Embed
Email

DMCA primer

Document Sample

Shared by: benben zhou
Categories
Tags
Stats
views:
3
posted:
11/15/2011
language:
English
pages:
28
DMCA: An Introduction



Digital Millennium Copyright Act

DMCA: Background Information

 Title 17 of US code

 Passed on October 28, 1998

 Bans production and dissemination of

technology that can circumvent security

measures to protect copyright.

 Heightens penalties on copyright

infringement.

DMCA: The Law

 No person shall circumvent a technological

measure that … controls access to a work…

 No person shall manufacture, import, or traffic a

component that:

– Is primarily designed to circumvent a security measure

that protects a copyrighted work.

– Has only limited commercial use other than to break

copyright protections.

– Is used, with the knowledge of the creator, that it will be

used to circumvent copyright protections.

DMCA: The Law (2)

 Exceptions to the above laws (Government):

– Law enforcement

– Government intelligence agencies

– Other government activities & agencies;

Federal, State, or any political subdivision of a

State.

DMCA: The Law (3)

 Exceptions to the above laws (Civilian):

– Reverse Engineering

 Must lawfully obtain copyrighted work.

 May circumvent the laws to:

– Identify and Analyze elements of a program to make it work

with another independent program(s).

– Circumvented material must not be already available to the

person engaging in the reverse engineering.

DMCA: The Law (4)

 Copyright Management: name or identifying

information about a work, name of the

author, terms and conditions of the work,

etc.

– No person shall remove the above items from a

copyrighted work.

 Movie, music, software, etc.

– No person shall distribute a work knowing that

the copyright management information has

been altered or deleted.

DMCA: The Law (5)

 Copyright infringement liability and limitation

(Introduction).

– ISPs cannot be held liable for copyright

violations on their network if they do not know

about it.

– ISPs cannot be held liable for copyright

violations in their system cache, as long as

 It is committed by someone other than the ISP.

 The storage is carried out automatically and not by

employees.

DMCA: Why is it controversial?

 DeCSS case.

 Even if you link to material regarded as a

violation of copyright, you may be held

liable.

– 2600.com case and injunction.

 Seen as restrictive for innovation.

– Dmitry Sklyarov

DMCA







Online Copyright Infringement Liability

Limitation

Information Residing on Systems or

Networks At Direction of Users

 A service provider shall not be liable for

monetary relief.

 Injunctive for infringement of copyright by

reason of the storage at the direction of a

user of material that resides on a system or

network.

 User does not have actual knowledge that

the material or an activity using the material

is infringing.

 Upon obtaining knowledge user should

remove, or disable access to the material.

 User does not receive a financial benefit

directly attributable to the infringing activity.

Elements of Notification

 A notification of claimed infringement must

be a written communication provided to the

designated agent of a service provider.

 A physical or electronic signature of a

person authorized to act on behalf of the

owner of an exclusive right.

 A statement that the complaining party has

good faith.

 A statement that the information in the

notification is accurate.

 Information reasonably sufficient to permit

the service provider to contact the

complaining party.

Limitation on Liability of Nonprofit

and Educational Institutions

 When a public or other nonprofit institution

of higher education is a service provider,

and when a faculty member or graduate

student who is an employee of such

institution is performing a teaching or

research function.

Replacement of Removed or

Disabled Material and Limitation on

Other Liability

 No liability for taking down generally

 Exception

 Contents of counter notification

Note on the DeCSS Case







Decode Content Scramble System

Notes on the DeCSS Case

 Digital Versatile Disks (DVDs) can hold full

length motion pictures

 Market standard use the Content Scramble

System (CSS) for encoding

 Decoder was Windows/Mac compliant only

 Jan Johansen, a Linux user, wrote the

DeCSS object code for personal use and

published the code on the Web

The Lawsuit

 Suit brought against the “hacker” website 2600.com who

published security flaws and links to the object code

 Industry afraid movies will be downloaded on Napster-like

programs

 Plaintiffs portrayed DeCSS as a “piracy tool” and a “digital

crowbar”

 Defendants made First Amendment argument

 Court ruled that DeCSS was similar to “publishing a bank

vault combination”

 Links were seen as giving the code to the users directly

The Appeal

 Second Circuit of Appeals noted that

computer code has both a speech and a

functional component

 Court ruled that as a strict writing, it has

First Amendment protections

 The functional component can allow an

individual to violate the law

 Court upheld the injunction

Considerations and More Info

 Will this have an effect on the advancement

of Computer Science?

