From Wikipedia, the free encyclopedia Pehr Hörberg
Pehr Hörberg
Pehr Hörberg Pehr Hörberg was born January 31, 1746 in Virestad
parish in Småland, Sweden and died January 24, 1816 in
Risinge in Östergötland, Sweden, was a Swedish artist,
painter and musician. In 1769 he married the maid Maria
Eriksdotter and they had three sons.
Biography
Pehr Hörberg’s birthplace Virestad is a small town and
a village in Älmhult Municipality in Kronoberg County,
in Småland, Sweden. It was formerly the central area
of the old Virestad parish. The church in Virestad was
built of stone 1799-1800 on the site of a former medieval
Selfportrait church. Some of its treasures include a pulpit from the
1600s and an altarpiece by Pehr Hörberg. He died in Falla
Born January 31, 1746
Virestad, Småland, Sweden
in Hällestad Bergslag, where he owned 1/4 of the home-
stead, and part of the village Olstorp, in Risinge parish,
Died January 24, 1816(1816-01-24) (aged 69) where he also owned 1/4 of the homestead. Both the
Nationality Swedish fourth in Falla in Hällestad and the fourth in Olstorp
in Risinge were mining districts estates, located in Fin-
Field Painting, etchings, engravings, woodcuts, spång Municipality in Östergötland County. Hörberg got
tapestries musician, composer
his "huts in an aiding position", so to his own satisfaction
Training Konstakademien, Stockholm that he 25 years later wrote about Olstorp and the farm
in Falla, that he had later acquired, that the estates were
very importat for him.[1][2]
Early tasks, education, marriage and
family
Pehr Hörberg grew up in a poverty-sticken soldier
crofter’s holding Övra Ön and began to craft- and tapes-
try artist in Småland. Then he started as a professional
painter in the rural areas in the Swedish countryside and
then he became a county painter in Småland.
He early showed a passion for painting. His works,
Roman soldiers with war trophy (1791), gouache by Pehr Hör- which he brought forth with primitive colors and materi-
berg. als, caused a sensation and wonder in the district. After a
few summers as a shepherd boy, he was apprenticed to a
decorative painter in Växjö. He completed his apprentice
training and served as crafts- and Church painter in the
area of Sävsjö and Eksjö.
In 1769 he married the maid Maria Eriksdotter and to-
gether they had three sons. The family lived in poverty in
a cottage, but later the family had access to a crofting. In
1783 a long-awaited dream fior him came true. He came
to Stockholm and studied for three periods during the
Sokrates with his poison cup in prison (1810), oil painting by years 1783-1787 at the Royal Swedish Academy of Arts in
Pehr Hörberg. Stockholm.
1
From Wikipedia, the free encyclopedia Pehr Hörberg
Study at the Royal Swedish Academy of A painting, which he admired particularly strong and
often returned to, was the altarpiece in Växjö Cathedral
Arts in Stockholm with the motif The Ordain of the Communion, painted in
Finally, at the age of 37 years, he got the opportunity 1733 by the Swedish painter Georg Engelhard
to study at the Royal Swedish Academy of Arts (Kon- Schröder.[11][12]
stakademien) in Stockholm, on and off, between the
years 1783-1786 for the famous Swedish painter Carl Purchase of the new homestead in
Gustaf Pilo (1711–1793), a Swedish-born artist and
painter. Carl Gustaf Pilo was named Director of the
Östergötland
Swedish Academy in 1777, but first took office in 1780 In 1788, Pehr Hörberg purchased a homestead in Olstorp
when he also received an apartment in Stockholm as in Risinge near Finspång in Östergötland. That was a real
part of his directorship at the Academy. Carl Gustaf Pilo estate business that must have brought attention among
lived out his days at the Academy, both engaged in the the peasants in Rising and especially in Olstorp was made
Academy’s business and in painting his masterpiece, the up in 1788. Then the crofter son from Småland, ”The Roy-
painting of Gustaf III’s coronation in Storkyrkan in Stock- al Court Painter”, Pehr Hörberg, bought a fourth part
holm,[3] which he worked on until the very end of his mantal by Chamberlain Jean Jacques De Geer
life.[4][5] (1737–1809), a Swedish baron and upper-class chamber-
He copied paintings from old masters for the pur- lain.[13][14]
poses of studying the paintings and the antique plaster In March 1790, Pehr Hörberg moved to Rising in
sculptures which made a deep impression on him, such Östergötland, where he had bought his new homestead
as the statue of Laocoön and His Sons (50 B.C.) (Swedish: Olstorp in Östergötland. Chamberlain Jean-Jacques De
Laokoongruppen) [1], at that time it was in the Royal Geer af Finspång (1737–1809), at Finspång castle,[15] gave
Swedish Academy of Arts in Stockholm, and Rembrandt’s him commissioned works in quantity and he also got as-
The Conspiracy of Claudius Civilis or Bataverna’s allegiance signments for the church. He dedicated himself quickly
(Swedish: Batavernas trohetsed (1662)[6]). Rembrandt’s oil- knowledge and appropriated rococo art soft colors and
painting The Conspiracy of Claudius Civilis has been in the Carl Gustaf Pilo’s chiaroscuro, and impressions especially
ownership of the Royal Swedish Academy of Arts since from Rembrandt.
