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N SIE SICH lHRE KARTEN

Finzeipreis pro Veranstaltung S 1;009 Festival-PaA fur 8

Veranstaltungen: S 450, - Lintritt zu Ausstellungen,

Installationen, Videoprogrammen und Festival-Restaurant

frei.









Bestellungen an: I'

L B:` c S7:

n k.~n r tat~s '" I'ost

A -' 4010 LINZ

Telefon (0732) 275225

Telefax (0732) 28374,5

Tmlle may*

(Ot0a

sap





1T RLfc" 1NT LLI sN - Kg TLic l:s. .QFatc 1N ATURAL kTaLLIGExc

: RTIPICIAL RINK NG

tta :darsus attsrtF Dab l as datum; fits anhsnd.besttmmter Modetts `ion to hirnrea V

$3 t sk~n bt. wtrd rdrsuoht nsuottsn EntwjC-kfttnpen das Otenkarta fiber

rn*hMURGs- unit Denitprozdsso zu erforschen:."Kortnekttantsmue nftt







"h. =b rle wafhe die 4rgebrfisse fist tai=forschung in Frage stettt.'Der'hAtt,von



? den zur lebenden Maschine 0th nfhste Stute fief Evolution tst or m6glich War :









The "Mposiurm wants to present this latest developments ip , thinking



tlaioki `processes are researched on certain brain arcbitecture motels. "Connectiosismr. is the

aory'a name that questions the results of Al research.The step from the thinking to the living #tno,

as the next step in evolution _ possible or not?



at" an Qsorq S o a r s f o r S t f 4 p V s f " t a e n o w

T}wu a GOWS SAW*s for wsas, a4E1WA&i xs.









,11.04 U* J MSO R:aL:





"'.~fUfaN+re>E lu. g w w x 1 " 1 1 Af11t*PNvAW 01111 1fAC"Aiacs""

"All~rfasTt>IefcY, Ds>Kr+tvtlro. i+~r~t~r~tc~. o R ~ sssa l a s+ r ~ s" . .

~ i~Yr- e r f : ~ s ~r a









Qa R (b+1!wrr~sftriol s fi le A##&0+11 Wftftor4 ,arw 1.



f ~ilrgtlai~.~A. fC rAM" an' Arglletal l lrMOO64W de. UAWWatu VnOw



R plt t SINaAII NETZwSRKE UNO UEN$C14LICNE tursLuiolm: V"s4CN.- i1Nan AMMAN "NsosAL

"NEURALE

-NtTWOKKE AND RUMAN 1*RLLIQR*CR: ATTEIVVuIO An A"soAcv"

t&ls UIK) r.Se &ALt



011#0110 SCNWARZ (YRlwwroty 9f a n aft*.- 'N Ift

"K4N"MWORU= VSR US Ki, WOUIN utoT, :0111. UWT11RUCft1*#?"

"CoxNIZET3o*u* -vs. Al: now 0o Test witia7^

t4.ss sW / .tom p:OL:



Ro"IFT : CUYMIN$ (R *t Ph"ri0Y0y. VOIwM". O! ; IU1SM) "uvula OWN

*In Ko*N4xTfowiSHUS LIT2TL1CH stNAUPTIN K04*6K7 "W= CoNNtcmlrrsx

vLrmAtsLT suRvrvR?"

mot ubr / 1140 pip.:



PAUL SUQLMICY (Q"nrpRatt Of O r 11#1.1101, U4i0aaaftrr of Cenr"O. iOwau) "NIONAL11

UNt PSTQNOLO•I6Olif INTEXPANTATOLONRN • KOUNIAMMfTISONER YOOELLS' "NSUR,i~L AND

_PSYCHOLOGICAL INTSIIPRRTATIOU$ OF CONVOC'rIONIST NODIlLs°

PAUSE



17.00 Ills 1,&" -I•R.:



MARVIN MINSKY. ts.Ij., Adflfgh( IntoWsemo LRilsgoti fr #OPt")



-DO; KONrTIOE "VENSCNWILZUNO van *Is* sNSCNAFT, KUNST UNt Frtix4IOL000E" `TxE FuTuRz

Mileoiso: op ScisittS, ART, AND PsVClsa:oor"

-

~ICU OtAMft, OA S* ons GQJWUTrrt mrs , PLt rr#"Llt NRac"Mi +*1 >

*

"I Ts3~rc rpa' Coatrti'raR It A ssratrtAl. ) " c u m "









Vfl~#: t #A$CHtMffN lfEB I$TES UNt) VOAA GEI$T DEA MA$CH NEN





K i t Into rns;1plindf*r W*l*e spahnt Ars Ele trptiJCs den Bogen von den"Dlgfd

ti; k"Ift" zu den jongstehtraq,blsiang radlkslsten-Ausformungsn 0or

puterkantrW"eet#n, I"nensrelteq~ den WnstItchen WIMlcbkelten". Von Computern:

Q"teuerfe, s1mWtlo"a d*rgeate1Be k4nstltche Inteillgens left Retch der Hypermedlen:

Virt le• w4ttofi.



1m SinrHr*erWWsMstterten Byrnposiona rrird fpr:die "VirtuaitenNefton"

,

elaw .POrAsentstiono.farm geschaffen, ,ln d e r International fa;hrende Wissenschafte#,

Kflnstler, Autoren ` u n t f JAMKufnen Ihre ForsehurtgeergobnIsse'und Produkte

presentfsron: Neben Vortrspan and

fsrrt n werdan vlrtuelto RAums vorgestellt, rssktlve a n d math# 1 fvttoaments,. nd

le e n d rt*twortgebande Computersysteme and "Cybsrspao*"•bqu









THE MAMNES . OF-TttE,:,.$PI T,; 1,idp ,4E 1FI1A $ P t _': `FFE MACHIN





In its by now.-traditional interdisciplinary sp trpacArs Electronics embraces the newtst h

most radical expressions of "Digital Dreams": Artificial Realities. Computerco~i~& M%

we"s, ranting intelligently to our needs, simulated and represented artificial iatA a in 'tit

x6 9A cf JA_ypermedia, Virtual Worlds.

