is certain who the

actual model was, if any.

Could it have been Longacre’s wife Eliza?

Three more sketches by Longacre

Longacre also designed the 3¢ silver in 1851, the

Flying Eagle 1¢ the 2¢ piece in 1864, the 3¢ nickel

in 1865, and the Shield nickel in 1866.









But Longacre’s most popular design was the

Indian Head cent first struck

in a copper-nickel alloy in 1859.

Still a nice Red/ Brown to Red Indian Head

Cent is a lovely coin to behold.









An 1875 Indian Head cent

It is unknown who the model, was, if any, who sat for

William Barber, the Chief Engraver that followed

Longacre after the latter’s death in 1869, but the new

coin first struck in 1873 was patterned after the

Britannia design seen on English coinage.









Example of Britannia coin and 1875-S Trade dollar

designed by William Barber

An 1875-S Trade dollar graded MS-61 by PCGS.

We do know who posed as Liberty

for George Morgan’s dollar coin









In 1877 Miss Anna Williams, a Philadelphia school

teacher posed in secret for the Morgan dollar.

Anna Williams paid a high price.



George Morgan was Assistant Engraver to

William Barber in 1877 when he was asked to

prepare patterns for a half dollar coin. He

persuaded an attractive young school teacher

and former art student named Anna Williams to

pose for Miss Liberty. In those times the scions

and ladies of the upper class considered female

models as rather undignified. A school teacher

caught in such an uncompromising situation

could meet with disastrous consequences.

An attempt at Secrecy

The sittings would take place in private at

the home of renowned Philadelphia

painter Thomas Eakens whose paintings

can be seen today in the Philadelphia

Museum of Art. If anyone later inquired as

to the source of the portrait they would be

told that it was borrowed from a classical

Greek painting housed in the Museum.

Miss Williams sat for Morgan at five

different sessions.

The coin went into circulation yet nothing

happened, at least not right away, but in

1879 a Philadelphia newspaper reporter

recognized Miss Williams as the school

teacher on the coin and wrote an article

calling her “the Silver dollar girl”. Poor

Miss Williams! As a teacher of primary

school age children she was summarily

ordered to appear before the school board

and was later dismissed for her actions;

her life virtually ruined in a sea of gossip

and humiliation.

Another side to the story

Actually, after the Philadelphia

reporter’s story broke, Anna Williams’s

supposed notoriety brought her much

fame and idolatry from the public although

she eschewed the fortune that could have

come from it all. While she may have lost

her teaching job shortly thereafter the

story broke, she had little difficulty getting

teaching positions later on. She never

married although she lived a long life.

Miss Williams’ portrait becomes more

recognizable when placed alongside Morgan’s

$4.00 Coiled hair gold pattern coin.









Anna Williams 1879 $4.00 gold Stella

(enlarged)

The resplendent Morgan Dollar









An 1891 Morgan dollar

graded MS-63 by NGC

When William Barber died in 1879, the designer of

the Morgan Dollar, George Morgan was passed

over in favor of his son Charles Barber









1900 Barber Half dollar

Some numismatic scholars strongly believe that

Barber merely copied George Morgan’s dollar

design reversing the direction.

Morgan and Barber Liberty’s compared









Obverses of the 1892 Morgan $1.00 facing left

and Barber half dollar facing right

The resemblance to Miss Williams may be

more apparent on the Liberty nickel









Anna Williams and 1892 Barber “V” nickel

Both facing left

Who was the model who appeared on the 1907

Saint-Gaudens $20.00 & $10.00 gold coins?









Saint-Gaudens’ 1897 1907 $20.00 High Relief

Victory holding Feather Roman numerals

Double Eagle

The source for the $20.00 gold piece dates back to Saint-

Gaudens’ sculpture of the Sherman Monument (1897)









The General Sherman monument on horseback

led by “Victory” can be seen in New York

at the corner of Central Park south

(59th Street) and 5th Avenue

Augustus Saint-Gaudens worked with many models

but one of his favorites was Miss Hettie Anderson









Augustus Saint-Gaudens and Hettie Anderson

Miss Anderson who was born in South Carolina in 1874.,

She arrived in NYC as a young model in 1894. Her

posing for “Victory” in 1897 was later used on the coin.

Later in 1907, the coin was redone in low relief

with Arabic numerals and is far more common

than the high relief Roman numeral subtype.

A Bust of Hettie Anderson which Saint-Gaudens had

created earlier eventually was used

for the $10.00 gold Indian Eagle coin.









Bust of Hettie 1907 $10 Indian Gold

The Mystery behind Hermon

MacNeil’s Quarter









There may have been two models who

posed for Hermon MacNeil's

1916 Standing Liberty Quarter

Rumor suggests not

one but two women may

have posed as Miss Liberty

for Hermon MacNeil’s

Standing Liberty quarter

first struck in 1916.

The first was thought to

be Doris Doscher, a music

hall actress who went by

the stage name Doris Doree.

According to J.H. Cline,

dealer and author of

Standing Liberty Quarters,

Miss Doscher was a long

time family friend and

tennis partner of the

engraver.

Tennis also played a

part in the other woman

who modeled for Miss

Liberty on the Standing

Liberty quarter. She was

Mrs. Irene MacDowell, the

wife of another tennis

partner of MacNeil and

also a Broadway actress.

She claims to have posed

for a number of days as

Miss Liberty but her

husband disapproved and

so, this was kept secret

from the public until 1972

shortly before Mrs.

MacDowell’s death.

There were two sub-types of the Standing

Liberty Quarter issued in 1917









The same impropriety associated with modeling

was directed towards any suggestion of nudity

on our coinage. Notice the redressing of

Miss Liberty on the Type II at right.

Who was the model for the

Walking Liberty Half Dollar?









A 1916-D Walking Liberty Half Dollar,

first year of issue.

. The model for these two

coins was the young wife of

the poet Wallace Stevens

who was said to be quite

beautiful. The couple were

renting an apartment in New

York City whose landlord

just happened to be Adolph

Weinman, the sculptor and

disciple of Saint-Gaudens.

He needed a model to sit for

his rendition of the new dime

and half dollar competition

of 1916 and Elsie posed for

him to help defray the cost

of the rent.

The Peace dollar was the last US coin intended for

circulation that portrayed the

allegorical figure of Liberty.









A 1927-D Peace $1.00

graded MS-62 by Anacs

The model for the Peace $1.00 was the young wife

of designer Anthony de Francisci.









Theresa de Francisci

Another portrait of Theresa de Francisci

alongside the obverse of 1928 Peace dollar

There is still more research to be done on the models who

portrayed Liberty on some of our early US coinage.









We owe a debt to the artists, models and

engravers who had a hand in creating many

of our coins that today are regarded among

the most beautiful in the world.

-The End-


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