lambert_cv_08_13 by pengxiang


									                                         ALIX LAMBERT

1990   School of Visual Arts: BFA
1985   Royal College of Art, London: Summer Program
1984   Parsons School of Design, New York: Summer Program


2007          Abaton Garage, New Jersey

2006          Galeria Javier Lopez, Madrid, Spain, Part Two
              Galeria Javier Lopez, Madrid, Spain, Part One
              Nyehaus, New York

2004          Space Junk Gallery, Grenoble, France
              Abaton Garage, New Jersey
              The Mark of Cain, Susanne Vielmetter Gallery, Los Angeles

2003          I am not like them at all and I cannot pretend, Sara Meltzer Gallery,
              NY, April 25th

2001          Flight, Sara Meltzer Gallery, New York, Nov.

2000           Flight Series Sara Meltzer Gallery, New York
              Drawings, Suzanne Vielmetter Gallery, Los Angeles, California Bond Related Noise,
              Elizabeth Cherry Contemporary Art, Tuscon, Arizona
1998        Platipussy, Galeria João Graça, Lisbon
            Tattoo, Curt Marcus Gallery, New York

1997        Apartments/Platipussy/Ethel & Me, ARTRA, Milan
            Male Pattern Baldness, Team Gallery, New York

1996        Platipussy, Jose Freire Gallery, New York

1995        Male Pattern Baldness, Javier Lopez Gallery, London
            Male Pattern Baldness, Ridzhina Gallery, Moscow, organized by the Galerie Art &
            Public, Geneva
            The Joy of Painting, HERE Gallery, curated by Alix Lambert and Ami Arnault

1994-1995   Round Twelve, MA Galerie [Galerie Emmanuel Perrotin], Paris

1994        Team Gallery, Washington
            Playoff, Galerie Art & Public, Geneva*
            Galleria Raucci / Santamaria, Napoli

1993        Daniel Newburg Gallery, New York
            Galerie Kees Van Gelder, Amsterdam

1992        Alix Lambert by Kristine Ebert, Daniel Newburg Gallery, New York


2007        The Development of Tourism in Los Angeles County, The Public Theater, written by
            Suzan-Lori Parks

2005        7 Impressions of Viggo

2004        Where the Sky Meets the Earth, Billabong
2002      Box of Birds, The Malloys in New Zealand
          Cami and her sister

2001      Stanley Kunitz: Poet Laureate 2000

2000      The Mark of Cain

1997      Platipussy


2007      LA ART, World’s Largest Walkie Talkie Network, Three Dance Works by Flora
          Weigman (Sound design)

2006      Sundance Salon, Los Angeles, CA
          Asheville Museum of Art, Asheville North Carolina
          ARCO, Spain

2005      Galerie Des Multiples, France
          Midnight Walker, France
          Black Noise, Basel Art Fair, Switzerland
          SPORT, Socrates Sculpture Park, NY

2004      None of the Of The Above, The Swiss Institute, curated by John Armleder
          SAC Gallery, NY
          Cuerpos Pintados (Museum Exhibition), Santiago Chile

2003      Woodstock Festival, Woodstock, NY
          Ana Mendieta Performance Festival, ICARUS, Havana, Cuba

2002      Body Lines, The Museum of David, Jeruselum, Isreal
            Tutto Bene, Lausanne, Switzerland
            Momenta Gallery, Brooklyn, NY, curated by Deborah Kass

2001        Only Skin Deep: Changing visions of the American Self, International Center For
            photography, New York, NY
            Bogus, Castle Gallery, New Rochelle, NY
            Chelsea Rising, Contemporary Art Center, New Orleans

2000        Never Never Land, Florida Atlantic University, Boca Raton, FL
            Side Lines, Makor, video screening.. Curated by Sara Meltzer
            Kinsway Trilogy, video wall, Sara Meltzer Gallery, New York, NY
            Game On! Sara Meltzer Gallery, New York, NY
            New Photography, Baumgartner Gallery, New York, NY
            Human Being and Gender, Kwangju Biennale 2000, Korea
            Gender and Identity, The Parrish Museum of Art, Montauk, Long Island