.









tits seesc of an en rgtd synlpoSiule s way Of Presentation. is created ; f+ar the "V~rt

..Wort4

s" t # a t ttlin, s international leasing artists; scientists, authors and institutions to preseat their

rcscwch

findings sd products, Beside$ tar= and discussions, . virtual spaces are presented, ; re etiv .,

: . mobila environments, computertystems both perceiving. and -answering, as well

!6"rpment.









wro r boa k• Et"troal" as dart aa a.trisa v+" virtual Aaatlty, N.rpn Rtmaatt. Special Thanks

to Morgan Ruaaatl. propiswAat of, Vlt

"D4s ,IJXW1jt$Uv- aIT D/IN Keur:lr` aua, 'att P14YSW DUNE SPakciae "Tim,

UNtvaats 'IS YOUR ~ SOOY AND PNYSI#,If YOUR,LANGUAGE"









"WsT ELLS' WELTEM . KgWOT ICRE WIRY` tOWKVITE

"VIRTUAL O tLDS ; - ARTIFICIAL -"REALITIES"





tXa's*%il`0 lnteraktiOn zwltchen Mensch and Mostwhino. Eine nsuo Form des merscP-

iteptra` A r"s I slner virtuetien Welt .trait etrOldlmenstonnlen "Gybor-Modolfa>n" so i

*W-fstuen Grenzen zwischen Wirklichkslt and Wunscbvorstallung. An

diesent



,' : sul tan vor atiom WISSsnschafter and Theoretiker Boa thren t:Qrschu se%"=

Present-day . Reich dot k6'tistlichsn Wirkftchketten.

`hiestn tm interaction between mart and machine. A new `shap*_of hainena± tiQn in a v irt u a] : Wttr - with three

' si a are torn down. pit ta is tl y..abcw~e all' scientists and theoreticiarts report abo tt t ,their findings"

in- the -recd= of Artificial 'Realities , ` -









11.00 ahr / 11.00 &m::

ROBERT T RAMl t ~rNrNaNsabs~l F i w *ftMIfmwwt





:lam p1F 1 , l l r UR 1 K S i ! i~isw)



ARTAM 01. IXTEW

Mcf

rIFARitHlih 'Rt1 l TT .{Ysw{vri1*oI ,Nirl~ Careuw., IDepieiwint a s

: i 4 At t i ` Y

fol,no~, "Hfi~O-~sMp btsP~.AY . Pirartc"r"









14.00 uhr £vs ijL.



CHUCK 8LARG.HARD tvr4. Rya Wora'C•ty. Cet

"WADS 1ST MNU , AN Rt:ALITY B U I L T E O N .Two?"

"WsAT'S=_I4sir J W F RBALrrY Bum'r toe Two?"

M00 er i s:rs,SLAL:





ROIL REM*AN (WfUt . CA)



141» uer, l IuT PQvcnox To 'TWR. AMT OE ~F to*r 94INtLATIOU"

"A S eieP s.an p.~:



¢ERRlOK DE K£RCK"va (Ualwrsir~t f T~~wt~I 11NQ

"

_'~~/,dIT~1lLLt RaAUTAT FQR, KOtL9KTllfa ,KDQNITNIIt

NARA** -v111TUAL REALITY POl COLLECTIVR COONIfivs

PIt00saI Qi'

17-30 Ww /4 .So A.ra.:



` RUDOLF KAPUI.Nig i ERNST GRAF tpacus..w

"Atfua 11ACkawas" * tisIST, ittescu UND, MASCasiff - WW VON oEN ASTR:THC AWWN&Nitt Z

IFiTABa!"

"MIND MACXINRS * MIND. MAN,: MACRIiNM -AND AESrffRTiCS OF PLEASANT STATEe





fl." t i.00 PAW:



DAVID DUMt! I' IAdoay -VASULKA VORTOA4 ft 0s'Oa"Po"afi "DA*

TwATvi' MYaaa¢E11 • AuvomATen" ,

-

T-It TasiTo OF:'. HYS1M,-~ AUTOMATA" '

"JEtzT my E! ANar1s. A"ss AKOS" W "IT'S;

DIPPBRS11T naw. EVRRYrerxa CH"ONS





(W"t" Qww"?









"'MYPfAVAt Fi -~ ,`YB :RPii. :gam.

YPEKMATES - Y$RRPUNKS , ,





Durch darn Cpinputer in d e n " E y 4 s r s p a 0 , 9 " , V a m Autemat zurn Mypermat. -Die k0astll,ohs,

digitala Wirklichkeltssimu'lation. -D4tenbanken, Oaten handschuh, D4tenanzug,

Datertwett, Dataismus.. Und Science- Fiction and Subkultut: Dag ,1st, 0*r dritte Tag.