1798 and it has been deposited in the Nationalmuseum in During his time in Olstorp, Pehr Hörberg painted
Stockholm since 1864. most of his altarpieces. And when he portrayed "Jesus’
So, when Pehr Hörberg studied these works of art, Sermon on the Mount" in Risinge Church’s altarpiece a
the statue Laocoön and His Sons and Rembrandt’s oil- piece of Olstorp’s nature formed the framework. Just
painting The Conspiracy of Claudius Civilis, he could see where "riksväg 51" is today in a slight downhill slope
them in his own art school, the Royal Swedish Academy approaching the parish border with Hällestad, there is,
of Arts, (Konstakademien) in Stockholm, where he stud- north of the road, a small rocky knoll. ”There the Master
ied between the years 1783-1786. is sitting!” At least this is what many people believe. The
The story about the ancient statue Laocoön and His dwelling-house on "Hörbergsgården" (Hörberg farm) has
Sons at Royal Swedish Academy of Arts in Stockholm, see been rebuilt several times. The entrance door was
the References.[7] moved, the roof was raised and so on. Today’s house
The story about Rembrandt’s oilpainting The Con- probably looks quite different than when Pehr Hörberg
spiracy of Claudius Civilis in Nationalmuseum in Stock- built it.
holm, see the References.[8]
Hörberg also got permission to study the collection Commission for painting altarpieces
of paintings in Drottningholm and took part of some of He was commissioned to paint altarpieces for a large
the Swedish nobleman, portrait painter and royal court number of churches in several parishes, especially from
painter Ehrenstrahl’s[9] works at the Storkyrkan in the parishes in Småland and Östergötland. Consequently
Stockholm, Sankt Nikolai kyrka (Church of St. Ni- he got orders for painting the altarpieces.
cholas),[10] in Gamla Stan in Stockholm. But already dur-
ing the time in Växjö Hörberg had seen the graphic The altarpiece in Årstad Church
works of Raphael (Raffaello Sanzio da Urbino, Sometimes he carried the altarpieces in huge format. The
1483–1520), the Italian master painter and architect in large format of the altarpiece in the Årstad Church,
High Renaissance, and Wierix renaissance works with its Falkenberg, is over 42 sqm. Årstad parish is a locality
numerous figurative scenes in classicism surroundings. situated in Falkenberg Municipality in Halland Coun-
The Wierix family (or "Wierix" and other variants) were ty.[16][17][18]
a Flemish dynasty of printmakers in engraving printmak-
ers in the 16th and early 17th centuries, active in An-
twerp and Brussels.
2
From Wikipedia, the free encyclopedia Pehr Hörberg
Some famous altarpieces ous tradition of chiaroscuro paintings with elements of
baroque lighting effects and a classicism environment.
Some famous alterpieces, most of them in Östergötland
Pehr Hörbergs väg, a way in Södra Ängby in Bromma
and Södermanland, out of his 87 altarpieces are:
in Stockholm, is named after the artist Pehr Hörberg. In
Algutsboda Church, Asarum Church in Karlshamn,
Södra Ängby[27] there are seventeen ways named after
Björsäter Church, Foss Church, Gryt Church, Gustaf
Swedish artists.