1999        Curt Marcus Gallery, New York, NY
            Antiworld, Gallery Untitled, Dallas, Texas
            Photography Salon, Elizabeth Cherry Fine Arts, Tucson, Arizona
            Museum of Contemporary Art, Tucson, Arizona

1998        The Chicago Project Room, Chicago, Illinois
            Vienna Beef, Bricks & Kicks, Vienna
            The Downtown Arts Festival, New York
            Bang on the Can Benefit Show, New York
            Libertine, Velocity Gallery, Brooklyn, New York
            Remix, Team Gallery, New York
            a posteriori, charlieuniformtango Gallery, Dallas
            Vanessa Beecroft / Alix Lambert / Helmut Newton, l’elac (l’espace lausannois
            d’art contemporain), Lausanne, curated by Lionel Bovier
            Super Freak, Greene-Naftali Gallery, New York
            Forde’s Needles, Forde espace d’art contemporain, Geneva

1998-1997   The Young and Restless, Museum of Modern Art, New York, curated by Stephen
          Filmmakers Co-op, London
          Contemporary Art Museum, Honolulu
          Henry Art Gallery, Seattle
          Kunstakademiet, Trondheim; Kunstbunker Tumulka, Munich
          Cornell Ithaca (New York)
          WRO Festival, Warsaw

1997      Coming Home Again, School of Visual Arts Gallery, New York, curated by Jeanne
          Des Histoires en Formes, Le Magasin, Centre National d’Art Contemporain, Grenoble,
          curated by Lili Laxenaire, Mari Linnman, Ingrid Martraix & Gabi Scardi*
          Filmmakers Make Theater, P.S. 122, New York, direction of The Best Man, written by
          John Dolan

1996-97   Up Close and Personal, Philadelphia Museum of Art, Philadelphia

1996      Ferbedienung: Does television inform the way art is made? Grazer Kunstverein, Graz
          (Austria), curated by Eva Maria Stalder & Thomas Trummer (Steirischen Herbst 96)*
          Trois collections d’artistes, Musée des Beaux-Arts, La Chaux-de-Fonds
          Push-Ups, The Factory, Athens Fine Arts School, Athens, curated by Emily Tsingou*

1995-96   All Dressed Up, Apex Art, New York, curated by Steven Rand*

1995      féminin-masculin / Le Sexe de l’Art, Centre Georges Pompidou, Musée National d’Art
          Moderne, Paris, curated by Marie-Laure Bernadac & Bernard Marcadé*
          Mini Mundus, White Columns, New York, curated by Teresa Bramlette*
          Speed Trials, Team Gallery, Washington D.C.
          Drawings & Drawings, Galerie Kees Van Gelder, Amsterdam
          Prospect 1986-94, Galerie Art & Public, Geneva

1994-95   Arte in Video, Inter Nos, Milan, in the selection made by Tommaso Corvi Mora

1994      Oh boy, it’s a girl ! / Feminismen in der Kunst, Kunstverein München, Kunstraum Wien,
          Munich, Vienna*
          Who Chooses Who, The New Museum, New York
          Audience 0.01, Trevi Flash Art Museum, Trevi (Italy), curated by Helena Kontova;
       Otis Gallery, Los Angeles*
       Daniel Newburg Gallery, New York
       L’Hiver de l’amour / Winter of Love, Musée d’Art Moderne de la Ville de Paris ARC,
       Paris, curated by Elein Fleiss, Dominique Gonzalez-Foerster,
       Bernard Joisten, Jean-Luc Vilmouth & Olivier Zahm; travelling: PS1, New York*

1993   Vera Vita Gioia Galleria, Naples (Italy)
       Massimo Di Carlo Galleria, Milan
       Self Winding, Nanba City Hall, Sphere Max, Osaka, Tokyo, curated by Jeffrey Deitch
       The Knitting Factory, New York
       The Return of the Cadavre Exquis, The Drawing Center, New York; travelling
       The Corcoran Gallery of Art, Washington
       Santa Monica Museum of Art, Santa Monica (California)
       Forum for Contemporary Art, Saint-Louis (Missouri); American Center, Paris*
       De Passage... / Furkart 93, Furkapasshöhe, Hotel Furkablick
       Aperto ‘93, Biennale di Venezia, Venice (Italy), The Mere Interchange, curated by
       Francesco Bonami*
       Nineties, John Gibson Gallery, New York, curated by Elizabeth Thompson
       Edities & Unica, Galerie Kees Van Gelder, Amsterdam
       Connecticut Grand Opera and Orchestra, Stamford (Connecticut), in conjunction with
       BlueBeard, an opera by Offenbach