Into Cyber&pane tlt oagir '-the computer, from automaton to iyperriiatprl. The artificial, digital

simulation of ra4lity. Databases, data gloves, data suits, data world, -dataism.. -And Science Fiction

and subculture. This is the third day:









14.011 w t



CARL TO~'LANVER V CHRIS ALUS (Auwq o(1. W

311.,f.A}

^:



1f:le tthr R i.011I.a1•:

X1:6 NotANwA ENei T a e m N o : o a t t vE; CYMRSPACVq v,,I.

fi>.eaallro T t u c N o o t i . o O Y OF CYaattSPASe"

WILUAM OISSpli I SRa1CE STERUNO (r ,'VenaeUV11d AMUQ





"AaAmry t.EA0E11~ wo "Dig -ZYKuNRT pss CYSSR&PACE - WJLeras Gi*NNf4Na efgo-, ,

NYPEJOIJEAL&N aJ~l{ta/Of.•1Tt" ,

MW Mr i-A.b4

"A&Daisy LeAv ," Atn1 '"Txx F`UTWIR OF CYNIRSPACE - WILD, ftOxr1ae vs. Ifypa*skt: EsTAse

MORGAN RUSULL / DORO ORAfltiR 4UAapCW Rae" In-Porat11A, 1 AmAN"tauf . " /:.

"VR O S S R A L L I : B1KENN:TWssf 't4N•S PROPAOANCIST4N Yon VIOut"111t WuMWsP"eit" I »per, .

vls~ucLLf ilAtlo~R"

"V'R ,EVERyWN#XXI: CONVesuOiat Of A VturuAL R"Lrry PaoPAaAmt u:T" I " T e i 1 V M T " L V A i d p I R S "



1r4o ttAr, r at.dp o :



MAIM VIAULiNII - t A#tWA. dUNO ("at gharrreb OW fr~wofasa)

"Dig Tset00LOWif ,41410 DAS INRATIOHALE" u#S " Y O a s t a t t P R N t t i m s " .

"TOCKNOLOOY AKa TOE IRRATIW1A,L", A". "MoDRRN hsattmras"!

4.00

4lBht' I,RAP:O L:



TERTCNW II0KEIINA tsatatiaat Dflw-WrA. fawaiil0lUurnlsn) "Htur

KWEk VON ,HVPf8$PACE"

"New MAPS Of: HY"11EPACS"





111.39 War r 7:83 I.W.: .

'R". PUN _PmMgmuwc



DAVID OWN / WOODY USULKA tVa `DAN

UsAvel1 Nvaniogn AUTONATS" "TIMBATUR

OF HYSAM Anra"TA"

"E ve**LT IST View altiwe

"o~. -WO" It. NOT $MUCH"









`CYRERSPACE „ VIRTUEL -E. VISIQNEIf"

Y$ERSAACE - 1RTUAL VISIONS





*&Ku4 ji to ;Virtual Reality", so taut

91 die' Devise von neuen F i r m s t ,





Acbufolrlmr ;. Rewe noch w i g futuristische Splelerel anmutend~ k6nnto W tult IC31O13 bAtd die -









Zukunft revolution lersn. 1st Cyberspace sine otgltale Droge? ,Ntc

-der A



, ho Future goes to Virtual R lity" is the motto of new CoJifornian ,companies. Although Virtual Reality

scams to Mbgllcbkelten, a futuristic pity die Grenten and e f e b soon s t e f n c u r otsku'vdlon;

xoltigen be little more than sondern auvh to day. it. very, wellGcould f .' ?{ac~:roa,+' { . . ':•t:•}:'{•lei{':' n.2.:..k. '0} Y>}'AY.n .r .' #{Ya4 ............... r...nt.r•:i. :^ ex„

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LANWESMUD10 00.

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8RIQ MR3IM~UB 20.00 21.E 19.30 20.00.

t1~ T HE AM t~OUP DAw DUM i wCMY VAUJ SU MADO LM

EM AV PFOT FE~ OAS THEATER HYBR~f l ALRO MATEN W O myvp41J m

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k~w "• ateZ:• `.::..~3..:;.... .

BRUCKNO MUS 20.00 20.00 20.00

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M30 1M30 1&30 / $2.00. 1W00

FRANM ,MARE LANROCFE .

MES1A8 l1Ty'1

L ATHt , 15.30 1SL30 10.x0

11.00/1130

UNZ ~~ A L ~~ ~A ALAN AAYCKBOUR 1

.?:%k0:%eG.`• : . .'f ".vs$a'cr'•~5~~`:: ^: ~ ' $ : : s: £-''.- %:aa•?~r•`•Fi{•ic,C:~ : ,

8









IGLOO - 22.00









aaoaEtsaar~aiwYi -AU~Na~i- off+_

FAX THE VASUIKAS



TO: mw 9. Gr Prry l , t/. FROM: 5T E l

A j A + DATE:





PAGES:









Dear U11 i,



Can vou please get this fax to Peter and also next time vou go to

Spaarkasse look into my thing i not, in a. hiirrti°).



Much appreciated, best. relvards,









A fax to Peter from Woody:





Dear Peter,





This is riot the conflict; T wanted. to have not,:. When I sent

you the fax of April the 11, T had been negotiating Brotherhood with

Axel and Table ITT with you. Then for logistical reasons, it was

decided to run both shows, the Brotherhood and the Table TTT which

Axel insisted on. T did not. presume Ars Electronica cared, and when

you did not. respond to my fax I proceeded with Bonn.

AddIne; his $ 10,000 to your offer it became a true opportunity

to make the piece the way I wanted in the first place. Needlfss to

sa.v T have spent. close to 20,000 on the (:onstructiorc and

programming of this thing. The argument of "Ars Electron=ic+a

pa.yin,g for the production" (t~lli's fax) is not is not the case,

and I fell_ T was just, lucky to get both offers, otherwise the piece

could not, have come about.





I am at your mer-1 - and rely on your iudgmerit.