Church, Hedvig Church in Norrköping, Husby Oppunda
Pehr Hörberg wrote an autobiography in 1787. The
Church, Hycklinge Church, Hölö Church, Häradshammar
book by Pehr Hörberg was called: "Min lefwernes beskrifvn-
Church,[19] Konungsund Church, Kvarsebo Church in
ing" (The description of my life). The book was written
1810-1813, Kvillinge Church, Norra Ljunga Church,
in 1791 with additional text in 1815 and it was published
Loshult Church (Nowadays the painting is stolen), Lunda
in 1968 by Risinge Hembygdsförening and Östgöta kon-
Church in Södermanlands county, Rappestad Church,
stförening, with introductions by Bengt Cnattingius. In
Risinge Church, Risinge old Church (Sankta Maria
1796 Pehr Hörberg became a member of the Royal
Church).,[20] Regna Church, Rystad Church in Linköping
Swedish Academy of Arts and royal court painter. He was
diocese, Skeda Church, Skrukeby Church, Stigtomta
a popular and respected artist.
Church, Stora Malm Church, Svenarum Church, Sven-
nevad Church in Strängnäs diocese, Svärta Church, Sund
Church, Söndrum Church, St. Olai Church in Nor- Represented
rköping,[21] St. Lars Church in Linköping, Tingstad
Pehr Hörberg as a portrait painter with description of the
Church, Tåby Church in Linköping, Tjällmo Church, Vap-
life of the common people is represented as follows
nö Church, Virestad Church, Vrigstad Church, Vårdsberg
• 17 paintings at Nationalmuseum (or National
Church, Västerlösa Church, Årstad Church, Östra Husby
Museum of Fine Arts) in Stockholm, Sweden, among
Church,[22][23] Östra Skrukeby Church in Linköping dio-
others with the painting "Småländsk bondstuga"
cese and Vissefjärda Church.
(Småland farmhouse, Interior of a peasant’s cottage)
Moreover Hörberg also painted in the Templet in
and a drawing, a "Copy after Rembrandt’s The
Åtvidaberg in 1809. Baron Erik Göran Adelswärd
Conspiracy of Claudius Civilis, Nationalmuseum NMH
(1751–1810)[24] was a Swedish baron, military, landlord
74/1919.
and politician, who constructed the ”Templet” at Bysjön
• 15 paintings or so at the Göteborgs konstmuseum
in Åtvidaberg. The prototype was a round temple in the
(Gothenburg Museum of Art), among others with the
park at Versailles. The painted ceilings, which is an al-
painting "Petri förnekelse" (Peter’s denial)
legory about the mining industry in Åtvidaberg, is made
• Lunds University Museum
by Pehr Hörberg. The romantic temple is one of many
• Smålands Museum and Växjö (Smålands museum)
buildings that are part of the gardens around Adelsnäs,
• Linköpings Stadsmuseum
which was in possession of Adelswärd. Another is "Solka-
• Finspångs slottskyrka, Altarpiece 1794
nonen". Today the temple is an oasis at the beach Bysjön.
• Stockholms Frimurarorden
Pehr Hörberg also painted the ceiling in Åtvidaberg
• Norrköpings museum with "David’s Orchestra"
Church in 1809. Here is a picture of the temple,.[25]
The first Swedish arts incipient roman- Musicianship
tic A lesser known side of Pehr Hörberg was his career as
The year before his death, in 1815, Pehr Hörberg painted a musician. He both wrote and made music. A number
his 87th altarpiece, which also was his last. He takes up of songs for/of Pehr Hörberg has been in folk circles
the Geatish motif (Swedish: Götiska Förbundet) and he is and still today they are fairly widespread. Among other
the first Swedish arts incipient romantic. The 87 altar- melodies, "Pigopolska" and "Pehr Hörberg’s julpolska"
pieces he painted were mainly in Linköping diocese. He (Christmas polska) are his work. Pigopolskan is a reel in
was a godly man and he spent a lot of feeling in his altar g-minor and it is a type of polonaise / polonesse / släng-
paintings. He was honest as clear water. He also painted polska or swinging reel.