1992   A Whiter Shade of Pale, Galerie Sophia Ungers, Cologne, curated by Udo Kittelman
       Daniel Newburg Gallery, New York
       BACA Downtown, Brooklyn, New York
       Andrea Rosen Gallery, New York

1991   4th Floor, 89 Greene Street, New York, curated by Kenny Schachter
       Unlearning, 142 Greene Street, New York, curated by Kenny Schachter
       Natalie Rivera Gallery, New York
       H.O.M.E. for June, H.O.M.E. for Contemporary Art, New York, curated by Erik
       Friendly, Dooley Le Cappellaine Gallery, New York, curated by Janine Gordon & Trudie
Hollywood and Poetry, Edited by Jason Shinder, 2008
CRIME, Fuel Publishing, 2008
The Silencing, Perceval Press, 2008
Artists, Jason Schmidt, 2007
Notebook, Creative Capitalism, 2006
Mastering the Melon, Javier Lopez and DAP, 2006
Blue Yonder, James McMillan, Pan McMillan Australia, 2006
Friends of Friends, Creative Capitalism, 2005
Global Crime, Vol 6, August – November 2004
Art In The Making, DAP, Linda Weintraub 2004
I am Not Like Them at All and I Cannot Pretend, Abaton Books 2004
Purple Ten Years, Purple Books, 2002.
Russian Prison Tattoos, Schiffer Publishing, by Alix Lambert 2003.
Lionel Bovier & Christophe Cherix Prise directe, Les Presses du reel 2002, pp. 65-70.
Visible Language, 36.1, Interview with Michael Golec and photo essay, 2002.
XX111Festival Des films Des Femmes, Creteil France, 2001.
Images of The Twentyfirst Century, 3rd Thessoloniki Documentary Festival, Greece, 2001.
VERA, Kort-Och documentary festival, Finland, 2001.
Chelsea Rising, Contemporary Arts Center, New Orleans, 2001.
America Above the Rim: Basketball Jones, New York University Press. Edited by Todd Boyd and
Kenneth L. Shropshire, 2000, pp 1.
Open City, 2000, Russian Prisoners in Perm and Samara, a project by Alix Lambert, pp.182-193.
Tattoos by Alix, Abaton Book Company, edition 250.
Des Histoires en Formes, Le Magasin, Centra National d’Art Contemporain, Grenoble 1997, text by Mari
Linnman & Ingrid Martraix, pp. 6-9 and text by Ingrid Martraix, pp. 62.64.
Coming Home Again, School of Visual Arts, New York 1997, text by Jeanne Siegel, pp. 3-7 and
interview by Jeanne Siegel, pp. 65-68.
John Ruskin Lectures on Art, introduction by Bill Beckley, published by Allworth Press, pp.18.
Ferbedienung / Does television inform the way art is made ?, Grazer Kunstverein (Steirischen Herbst 96),
Graz 1996, text by Eva Maria Stalder [n.p.].
Push-Ups, Athens Fine Arts School, Art Magazine Publication, Athens 1996, pp. 56-59.
Allison Moore (ed.), In the Margins / 19 Interviews, Montgomery Glasoe Fine Art, Minneapolis 1996, pp.
féminin-masculin / Le sexe de l’art, Gallimard / Electa & Centre George Pompidou, Paris & Milan 1995,
text by Marie-Laure Bernadac, pp.120-121.
Jenny Laden (ed.), White Columns. Update 1995, White Columns, New York 1995, text by Teresa
Bramlette, pp. 50-51., White Columns, New York 1995, text by Teresa Bramlette, pp. 4-7.
Audience 0.01, Trevi Flash Art Museum, Giancarlo Politi Editore, Milano 1994, text by Helena Kontova.
Oh boy, it’s a girl / Feminismen in der Kunst, Kunstverein München, München 1994, text by Hedwig
Saxenhuber & Astrid Wege, pp. 9-12.
Male Pattern Baldness, Galerie Art & Public, Genève 1994, texts by Lionel Bovier, Elein Fleiss and
Glenn O’Brien.
L’Hiver de l’amour bis, Mus_e d’Art Moderne de la Ville de Paris, Paris 1994, pp. 74-76.
Aperto ‘93, XLV Biennale di Venezia, Giancarlo Politi Editore, Milano 1993, text by Lisa Ruyter, pp.
XLV Esposizione Internationale d’Arte Biennale di Venezia, Marsilio Editore, Venezia 1993, text by
Francesco Bonami, pp. 258-269.
The Return of the Cadavre Exquis, The Drawing Center, New York 1993, text by Ingrid Schaffner pp.