Yo~tjr-, Woody









ROUTE 6 BOX 100 S ANT A FE NEW MEXICO 87501 PHONE 505 • 471 • 7181 F AX 505 • 473 •

0614

PT OLEMY a

video installation

by Steina Vasulka

In PTOLEMY, Steina Vasulka circles inside a space, delineating its boundaries

with a mechanized choreography of camera movement. This is a world of circular

movement, a vertiginous dance of machines and ordinary objects. The installation

of PTOLEMY, a four channel piece in a multimonitor matrix, further compounds

the action; a disjunctive world circles to sudden, but inevitable, conjunctions.

Light and shadow, refelctions in mirror balls, and the camera lens itself trace an

optical trajectory to a soundtrack of machine music. This installation will

premiere a Ars Electronica, 1990.



THE THEATRE OF HYBRID AUTOMATA

A Lecture/ Performance by Woody Vasulka and David Dunn



This presentation will be concerned with two basic modalities of space: the actual

and the virtual. Believing that the notion of construction and syntax for a new

dramatic space can develop as a dialectical confrontation between the traditional

stage (or media space) and the data based virtual world, we have set out to build

some basic tools for space exploration. The most advanced to date is the

Pan/Tilt/Rotate camera head, a robotic physical device which, when linked to

graphic virtual computer space, attempts to redefine the traditional stage and

established media space. This device can also be activated through two aural

modes: simple verbal commands or musical vocalization. A second tool, the

binaural microphone system, creates a confrontation between an actual acoustic

space and its synthetic model. In order to demonstrate this concept we will present

a binaural sound environment which models the audio component of virtual

reality research currently in progress. This environment explores the potential for

interpenetration between diverse sensory worlds, subjective and objective

experience, and the real versus the impossible through aural illusions of orbital

motion in physical and virtual space. A variety of soundscapes will be explored

using the robotic camera device to literally rotate the listener's aural perception

through a cube of sonic stimulus. Some of these soundscapes will include texts by

writer Lizbeth Rymland which articulate the seeding of the virtual technological

domain with evolutionary imperatives. These imaginary scenarios show how

ephemeralized technologies, physically incorporated into the human organism,

will extend perceptual, locomotive and expressive capabilities beyond the familiar

human spectrum.

7/10/90

Dear Gottfried!

Here are descriptions of our lectures/ performances/ installation plus bio material.

If more is needed, please fax up the demand.

About the photos: we are sending you, via air mail, pictures showing our

personas. In this fax transmission are some xerox copies of color thermal prints

which are directly related to Dunn/Vasulka project lecture. I will include the

originals in the photo package with pictures of Steina's installation. In case you

want higher quality prints (transparencies) we could have 35mm slides of direct

data scan-out made, but estimated price here is about $20 a piece.







All best regards,







Woody Vasulka

June 23, 1990







Att.: Gottfried Hattinger, Fax: 43-732- 28-37-45 Dear Gottfried,







Steina's equipment requirements include:

------------------------------------------

16 color monitors, 19" or larger



8 floor platforms 18" in hight, width of a single monitor, depth according

the monitor base

4 channels of audio, with amplification and equalization, situated in

each of four corners of exhibition space

4 playback U-Matic VTR's by Sony with 33 pin interface (Sony 5000 series

for example. We suggest that the instalation be NTSC compatible but

we would be satisfied with PAL if you provide the transfer. This

would include approximately 8 thirty-minute 3/4" video tapes).

1 4 channel synchronizer for Sony 33 pin VTR interface.

We expect, you provide all hardware except the synchronizer









Our presentation can be organized into four parts with combined

requirements for space and equipment. Since Steina installation is

continous, we could interrupt the show in proper times and use the hardware

for our demonstrations. We would leave up to you the timing of events. We

would like to occupy a room approximately 12x12 meters, (the exhibition

space used by Marianne Amacher last year would suit us perfectly).

Vasulka/Dunn lecture/performance can be treated as separate or joined

shows, our hardware will be wired in both, accoustic and video modes (here

again the question of standard comes up, our "live" show is in NTSC video.

The problems of standards is nothig new to you, so we trust your solutions).

The lecture by Terence McKenna could of course follow this concept as

well.



The logistics of Dunn/Vasulka operation will require to assemble the

hardware here, compose the necessary scores and ship it over as a special

purpose package. We hope you will pick up the bill. To complete the

package on your end we will need additionally:

6 channels of audio amplification (no

speakers) Audio mixing board (8 channels

minimum)

6 or more stereophonic headphones (this must be of good quality

headphones such as Sony MDR-6, capable of a dynamic range for digital

sound) Distribution amplifier for the stereophonic for the stereophonic

headphones (all headphones will be monitoring the same stereo signal from

the mixing board).

We will let you know in a good time if other details arise.







For McKenna's lecture we will need an IBM PC Computer.









Please, send us letter of confirmation as soon as possible. Our Fax 505-982-

6790, our telephone 505-471-7181



Sincerely,





Woody Vasulka





PS: Do you need any photos for the catalog?

Ll"

L I N Z E R V E R A N S T A L T U N G S G E

S E L L S C H A F T M B H





THE VASULKA'S INC

S. & W. Vasulka, D. Dunn, T. McKenna

Route 6, Box 100

Santa Fe, NM 87501

USA Linz, 2.9.1990 GZ:

VIII/V-54/90 KST:

18/SYMPO/0





Wir erteilen Ihnen hiermit mit Ihrem Einverstandnis fur die

Mitwirkung bei der Veranstaltung ARS ELECTRONICA 1990

Ptolemy; Lecture



eine

GUTSCHRIFT





fiber das vereinbarte Honorar, das sich wie folgt zusammensetzt:



Entgelt US$ 7 500.00

- 20% ESt WSB

US$ 7 500.00

- US$ 5 500.00

a conto

Auszahlungsbetrag US$ 2 000.00









LINZER VERANSTALTUNGSGESELLSCHAFT mbH





P



(Mag. Ronald Wodler) Karl Gerbel)



EMPFANGSBESTATIGUNG



Der Erhalt des o. a. Auszahlungsbetrages wird bestatigt.