 Should coders be able to advance code that

can be used for illegal purposes

 Can find more details at

http://www.2600.com/dvd/docs/

Digital Music and

Peer-to-Peer File Sharing









Richard A. Sapinello

Client Server Architecture Model

 Internet content (books, movies, music, documents,

web pages) are typically disseminated by means of

the client server model

- information is “served” on a request from a central

system to a personal computer

- with the expansion of internet the burden on servers

has increased dramatically

- with the server down, information becomes

unavailable, and thus it is easy to control the unlawful

distribution of copyrighted material

P2P Architecture Model

 In P2P architecture any computer in the network can

function as a distribution point

 Enable direct communications among individual personal

computers relying on the internet infrastructure

 The request for a piece of information is passed along from

computer to computer until the file is located and a copy is

sent along to the requester’s system

 Unloads heavy traffic from servers

 Benefits to people being able to have access to information

quickly, easily, and cheaply

P2P Architecture Model (2)

 It is difficult to enforce copyright laws with a

P2P

– difficult to trace the movements of files in the

network

– no central server to shut down

 P2P treats all nodes in the network as equals

and disabling one node will have minimal impact

on the network

MP3 File Format

 MP3 is the shortened name for MPEG-1 Layer III (or MPEG Audio

Layer III) and is an audio subset of the MPEG industry standard

developed by ISO (Industry Standards Organization) and became an official

standard in 1992 as part of the MPEG-1 standard.

 Fraunhofer Gesellschaft (FhG), a German company holds key patents

regarding the technology.

 Music has always been stored on physical media, but digitization and

MP3 format permit proliferation of “containerless” music

 The compressed files are as much as 20 times smaller than the

originals, making music candidate number one of file sharing based on

P2P architecture

Music Sharing Applications

 The most famous program was Napster, but it was not a

true P2P application

 Morpheus, Grokster, KaZaA, eDonkey, iMesh, Shareaza

are among the numerous P2P applications

 KaZaA is the most popular software with over 275 million

users and about 3 million added each week

 For the music industry the lethal combination of easily

reproducible digital music files, MP3 format enabling

storage, and the P2P architecture is a recipe for disaster

The Music Industry Fights Back

 In the fall of 2003 the RIAA (Recording

Industry Association of America) filed a lawsuit

against 261 individuals accused of illegally

distributing music over the internet

 Being unable prosecute the creators of the

P2P programs, RIAA shifted focus to the

users of the software

 The lawsuits targeted the heaviest users,

hoping to achieve pedagogical effect

The Movie Industry Fights Back (2)



 The music industry’s campaign was met

with widespread criticism

 Only 36% of the US population believe that

file sharing is stealing

 Many software developers are rushing to

create new systems to share music more

covertly



Related docs
Other docs by benben zhou
Shopping Shopping for Cosmetics8
Views: 245  |  Downloads: 0
Rejigging the Elephant Dance
Views: 0  |  Downloads: 0
Dell Computer Corp.Micron Electr
Views: 4  |  Downloads: 0
For immediate release moisture
Views: 9  |  Downloads: 0
Dear Colleague
Views: 5  |  Downloads: 0
Seasonal Novel H N Flu A Guide for Parents
Views: 1  |  Downloads: 0
By registering with docstoc.com you agree to our
privacy policy

You are almost ready to download!

You are almost ready to download!