easel paintings[26] with religious, mythological and his- Polonesse (French Polonaise, Polish Polonez) is the
torical subjects and still life and moreover he made en- commonly used name of Polonaise in ¾-beat in elderly
gravings, woodcuts and tapestries. The drawings often Swedish fiddler books. In the South and East of Sweden
reveal his lack of education, but the compositions are of- the dance usually is called slängpolska, while many other
ten grand and lively, the colors are highly impressive and names are used on the local dance forms, such as
the atmosphere, especially in his religious motives, are Bingsjöpolska, Leksandslåt, Hälsingepolska, etc. When
heartfelt. Hörberg’s altarpieces associates with a previ- the dance was introduced in Sweden in the early 1700s it
was a graceful dance in a relaxed tempo and the dance
was ofthe accompanied by minuet, sometimes as a single
3
From Wikipedia, the free encyclopedia Pehr Hörberg
dance (suite) to the same melody. During the 1700s cen- Sheet of music, notes, to the reel has been found on
tury the polonesse was evolved from eightbeat polonesse the backside of an altarpiece of Pehr Hörberg. The title
(not to be confused with the eight Polish) to sixteenth of the notes reads "Pigopolskan – den ägta". There are
polonesse (commonly called the sixteenth Polish) and lo- two records, discs, with the Pigopolskan, one of them is
cally also in the faster tempo and wilder dance. In the Bengt Löfberg’s "Luringen" and the other is Sågskäras
border areas of Norway the eightbeat polonesse with "Krook", the latter has been transposed to a-minor. The
triplets quickly got its own line of development. reel is a folk dance type as well as the accompanying
The "Slängpolska" ("släng" Swed. for "toss, throw, dance tune type. In Scottish country dancing, the reel is
chuck") is a Swedish folk dance and sometimes also the one of the four traditional dances, the others being the
description of certain folk music tunes. The dances bear- jig, the strathspey and the waltz, and is also the name of
ing the name slängpolska can be divided into two major a dance figure. In Irish dance, a reel is any dance danced
types. The first type is for two or four people, and is to music in reel time (see below). In Irish stepdance, the
one of the sixteenth-note versions of the polska. The sec- reel is danced in soft shoes and is one of the first dances
ond type of slängpolska is more related to other pol- taught to students. There is also a treble reel, danced in
skas than to the above slängpolska type, in that the cou- hard shoes to reel music.
ples move counterclockwise around the periphery of the
room, and choose to do so with or without rotation clock-
wise around an internal axis, one full rotation for each
References
measure. The music of Sweden shares the tradition of [1] Information about Olstorp in Risinge parish
Nordic folk dance music with its neighbouring countries, (Swedish)
including polka, schottische, waltz, polska and mazurka. [2] Anbytarforum: Äldre inlägg (arkiv) till 17 juni 2010,
The accordion, clarinet, fiddle and nyckelharpa (keyed postat måndagen den 10 maj 2010. Britt-Marie
fiddle) are among the most common Swedish folk in- Waller.
struments. This instrumental genre is the biggest one in [3] The Coronation of Gustaf III in Storkyrkan,
Swedish traditional music. A nyckelharpa (literally "key Stockholm
harp", plural nyckelharpor or sometimes keyed fiddle) is [4] The Coronation of Gustaf III in Storkyrkan,
a traditional Swedish musical instrument. It is a string in- Stockholm. Carl Gustaf Pilo’s painting in
strument or chordophone. Its keys are attached to tan- Nationalmuseum. (Swedish)
gents which, when a key is depressed, serve as frets to [5] Carl Gustaf Pilo in Konstnärslexikonett Amanda
change the pitch of the string. The nyckelharpa is similar (Swedish)
in appearance to a fiddle or the bowed Byzantine lira. [6] Rembrand’s oilpainting Bataverna’s allegiance
Structurally, it is more closely related to the hurdy gur- [7] A cast (copy) of the ancient statue Laocoön and His
dy, both employing key-actuated tangents to change the Sons, which the Swedish King Gustav III brought to
pitch. Sweden in late 18th century, is also on display at
The polonaise is a slow dance of Polish origin, in the Royal Swedish Academy of Arts in Stockholm.