Linz,





BRU CKNERH AU S L I NZ , L I N Z ER S TAD I ON, S TAD T - U N D S P ORTH AL L E L I NZ, P OS TH OF, TEN NI S ANL AGEN. AD RES S E:

L I V A, U NTERE D ONAU L AN D E 7, P OS TFACH 57, A - 4 010 L I NZ AN D ER D ONAU , TEL . (0 7 3 2) 2 7 52 25 S ERI E, T

E L E X 0 2 - 1 0 1 1 L I V A A , T E L E F A X ( 0 7 3 2 ) 2 8 3 7 4 5,

B A N K V E R 8 1 N D U N G : 0 8 E R B A N K L I N Z, K T O . 4

17.07 0 0 .

Aufstellung der a conto Zahlungen (in US$):



15. Rate via DHL 5 500

Ll"

L I N Z E R V E R A N S T A L T U N G S G E S

E L L S C H A F T M B H









THE VASULKA'S INC.

Route 6, Box 100

Santa Fe, NM 87501

USA

Linz, 10.9.1990 GZ:

VIII/V-54/90 KST:

18/SYMP/0





Wir erteilen Ihnen hiermit mit Ihrem Einverstandnis fur die

Mitwirkung bei der Veranstaltung ARS ELECTRONICA 1990



"Ptolemy"



eine

fiber das vereinbarte GUTSCHRI'FT sick wie folgt

zusammensetzt:

Honorar, das

Entgelt US$ 4 231.50

- 20% ESt WSB

US$ 4 231.50

Auszahlungsbetrag US$ 4 231.50









Bemerkungen: Reisekosten lt. Beilage (3 Personen) LINZER



VERANSTALTUNGSGESELLSCHAFT mbH



ppa



(Karl

(M . R nn~ld Wodler) Gerbel)

EMPFANGSBESTATfGUNG



i



Der Erhalt des o. a. Auszahlungsbetrages w'rd,bestatigt.

Linz, am ............

..... . ..............





B R U C K N E R H A U S L I N Z , L I N Z E R S T A D I O N , S T A D T - L I N D S P O R T H A L L E L I N Z , P O S T H O F , T E N N I S A N L A G E N . A D R E S S E :



LI V A , UN TE R E D ON AU LA N D E 7, POSTF ACH 5 7, A-4010 LI N Z AN D E R D ON A



U, TE L (0732I 275225 S E R I E ,

T E L E X 0 2-1011 LIVA A, T E LE F A X ( 0 7 3 2 ) 2 8 3 7 4 5, B AN K V E R B I N D U

N G : 0 B E R B AN K LIN Z , K T 0 4 1 7 . 0 7 0 0

LIVi Linzer Veranstaltungsgesellschaft mbH

Brucknerhaus, Untere Donaulande 7, A-4010 Linz/Austria, Postfach 57

Telefon (0732) 75 2 25-29, Telex 02 1

'A'eue Telefon-W.



I

27 52 25 Serie





Engagement-Kontrakt

z%y)schen dej Wazer, YeranstaltunFsge ell5chaft m b H (LIVA), ygrtreten durch die erren

(Name Bowie "t !"

andht'* t ri+.,'S?Wohnadresse des Kii jnstlers oder Ensembles) ts? t ¢'r -;:

t ..t3f *t't s?t° t!!3 k s' 'St

~ C» RCTd -- a i d 4~ n4+ C f









verlreten durch

S a n ,aa e~ .fir, 375, 'j .



1. Art der Veranstaltmrg: Yo€.



2. Datum, Zeit, Ort:

c~n O ms L 14

.







4. Proben (Datum, Zeit, Ort):



5. Kleidung:





6. Honorar/Spesenvergutung: US 7 .500.

} Z C i 5 a k O s t r e n MA.t C A - L i cndf: nfhun(iei > 'Tf ol l rs) e~ l .

-vv i" .

ton z Leistung des Honorars and der Spesen erfol t mittels

Barschecks • ate: auf n h tin! Trarspo, ri.kn?`en. -

Y L ' r t f



das Konto-Nr.

agswntervr)cnnunc',=

des Geldinstitutes

2. Rates 1







balO h Veranst: l tuun (2.

Das ) Zutreffendes ist dann als Nettohonorar zur Auszahlung gebracht werden, wenn der LIVA ca. 1

R a t e Honorar kann nur anzukreuzen!

Woche vor der Veranstaltung Wohnsitzbescheinigungen eines Amerikanischen Konsulates vorgelegt

werden, aus denen ersichtlich ist, daf3 jeder einzelne Musiker im laufenden Kalenderjahr in Osterreich

nicht mehr als 3.000 US-Dollar verdienen wird and sich nicht Ranger als 183 Tage i n Osterreich aufhalten

wird. Ohne eine solche Bestatigung konnen wir das Honorar nicht netto auszahlen, e s mtissen vielmehr

20% Einkommensteuer einbehalten werden.

8. Ausfertigung:



Dieser Vertrag wurde in Z gleichlautenden Exemplaren ausgefertigt.