2007            Moving Pictures, The Mark Of Cain, Marshall McClean
               The chicken Fish Speaks
               Stubble Magazine
               Moving Pictures, Elliott Kotek
               Pop Syndicate, Angela Wilson
               Exclusive Magazine, Ann Carlini
               Associated Content, Keith Gordon
               Suicide Girls, Daniel Robert Epstein

2006            LA Weekly, Melon Head, Gendy Alimurung
               FilmThreat, Cinema CPR, KJ Daughton
               City Beat, Read This
               Arte Y Porte #63, Alix Lambert, Head Series
               ABC las artes ylas letras, Alix Lambert, Part Two: Cops
               ABC las artes ylas letras, Mascarada
       Exit Express, Carolina Garcia

2005   A Critics Diary, John Haber
       NY Arts Magazine, James Wescott
       The LA Weekly, Leroy Sievers (article and photograph by Alix Lambert)
       The LA Weekly, Between Heaven and Hell
       The Village Voice, Kim Levin, None of the Above

2004   Museo 7, Broken Typeface, Alexis Pauline Gumbs
       Le Petit Bulletin, America America, Vincent Verle
       ARTFORUM, Top Ten
       Oyster Magazine, profile, Arlie Carstens
       LA Weekly, Miles Kreuger, July
       Topic, prison 5 (cover)

2003, Weekly Rochester events
       Chronogram, Tattoo You, Irene Mcgarrity, Sept.
       Film Fest New Haven, The Long and Shorts of it, Christopher Arnott
       LA Weekly, Considerable People, Ron Athey, August
       San Francisco Weekly, Celluloid Surf, Kevin Chanel, pg. 32, August 6th
       Self Magazine, July

2002   FilmThreat, KJ Doughton, The Mark Of Cain
       Valley Voice, “Special Screenings”, Nov. 7th
       The Faculty and Staff Newspaper UCSB, vol.13, No. 5 , Nov. 4th
       Daily Nexus UCSB, “The Mark of Cain”, Nov. 1st.
       The Independent, “Underneath the Skin”, Johanna Reed, Oct.31st
       Santa Barbara News Press, “The Mark of Alix”, Starshine Roshell, Nov. 6th
       Vice Magazine, Russian Prisons
       Shauna Miller, Washington City Paper, The Mark of Cain at Visions.
       Pedro Valez, FDA Issue 10, Heavy Metal and Alix lambert.
       Kathy A. McDonald, Daily Variety, “Docus tell tough tales with passion,” pg.A4, March
       V Magazine, Works in Progress, Jan/Feb. Issue
       Purple Prose, Portraits, Dike Blair
2001   Nitrate, The Mark of Cain, KJ Doughton, Feb 15th
       Time out Magazine, Martha Schwender, Dec.
       Oberlin Review, Lambert to visit Oberlin, Christina Morgan, pg 13, April 20th
       Skin and Ink, Feature, Matty Jankowski, pg. 16, January

2000   The Village Voice, Jessica Winter, Long Nights Journeys into day, Nov. 3
       Newsweek, Susanne Vielmetter, pg. 62, Sept. 4
       The Washington Post, Style Section, pg. C1_C5, July 27
       The Village Voice, Vince Aletti, Show of Shows, July 18, pg.65
       Time Out Magazine, Tim Griffin , Game On!, June 13, pg. 62
       Babylon Boy, Sven’s Best Free Sights, Russian prison Tattoos, May
       Entertainment Weekly, Noah Robischon, “Net Grosses”, May 12, pg. 81
       The Stranger, “Bio Pic”, May 26 - 31, pg. 75
       International Tattoo Magazine, Comrades, May, p.95
       ArtByte Magazine, Super Skytacular, May
       Paper Magazine , Tim Griffin, May, Jami Attenberg, “Culture at What Price?”, April 7