3/4time. Its name is French for "Polish". The polonaise So, when Pehr Hörberg studied at the Royal
had a rhythm quite close to that of the Swedish semiqua- Swedish Academy of Arts (Konstakademien) in
ver or sixteenth-note polska, and the two dances have a Stockholm, the copy of the statue Laocoön and His
common origin. Sons was already there, from late 18th century, and
The polska is a family of music and dance forms there it is still today. In Nationalmuseum in
shared by the Nordic countries: called polsk in Denmark, Stockholm there is another copy, a plaster cast of
polska in Sweden and Finland and by several names in the statue Laocoön and His Sons
Norway in different regions and/or for different variants (Laokoongruppen).Laokoongruppen Copy of the
- including pols, rundom, springleik, and springar. The ancient statue Laokoön and His Sons from 50 BC.
polska is almost always seen as a partner dance in [8] The interesting story about Rembrandt’s
3/4-beat, although variants in 2/4 time and for two or oilpainting The Conspiracy of Claudius Civilis:
more couples exist. As suggested by the name, the roots Rembrandt painted The Conspiracy of Claudius
of the polska are often traced back to the influence of Civilis around 1660 and the intention was that it
the Polish court throughout the northern countries dur- would adorn a wall in Amsterdam City Hall. But, it
ing the early 17th century. (Polska also means Polish in seemed outdated and it did not please the clients
Swedish, though the pronunciation may be different: and then it was taken down in 1662. After that, the
"Polish" is pronounced Paul-ska by some speakers and middle part of this giant painting was taken out,
Poll-ska by others, while the dance is always pronounced and was brought to Sweden by the Dutch family
Poll-ska.) In Sweden, the polska music tradition is contin- Peille. Thus it was acquired by Stockholm
uous, with tunes and styles passed down through fami- merchant Henrik Wilhelm Peill through his
lies, relatives and neighbors. marriage to Sophia Grill, who was a sole daughter
4
From Wikipedia, the free encyclopedia Pehr Hörberg
of the wealthy Claës Grill, a director of the Swedish [15] Jean-Jacques De Geer af Finspång (1737-1809)
East India. Probably on the advice of artist friends, (Swedish)
Henrik Wilhelm Peill deposited the painting at the [16] Årstad’s oldest Church was built in the
Royal Swedish Academy of Arts, where it ca be seen Romanesque style during the 1200s. It was about 35
hanging on the wall in the background of a feet long and 12 meters wide. The height of the
painting by Elias Martin of the visit of King Gustav vault was over 7 feet. It was demolished and
III in 1782. Eventually it was donated by the familly replaced by a new church in 1890. The thoughts of
Peille to the Royal Swedish Academy of Arts building a new church had been there already in
(Konstakademien) in Stockholm. Furtheron the 1849 and in 1869, but no breakthrough was until
Academy of Arts deposited the oil painting in the 1883, whereupon the planning started. The new
Nationalmuseum in Stockholm. Even in its present Church was designed by the Swedish architect and
state (cut down) the painting shines with beauty. It professor Claes Grundström (1844-1925).
is constituted one of Sweden’s most precious art [17] Claes Grundström (Swedish)
treasures. In 1780 the Swedish King Gustaf III [18] The church in Årstad was renovated in 1912 and in
visited the Royal Swedish Academy of Arts 1959. In connection with the recent renovation the
premises at Rödbotorget in Stockholm and altarpiece from the old church came on the site.
discovered that the large painting, Rembrandt’s Among older furniture in Årstad Church of interest
The Conspiracy of Claudius Civilis (trohetsed), is a chalice from 1500. The pulpit was from 1594
hanging in the model hall of the Academy. The and now it is deposited at the County Museum in
painting still belonged to the Dutch familly Peill, Halmstad. The sanctuary wall and the altarpiece
who deposited it in the Academy. The King Gustaf was painted by the royal court painter Pehr
III, who at that time was building up his gallery in Hörberg. Where the font is gone is unknown. Some
the Royal Palace (”Royal Museum”), begged the time before 1786 the church was expanded to the
need for the painting to come over to his gallery. east. The tower was made of wood.
So he felt that this painting was too significant to [19] Panorama of the inside in Häradshammar kyrka.
be located in a ”school”. His desire was heard since Fine panorama views, virtual tour, inside the
the board has become the subject of a thorough church of Häradshammar with an altarpiece by
restoration of the conservator Erik Hallblad Erik Pehr Hörberg.