"'M l..i

?'r3" ..E?G!'€n1C ' f, X must

' E ~ t ' t t s f 9 p ' .it?

es•

9. SoV7142 . u

+. VA tt ir f n tg eP e7 s . a Cosa ...s i ; u for

f t a > to :

tr wai i op:.

+. :i s C a



10. Die umseitig angefiihrten Allgemeinen Bedingungen bilden einen wesentlichen Bestandteil dieses Ver -

trages.





Linz, am 17.3.

,am

L1{.1,%7









Der Veranstalter Der Kiinstler

J--SENT BY ;Kinko's Copy Center ; 8-29-90 9:20PM ; FAX (505) 962-6790-4 0043732263745;# 1



,kIRS CL,(Rt_j0_0 h+(Lto )k7*I . nv rrr/'\

I - t M r - - • t









Woody 7 3 . ? - -

0 1 l - 4 3 -& Steina Vasulks . 2 1 ' ~ _ 1 ' - S _

Phone 505-471-7181

Routs B, Box 100 Santa

Fe, N.M. 87501









Insurance Equipment List for Vasulkas Inc. (Ars Electronica Trip)





1. RANE 6 channel power amplifier Model #MA6 Serial #4353 purchased July,

1990 $1,100 U.S.



2. YAMAHA Cassette Recorder Model MT100I1 Serial # QM01552 purchased July,

1990 $400 U.S.



3. ZIATECH STDBUS Computer QMB12.6A84T-Z-H Made by Matrix Corp. Serial

#86961-39 - purchased July, 1989 $6,000 U.S.

4. Stepper Motor Driver Box (3 channels) custom built, 1989 $400

U.S.



5., LAMBDA Power Supply Model LM CC36 Serial # C26265

purchased July, 1990 $80 U.S.



6. VOICE DYNAMICS MICRODIN Speech Processing System puohased July, 1990

$1,100 U.S.

7. LBCTROSONYCS Microphone Transmitter and Receiver Model # CR105 Serial # 00194

purchased January, 1989 $1,300 U.S.



8. SHURE L4 Wireless Transmitter and R e c e i v e r M o d e l # L 4 - W Serial #8924

00995 Purchased 1989 $1,000 U.S.

9. ROLL/PAN/TILT COMPUTER DRIVEN HEAD (CUSTOM BUILT), 1988 $18,000 U.S.





10. Six Channel Audio Chamber: A. Supporting hardware $550 U.S./ B. 6 - JHL Control

1 loudspeakers (6 pieces) $450 U.S. purchased July, 1990



11. Four calibration targets with stands (custom built)

August, 1990 1650 U.S.

12. SONY CCD Camera DXC-101 Serial * 12436 purchased 1988 (with

Sony Camera Adaptor power supply CMA-D1 Serial #10179) $1750 U.S.

total



13. Sennheiser Omni-directional Microphone purchased 1985 $160 U.S.



14. Miss. Cables $280 U.S.

15. Video Synchronizer (4 channels) custom-built 1988 $3400 U.S.



16. Audio Engineering Associates MS 38 Dual Mode Active

Matrix purchased 1989 Serial # 3054 $$00 U.S.



17. WAVETEK Function G e n e r a t o r M o d e l 1 1 0 Serial # 037785

purchased 1970 $800 U.S.



- - - - - - - - - - - -

AT BY:Kinko's Copy Center ; 8-29-90 ; 9:23PM ; FAX (505) 982-6790

0043732283745;# 1









18. (2) ZOOM 9002 DSP Audio Processors purchased July, 1990 $450

U.S. each



19. AIWA STRASSER HD-XI DAT Recorder purhased June, 1990

Serial # 0005213017 $1,100 U.S.



20. SONY TCD-D10 PRO DAT Recorder Serial # 12545 purchased June,

1990 $2,500 U.S.



21. SONY MDR-V19 Headphones purchased January, 1989 #75 U.S.

Ll"

L I N Z E R V E R

A N S T A L T U N G S G E S E L L S C H A F

T M B H







THE VASULKA'S INC.

c/o Terence McKenna

Route 6, Box 100 Santa

Fe, NM 87501 USA

Linz, 11.9.1990 GZ:

VIII/V-54/90 KST:

18/SYMP/0





Wir erteilen Ihnen hiermit mit Ihrem Einverstandnis fur die

Mitwirkung bei der Veranstaltung ARS ELECTRONICA 1990

"Ptolemy"



eine

GUTSCHRIFT



fiber das vereinbarte Honorar, das sich wie folgt zusammensetzt:





Entgelt US$ 1 164.50



- 20% ESt WSB

US$ 1 164.50





Auszahlungsbetrag US$ 1 164.50







Bemerkungen: Flugkosten lt. Beilage





LINZER VERANSTALTUNGSGESELLSCHAFT mbH

PPa



(M g. R6nald Wodler) (Karl

Gerbel)

EMPFANGSBESTATIGUN

G

Der Erhalt des o. a. Auszahlungsbetrages wird bestatigt.



Linz, am ............







B R U C K N E R H A U S L I N Z , L I N Z E R S T A D I O N , S T A R T . U N D S P O R T H A L L E L I N Z , P O S T H O F , T E N N I S A N L A G E N . A D R E S S E .