1999   The Dallas Morning News, D. Mitchell, “ Antiworld at Gallery Untitled,” March 26
       ArtByte Magazine, Artist’s project, “Test Pilot,” April/May, p.78-79
       Purple 3 “Questionaire: Interview With Alix Lambert”, summer, p. 219
       Southern Voice, Kimberly Yutani, “Big Mama Fest hits Atlanta,”, March 4
       Homoculture Elizabeth Elkins “Big Mama Cinefest celebrates women’s films”, March
       Atlanta Press, Conal Byrne, “Big Mama likes it short,”, March, pg.10
       Creative Loafing, Felicia Feaster “Big Mama film series spotlights women filmmakers,”
       March 6, pg.102
       Flash Art, Martha Schwendener, “Alix Lambert,” January/February, p. 95

1998   Biblia Goes to America #6, Artist’s project, December, p.60
       Tucson Weekly Margaret Regan, “Hazmat Arrives,”, December 10, p. 40
       Arte Ibérica João Louro, “Galeria João Graca: Alix Lambert,
       December, p. 74
       Expresso, Celso Martins, “Alix Lambert,” October
       Flirt No. Alix Lambert Projeccao de Video,” 2, September, p. 23
        Independente, Ricardo Matos, “Alix Lambert e as Platipussy,”, October 9,
        Sexta-Feira, Luisa Soares de Oliveira, “Alix Lambert, Platipussy,”, October 2
        MicroCineFest ’98 Festival Program, Skizz Cyzyk, “Interview with Platipussy Director
        Alix Lambert,” November
        The New York Times Holland Cotter, “Alix Lambert,”, September 18
        Paper, Christine Muhlke, “ Tattoo You, Too,”October
        The New Yorker, “Goings on About Town”, September 21
        The Thing Dike Blair, “ Tattoo,” October 19
        New York Magazine, “Preview Art, Photography” September 14
        Nerve Magazine, Rachel Greene, “Wedding Project”, September
        Feed Magazine, Stephanie Syman, , September
        Tema Celeste Elena Di Raddo, “Alix Stewart Lambert” in, n: 66, March, Milano, p. 63
        Flash Art International Tiziana Casapietra, “Alix Stewart Lambert at Artra” in, vol.
        XXXI, n: 198, January-February, Milano, p. 53
        Ingrid Martraix & Anad Demir, “En écoutant...” in Documents, n: 11, Automne-Hiver
97-        98, Dijon, pp. 147-148

1997    Flash Art, Anno XXXI, n: 297, Tiziana Casapietra, “Alix Stewart Lambert” in,
        December-January, Milano, pp. 102-103
        The World, Cover illustration and 8-page project (“Vito Acconci in his apartment”) in, n:
        53, Fall, New York, cover and pp. 55-61
        Siren Magazine Gayle Nelson, “This is Platipussy” in, n: 2, October, San Francisco, pp.
        UKS. Forum for Samtidskunst,Lisa Gold & Erik Hesby, “Young and Restless” 3-4, Oslo,
        pp. 79-81
        Art in America Stephanie Cash, “Alix Stewart Lambert at Team” vol. 85, n: 7, July, New
        York, pp. 92-93
        Libération, Elisabeth Lebovici, “L’intimité fait son lit” 28-29 juin, Cahier spécial, Paris,
        pp. XIV-XV
        The New York Times, Roberta Smith, “The Young and the Restless”, February 21, New
        York, p. C28 and p. C30
        The Village Voice, Kim Levin, “As Short List” in February 18, New York, Section Voice
        New York SoHo Art Magazine, Christopher Chambers, “Picks from the Galleries”
        January, New York, p. 12