Hallblad. After the death of Gustaf III in Stockholm [20] Pehr Hörberg made a model to Risinge old Church
in 1792 the painting was donated in 1798 for good and promised to donate an altarpiece proposal to
to the Royal Swedish Academy of Arts in build under his proposal. Risinge new Church,
Stockholm, after that the museum official and which was completed in 1849, is a Church in
courtier Carl Fredrik Fredenheim Carl Fredrik Risinge parish and congregation, Finspång County,
Fredenheim in connection with the new interiors Östergötland. It is 4 km east of Finspång and
of the "Konglig Museum" (”Royal Museum”) belonging to Linköping diocese. An extension was
returned it to the Academy. The museum was made during the 1700s to the north of the nave, but
founded in 1792 as "Konglig Museum" ("Royal more and more vices were raised for a new. Pehr
Museum"), but the present building of Hörberg, who lived in Risinge parish, offered to
Nationalmuseum (or National Museum of Fine paint an altarpiece proposal to build a new Church
Arts) on Blasieholmen in Stockholm was opened in and drew even with borth models and designs for a
1866, and then it was renamed the three naves Church.
Nationalmuseum. The museum exhibits an [21] St. Olai Church in Norrköping has an altarpiece by
impressive art collection due to its benefactors, Pehr Hörberg from 1797 and depicts the
King Gustaf III and Carl Gustaf Tessin. The painting "Eucharist".
is still owned by the Academy of Arts, but has been [22] Panorama of the inside in Östra Husby church. Fine
deposited since 1864 in the Nationalmuseum in panorama views, virtual tour, inside Östra Husby
Stockholm. church with the altarpiece "The Ascension of Christ"
[9] David Klöcker Ehrenstrahl(Swedish) by Pehr Hörberg.
[10] Virtual tour of Storkyrkan, Virtualsweden [23] Antiqvarisk tidskrift för Sverige, andra delen
[11] Georg Engelhard Schröder (Swedish)] (1867-1869), page 103f, (Project Runeberg) about
[12] Georg Engelhard Schröder in Nordisk familjebok (2:a Östra Husby Church (Swedish)
upplagan, 1916) (Swedish) [24] Erik Göran Adelswärd (Swedish)
[13] Chamberlain Jean-Jacques De Geer af Finspång [25] The romantic ”Templet” at Bysjön (Swedish)
(1737-1809) (Swedish) [26] An easel is an upright support used for displaying
[14] The Family De Geer (Swedish) and/or fixing something resting upon it. (Swedish:
staffli). It is most often used to hold up a painter’s
5
From Wikipedia, the free encyclopedia Pehr Hörberg
canvas or large sketchbook while the artist is • Panorama from the inside of Östra Husby church.
working or to hold a completed painting for Virtual tour. Fine panorama views from the inside of
exhibition. Östra Husby church with the altarpiece "The
[27] Södra Ängby Ascension of Christ" by Pehr Hörberg.
• Panorama from the inside of Häradshammar church.
Sources Virtual tour. Fine panorama views from the inside of
Häradshammar church with an altarpiece by Pehr
• Pehr Hörberg in Konstnärslexikonett Amanda Hörberg.
• Pehr Hörberg och modernism (Swedish), pdf-file, 4 • Interior from Åtvid’s big church A high and tall
A4-pages. Published in Konstvetaren 2008 by church really takes a central position. The church is
Konsthistoriska klubben in Linköping. Author: Sune built in 1884 in English Gothic style and with a
Axelsson. typical triptych altarpiece. To the right of the altar
• Pehr Hörberg in Nordisk Familjebok, volume 12, 1910, there is an oil painting by Pehr Hörberg hanging.
page 273 Persondata
• Pehr Hörberg in Nordisk Familjebok, volume 12, 1910,
Name Hörberg, Pehr
pages 274-275
• Pehr Hörberg in Nordisk Familjebok, volume 12, 1910, Alternative
page 276. Picture of the altarpiece in Östra Husby names
kyrka, Vikbolandet, Östergötland, by Pehr Hörberg. Short descrip-
The motif is "Kristi himmelsfärd" ("The Ascension of tion
Christ"). Date of birth January 31, 1746
• Pehr Hörberg (Swedish). Author: Carl Thelander.
• Ansedel Pehr Hörberg in DISGEN Place of birth Virestad parish in Småland, Sweden
Date of death January 24, 1816
Other links Place of death Risinge (village), Östergötland,
Sweden
• Antiqvarisk tidskrift för Sverige, andra delen
(1867–1869), page 103f, about Östra Husby Church.
Retrieved from "http://en.wikipedia.org/wiki/Pehr_H%C3%B6rberg"
Categories: 1746 births, 1816 deaths, Swedish artists, Swedish painters, Swedish folk musicians, 18th-century Swedish
people, 19th-century Swedish people, Court painters
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