L I V A U N T E R E D O N A U L A N D E 7 , P O S T F A C H 5 7 , A - 4 0 1 0 L I N Z



A N D E R D O N A U , T E L , ( 0 7 3 2 ) 2 7 5 2 2 5 S E R I E ,

T E L E X 0 2 - 1 0 1 1 L I V A A , T E L E F A X I0 7 3 2 1 2 8 3 7 4 5 , B A N K V

E R B I N D U N G : 0 B E R B A N K L I N Z , K T 0 4 1 7 . 0 7 0 0

10-HPR-1993 17:23 INST.F.NEUE NEDIEN STHDEL +49 +69 439201 S.01









Prof. Peter Weibel



STADELSCHULE - INSTTTUT FOR NEUE MEDIEN



Hanauer LandstraBe 20=1 Tel: 069/445036



D-6000 Frankfurt/Main 1

To: Fax: 069/439201



Steina & Woody Vasulka

Santa F6

New Mexico

U.S.A.





Frankfurt, 9.4.1993





Dear Steina & Woody,



about the discs and the player. Ulli has given your receipt (player and 5

laserdiscs) zu Mrs.Bender on the 1st of February. The money should be on your

account in the next days, we hope.

We agreed to produce more copies of the discs, each one 100 $ 1 think, because

the ones we have will fail soon and have some mechanical defects. Please write

me a bill with the costs and the bank account and we send you the money.





We have only the telephone-number from Valie Export in Berlin: home:

030-8216187. Fax at the Hochschule: 030-852684.



Look forward to hear you, see you,

yours,







Peter

732 - z~3 7 Vs







14 G 1:ort-Nn

27 52 25 Serie









~

Engagement-Kontmkt

Zw







-

j ors ands raktor n ar n

KUnstlers oder Ensembles)

r ea c und1rokuri st' ~agete ona~f d dWodlern and (Name sowie Wohnadresse des



te1na & Woody VASULKA. David DUNN. T



vertreten durch



The Vasulka's Inc., Route 6. Box 100, Santa Fe, NM 87501, USA

LArtderVeranstaltung, Installation/Lecture/Performance im Rahmen von ARS

ELECTRONICA'90

2. Datum, Zeit, Ort: B.-14. September 1990,

Brucknerhaus Lint



3. Programm: ~~ Videoinstallation ''Ptolemv". 21 Lecture/Performances









4. Proben (Datum, Zeit, drt): Set-up

7,18.1,1990 set-down 15.9.. frUh S, Kieldung-

----





6.Honorar/Spesenver~iituW US$ 7.500.- H.W.slebentausen_fUnfhundert lSDollars) PAL

Reisekosten NM/CA-Linz-vv f. 4 Personen. Hotel (NI_h_iq./Frstkl v. 6_-15.9_1990 Die Leistung

des Honorars and der Spesen e fol and Transportkosten.-

t mittels'Sarsshecks . late: US$ 5.500.- nach Vertragsunterzeichnung



L7, auf das Konto.Nr. 2. Rate am 12.9.1990

des Qeldinstitutes

'j( barnach Veranstaltung 2. Rate

Das Honorar kann nur dams a4 Nettohonorar zur Ausaahlung gebracht warden, wsnn der LIVA ca. 1

Woche vor anzukreuzen I

Zutreffendes istder Veranstaltung Wahnsitzbescheinigungen eines Amerikanischen Konsulates vorgeleat `

warden, aus denen ersichtlich ist, dais seder einzelne Musiker in laufenden Kalenderiahr in Osterreich

nicht mehr als 3.000 US-Dollar verdienen wird and sick nicht linger als 183 Tage in Osterreich aufhalten

wird. Ohnc eine solche Bestatigung kdnnen wir das Honorar nicht netto auszahlen, es milssen viel -

mehr 20% Einkommensteuer einbehalten warden.

S. Ausfertigung:



Dieser Vertrag wurde in 2 gleichlautenden Exemplaren susgefertigt.



#. LIVA guarantees a total budget of US$ 20,000.- except travel,

cluded-in u ge . Costs or technical pro uc ions*wi e pa

frame o total budget,

ram

LIVA, of ~t is in the costs. of s or technical rentals in Irz Mustin USA * e in

10. Die anneitig angefiihrten Allgemeinen Bedin¢angen bilden einen wesentlichen

Bestandtell theses Ver. trages.



Linz, am 17.8.1990

am

LINZFR,VERANSTALTUNGSGES mbH





b







Der

KfInstler

RCV BY:KINKO'S COPY CENTER ; 8-21-90 +11:03AM ; 0043732283745-0 FAX (505) 982-67904 3









AR

Soo

"The Vasulkas" -~ Cj a eke .





FAX Nr. 001 505 982 6790









August 17th, 1990 GZ

VIII/V-54/90









Dear Woody,





For ypur information I send you contract and letter by fax. The original will come

by mail.





To be sure ab9t your acceptance of the agreement, please, sign the fax and

fax it back. Then we'll send a cheque about uS$ 5.500,- via DEL courier.





Thank you.



LINZER VERANSThJ~TUNGSGESELLSCHAFT mbH

i.v

,







(G









Feetlwl fdr Radct, Tachna1apte god GeapUjCAxt AMOSIVter. BrVOAbrheas Linr ILIVAJ and 6srernleAJsch- ANaMrna / Linderera&o DaatdWrrrsAM



BAUCKNfANAUS11NZltinierVrnnsrrlrungNrvea,Verbyt~,nbN!1JV,~J.Vnt# -DOMal8nde7.A-40IVUrralAaarle•A%fanIQ JZY2781PD27t•WexDP• for/•Per(pTJ2)243T4Q

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/LIVAJ rend 6stsrrrlshArrhrr Rusdlunk f LopdwRtud;O ObSI&Mrrisi fiRGCKNfRNAtJSLlN71

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Lln:/AUStrN • T~lIIOn (DT3212T dt 20 2t1 Taler 02-1011 • Fex foTSZ! 2BST fQ