1996    Zapp Magazine, Platipussy, #7 March Issue
        World Art, Kathleen Finley-Magnan, “Art Rock” n: 2, pp. 10-12
       Flash Art International, Jen Budney, “Push-Ups” October, Milano, p. 74
       Der Standard, Doris Krumpl, “Visionen von der Ferne in der Nähe” September 25
       Neue Zeit, Franz von Niegelhell, “Das Fernsehzeitalter als ein Produktionsmittel der
       Kunst” September 25
       Salzburger Nachrichten, Martin Behr, “Die VerfŸgbarkeit der (Flimmer-)Bilder”
       September 25, Salzburg
       Axcess, Julia Cruz Teaff, “Alix Stewart Lambert. Pussy and Paranoia” June-July, San
       Diego, pg. 38
       Flash Art International, Janine Gordon, “SM(art) Alex Videos” March-April, Milano, pp.
       6 / 88-90
       Interview, Richard Pandiscio, “Ones to Watch” March, New York, p. 76
       Paper Magazine, Victoria Pendersen, “Gallery Go’ Round” March, New York, p. 128
       Time Out, Howard Halle, “Alix Stewart Lambert” February 21-28, n: 22, New York,
       The New York Press, Stuart Servetar, “Galleries” February 4, New York, p. 61

1995   Purple Prose, Lionel Bovier, “X-Girl” n: 8, Hiver, Paris, pp. 18-20
       FAT, FAT redaction, “New York Gladiators” n: 2, Winter, New York, pg. 42-43
       Artforum, Olivier Zahm, “Alix Lambert” October, New York, p. 109
       The Print Collectors Newsletter, Nancy Princenthal, “Artist’s Books” July-August, p. 111
       Purple Prose, Olivier Zahm, “La fuite vers le sport” été, Paris, pp. 68-71
       Swing, Adrian Dannatt, “Art”vol. 1, n: 7, June, New York, pp. 48-53
       The Moscow Times Reproduction, March 10, Moscow, p. 15
       The Village Voice, Kim Levin, “The Joy of Curating” February, New York, pg. 78
       Open City, Cover, n: 3, New York

1994   The New York Times Magazine, Stephen J. Dubner, “Rising Stars” in November 20, New
       York, pp. 59-63
       Frauen Kunst Wissenschaft, Barbara U. Schmidt, “Jenseits polares Differenzen” Herbst,
       pp. 1-6
       Kritik, Barbara U. Schmidt, “Oh boy, it’s a girl” n: 3, pp. 24-32
       Mirabella, Glenn O’Brien, “Woman Goes Bald for Art” n: 64, September, New York, p.
       Art Press, Paul Ardenne, “L’Hiver de l’amour” Mai, Paris
       Art+Text, Giorgio Verzotti, “Alix Lambert” n: 48, May, p. 84
       Purple Prose, Dominique Gonzalez-Foerster, “Feature: Alix Lambert” Paris
       Flash Art, Gabrielle Peretta, “Alix Lambert”April, Milano, pp. 116-117
          BLAST, Project n: 4, New York

1993      Bomb, Project, Winter, New York
          Zoom Magazine, Gianni Romano, “USA Viison”
          Flash Art International, “Alix Lambert” summer, Milano
          The New Yorker “Alix Lambert”, April 19, New York
          New York Magazine, Edith Newhall, “Alix Lambert” April, New York
          PaperMagazine, Valerie Filipovna, “Just Married to get Divorced” March, New York
          Artpaper, Mike Mattison, “D-I-V-O-R-C-E” vol. 12, n: 7, March, New York, cover and
          pp. 12-13
          Monthly Art Magazine, “A Whiter Shade of Pale” February
          Flash Art International, José Lebrero Stals, “A Whiter Shade of Pale” January-February,
          Milano, p. 95
          The New York Times, Roberta Smith, “The Younger Set” January 15, New York

1992      Terezoochio, Sanni Itschert, “Art Cologne 92” Trimestrale d’Arte Contemporanea,
          Budapest Weekly, “Alix Lambert” December, Budapest
          Magyar Narancs, “Alix Lambert” December, Budapest
          The Village Voice, Kim Levin, “Alix Lambert by Kristine Ebert” April 14, New York, p.