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Route 6, Box

100

Santa Fe, N ;M. 87501

nuuuy ae oleina vasma Phone 505-471-7181 Route 6, Box 100 Santa Fe, N.M. 87501









Andrea Kummer Ars Electronica FAX # 001-43-73E-283745





Dear Andrea, SANTA FE, 1-AUG-1950





In this transmission you will find the necessary descriptions and

diagrams. The equipment rental list seems OK, I just don't know what

"Medienwagen" means, and if 4 speakers are included. There are however

some items we need to clarify:



1) TRAVEL:



We would like to get in advance a roundtrip fare Santa Fe/Lint, (for us

three, San Francisco/Linz for T. McKenna), but make our own travel

arrangements through a local agent. Also McKenna wants to know his excact

time schedule, as he plans to travel both before and after Linz, (we are

planning to visit Prague, even see Vaclav Havel - please tell Peter Weibel,

he might want to join us).



2) TRANSFER FROM NTSC TO PAL:



The transfer costs locally are ca $30.00 for a ten ruin. segment. All the

programs and backups for both Steina' and Dunn/Vasulka installations would

come up to about $ 500.00. Should it be done here or in Austria?







3) PAL CAMERA:



The camera that is a part of the Pan/Tilt head must now be in PAL. We are

using a common SONY serveilance camera (see supplementary sheet). This

must now be added to the rental budget.



4) SHIPPING:

The "Cube" installation must be shipped in ca 6 larger luggages. You may

have some suggestions about the way to do it and how to pay for it?







5) THE MONEY:



Our anticipated budget idea for the 4 participants was $20.000, which we

wanted to allot $3,000 each as a fee, the rest for development and

programming of the "Cube". Now, according to our conversation yesterday,

it looks that the rental expenses would reduce the "Cube" development

allowance to a minimum. We are hoping to keep the Cube budget for Linz

presentation to about $500.00 to offset the long and difficult process

of developing_ the tool. What do you suggest?



Sincerely, Woody

Trt 17 Kt { of ~-

LA PI A10



1"toLEnl'



V J~~Fo l IN VTA.LAI(o u vi

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fills h n v u y ( S tiko

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~, L c.-.~ Yto N I C 4 - ~ C F . r ~ I

- IAE

& Steina Vasulka

',o v r N E L

C tl t`4'

S `-( N



Phone 505-471-7181 Route 6, Box 100 Santa Fe, N.M. 87501

C1., 10

-O lW Z 2 Woody

S 9 F

a c c U ,









Woody & Steina Vasulka

Phone 505-471-7181

Route 6, Box 100 Santa

Fe, N.M. 87501

;

'RCV BY KINKO'5 COPY CENTER ; 8- 3-90 ; 3:30AM ; 0043732283745-* FAX (505) 982-8790;# 1







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a









"The vasulkas"

e

90-7 8

x e c 1 T W O IiGE1 4 t f 9 ' > -









Fax Nr. 001 505, 982 6790









July 24th, 1990 GZ

VIII/V-54/90









Dear Steina/Woody,





Follcwing pages floor plans and photos of Brucknerhaus-Foyer.



is entrance foyer, very flucturated by audience. The way in the middler of the

room we have to keep free.



2s a space with measures 9 by 4 meters, I think, we can make it 5 meters (or

more, if we keep a way free}.





Hope you can work with it. Please, send a sketch for all we have to prepare. We

can start set-up on September 6, set down on September 15 early morning.







Sincerely,



LINZER ,11 i 1

i.V. P1 VERANSTALTUNGSGESELLSGHAFT mbH

1

i



1

Vridd Hattinger)









Festival fur YURSt. Technvlogie and Gesellschaft ... Veranstalter. Brucknerhaus t i n ? ( U V A ) a n d Osterreichischer Rundfunk r landesstudio ODeosterruch 6HUCIln'fl NAUS LlN1 ~'1_inret



Yerenstaltc~agsgesellschakmbN (iNA; - Untora 0nnaulande 7, A.401OLinz/Austria • Telefon !0 732/ 275225 -271 -T919,02-1011 -Fax(9722)283745

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Att. 11

steins & Woody Vasulka

Fax.: 001 505 998 6790

Linz, July 25

GZ VIII/V-54/90







Dear Steina and Woody,



I gave your list of requested audio and video equipment to

different rental shops.

one ox them (the video equipment rental shop) now needs a wiring

diagram to be able to understand exactly the things you want

(maybe it would be good to have it also for the audio equipment).









L f They asked if only 8 or the 16 monitors should be placed on



Do you bring the synchronizer with

floor platforms, if the 4 audio channels srould .go over one mixing desk

you?

and then be amplified mono, if the equalizer should be in the exit channel

of the mixing desk or in every "entrance" channel, which capacity is

I irst,...

necessary expect to hear from you soon. Many thanks for your

troubles.









Yours.

LINZER VERANSTALTUNGSGESELLSCHAFT mbH

i.A.





(Andrea Hummer) Produktioneleiterin









fesfiral fur Kueat Twhnabp la and 6asallschaft . • Veranrtrltar, Brasanrrhaad Unr (LIVA1 and balarrAlohlaaher Randfank / lmdacstudio G4u0tarnlch

BHUCXNFRHAUSLINE/LMrar Vararlstalluegaaaaallschefi labH/L1VAj = Untrefloseakode 7. A4O1U UNIAastda • TNafon /07321176113-1Tl • Alaaroi4Vft fax (d?J2) 283746

The CA hF

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SHPe(L ;r-D









Mi vil-ANS Mi "rl EK-(









Woody & Steina Vasulka



Phone 505-471-7181

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