2007      Montclair University, Montclair, NJ

2005      University at Stonybrook, Long Island, NY

2004      Carleton University, Ottawa, ON

2003      KGB bar, Reading and book-signing through Open City Books
          University of Washington, Seattle, Washington
          Evergreen College, Olympia, Washington
          Art Institute of San Francisco, San Francisco, CA

2002      University of California, Santa Barbara
          Art Institute of San Francisco, San Francisco, CA
          Federal Bureau of Investigation, Crime Conference, Sacramento, CA

2001      Columbia University, NY, NY
          San Diego State University, San Diego, CA
          Evergreen State College, Olympia, Washington
          Cornish College, Seattle, Washington
          California Institute of the Arts, Visiting Artist, spring semester
          Oberlin College, Ohio
          UCLA, Los Angeles, CA
          Columbia University, NY, NY
          North Western University, Chicago, Illinois

2000      Tribeca Film Center, New York, NY
          Seattle Asian Art Museum, Seattle, Washington
          California Institute of The Arts, Visiting Artist, Fall Semester
          Columbia University, New York, NY

1999      The New York Studio School, NY, NY
          California Institute of The Arts, Valencia, CA
          The Old School For Social Sculpture, Glen Wild, NY
          The Mckinney Avenue Contemporary, Dallas, Texas
          The University of Texas, Arlington, Texas
          Bard College, Rhinebeck, New York
          Brown University, Providence, Rhode Island
          Drew University, New Jersey

1998      California Institute of The Arts, Valencia, CA
          Chicago Art Institute, Chicago, Illinois
          The New York Studio School, New York, New York Rutgers College, Rutgers, New

1997-01   School of Visual Arts, New York, NY: Adjunct Professor

1997      Colgate College, Utica, New York
         Brown University, Providence, Rhode Island
         New York University, New York
         Syracuse University, Syracuse, New York
         Maryland Institute College of Art, Baltimore, Maryland
         Loyola College, Loyola, Illinois
         Art Institute of Chicago, Chicago, Illinois
         University of Illinois, Chicago, Illinois
         University of Wisconsin, Madison, Wisconsin
         School of Visual Arts, New York


2007     CNN Radio
         Joey Reynolds Show

2006     Resonance Radio, Sharon Gal, London
         Estonia TV, The Mark Of Cain

2005     Fuel TV, Where the Sky Meets The Earth

2004     American Radio Network, Interview with Helga Sitkin
         Plum TV, video artist series, curated by Yvonne Force
         Top Billing, South Africa, March 23rd

2002     KEYT The Voice of Santa Barbara, Interview with Jerry Cornfield, Nov.5th
         PBS LIFE 360, The Malloys, Aug. 15th
         PBS LIFE 360, Cami and her sister, Aug. 15th
         PBS LIFE 360, Icarus, Jan.11th
         PBS LIFE 360, Airborne, Jan. 11th

2001     PBS LIFE 360, Stanley Kunitz
         ABC News Nightline, Women’s Prisons in Russia
2000       WBAI, Pacifica radio, Nov. 3rd
           Globo, Brazilian Television, Profile, The Mark of Cain, Sept. 19th
           ABC News Nightline, The Zone, August 25th

1998       MSG Metro Art , November 5th

1997       Cine TV, Profile, December
           MTV News, July 16
           Channel 2 Evening News, Profile, February 21


2007       City Beat, Keala Kennelly
          Stop Smiling, Drive-in
          Stop Smiling, Karl Fleming
          Big Bridge Literary Journal, curated by Vincent Katz

2006       City Beat, Real. Best. L.A., Photographs

2005       Index Magazine, The Salon, interview and photographs
          San Francisco Chronicle, Book review: The Interpreter
          Index Magazine, Interview and photo essay with actor Chiwetel Ejiofor
          Index Magazine, Interview and photo essay with undercover cop
          LA Weekly, Interview and photograph with Leroy Seivers
          LA Weekly, interview and photograph with David Milch
          Los Angeles Times Magazine, Portrait of Miles Kreuger
          Travel and Leisure, Vocation Vacation by Meghan Daum

2004       LA Weekly, Cover and photo essay, The Malloys
          City Beat, RNC, photograph
          Artforum, Top Ten List
          Stewart+Brown, catalogue
          Risen, The Malloys, September
       Minus Times, Crime Series
       Wired, List of Alix Lambert, October
       LA Weekly, Miles Kreuger, photo and text, July
       City Beat, Playboy Jazz Festival
       City Beat, Portrait of Kurupt
       Topic, prison, (cover)
       City Beat, Portrait of Frazer Smith

2003   City Beat, Former Gang members
       Purple, fiction, Crossfire
       City Beat, portrait of Alison Anders
       LA Weekly, Hustler
       BIG Magazine, Tactical Break, VIP LA issue
       Open City, “I am not Like Them at All and I Cannot Pretend”

2002   Remote, a DVD Magazine, ICARUS, Nov.
       Open City, Portrait of Robert Bingham

2000   Purple Prose, Star Wars as a Remake of The Wizard of Oz, Number 6, winter
       Word, “Bubbles,” June
       ArtByte Magazine, “Super Skytacular”, May
       Open City, “Russian Prisoners in Perm and Samara”, Number 10

1999   ArtByte Magazine, “The Final Frontier,” November
       ArtByte Magazine, “Flight”, July

1997   Word, “Russian Prison Tattoos”


2005   Films en information, United Nations Human Rights Film Festival, Geneva, Switzerland

2004   Melbourne Independent Filmmakers Festival, Melbourne, FL
       Prime Time Shorts, Chicago, IL
         Aloha Theater and Performing Arts Center, Maui, Hawaii

2003      Miami Beach Film Society, Miami, Florida
          Cape May New Jersey State Film Festival, NJ
          Atlantic City Film Festival, Silver Award Documentary, Atlantic City, Maryland
          New Haven Film Festival, New Haven, Connecticut
          Chicks with Flicks Festival, NY, NY
          Ana Mendieta Performance Festival, Havana, Cuba
          Hot Springs Documentary Festival, Hot Springs, Arkansas
          Woodstock Body Arts Festival, Woodstock, NY
          High Falls Film Festival, Rochester NY

2002      United Nations Association Film Festival, Stanford, CA
          Women in Cinema Festival, Seattle WA

2001      Vera Film Festival, Finland
          Thessoloniki Documentary Festival, Greece
          FemmeFilms Festival, Creteil, France

2000      Valladolid International Film Festival, Spain
         The Amsterdam International Documentary Festival, November 24th - December 2nd.
          The Margaret Meade Film Festival, New York, NY, November 3rd - 11th.
          Impakt Festival, Subterfuge, Utrecht, Holland, May

1999       The Dallas Video Festival, Dallas, Texas, February
          Big Mama Cinefest, Atlanta, Georgia, March

1998      MicroCineFest, Baltimore, Maryland November 4-8
          Short Film & Video Festival, Arizona State University Museum, Tempe, Arizona, April


2005      Champion Gallery, Los Angeles
2003      Ana Mendieta Performance Festival, Guest curator, Havana, Cuba

1998      “Video: Past, Present and Future,” Presentation and panel discussion, School of Visual
           Arts, NY

1995      The Joy of Painting, HERE Gallery, NY


2007      WGA nomination: outstanding writing on a serial drama: DEADWOOD

2005      MAT Grant for individual artists
          Salem Arts, residency
          Nobody’s Lunch residency with the Civilians
          OBIE Award : The Civilians

2003      Atlantic City Film Festival, Silver Award Documentary, Winner
          The Public Theater, residency, NY (with The Civilians)
          Nominated: BAUM award in photography

2002      Nominated: Truer Than Fiction Award: The Independent Spirit Awards.
          Honorary G-monster award, The Blue Angels

2001      Nominated, Tiffany Award
          Honorable Mention, French Association of Journalism
          Fundacion America, Santiago, Chile

2000      Nominated, Tiffany Award
          New York State Council on The Arts
          Sunshine Foundation
          PS1 Museum, Special Project Studio Program, NY

1999      Fundacion America, Santiago, Chile

2007        365 Plays, The Public Theater, written by Suzan Lori Parks

2004        Deadwood, HBO
            Nobody’s Lunch, The Civilians, PS 122, NYC





2007        JOHN FROM CINCINNATI: Writer / Associate Producer

2006        DEADWOOD, A Rich Find, Season three: writer
            JOHN FROM CINCINNATI: Writer / Associate Producer

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