The Basics:
Format, Copy Editing and AP Style
Chapter 1
Reporting for the Media
True ease in writing comes from
art, not chance,
As those move easiest who have
learned to dance.
(Alexander Pope)
I think writing is like dancing, or playing the piano,
the more you do it, the more you keep up with it,
the better you get. Also, writing is one of those
things where if you stay practiced you'll be ready
when those great ideas come along.
(Carolyn Dawn Johnson)
Dancing with Style
When we write, we dance with style. In this
class, we dance with Associated Press
Style.
We may write a complicated feature. It
may feel like a tango. Or, we may write a
simple, breaking news story. It could be a
two-step or a waltz. But, each has a
basic style.
In news writing, AP Style gives us charts of
the basic steps.
Journalists around the world recognize AP
Style and use the charts adapted by it.
One is these charts is a
list of editing symbols
and you will find them
inside the front cover of
your textbook.
You can also access this
list at www.dibbs.net
There is a list of copy-
editing symbols in your
AP Stylebook
Although there are
some variations
between the lists, the
marks you will most
often use are standard.
These comprise a
language we will use to
communicate what
changes need to be
made.
A few large
newspapers, such
as the New York
Times and The
Washington Post,
have published
stylebooks of their
own.
Smaller papers,
like the Press-
Register, have
supplements for
local style.
The INTRANET
provides an
excellent place
for most
organizations
to post their
supplemental
stylebooks.
The first
edition of the
Press-Register
stylebook was
more than 10
years in the
making and
was published
as a booklet
only once.
AP has a
searchable
stylebook on
the Internet
http://www.
apstylebook.
com/
Students
and
professionals
can
subscribe.
Style Helps with Accuracy
If it isn’t accurate, it isn’t news.
It’s fiction.
Stylebooks are invaluable as guides
for accuracy.
Nothing is more embarrassing than a
new reporter writing about ―Dolphin
Island,‖ instead of ―Dauphin Island.‖
Or, one wrote about ―Meyer Mitchell‖
and used ―Mayor Mitchell‖, as if he
were the mayor.
Let’s Dance
Print has a style: Basically, it’s writing
for the reader
• Newspaper
• Magazine
Broadcast has a style: Writing for a
reader
Internet has a style: Writing for the
browser and surfer
Suggested Web Site
http://writing.umn.edu/docs/publications/i
rving%20fang.pdf
―Writing Style Differences in Newspaper,
Radio, and Television News,‖ a monograph
by Irving Fang of the University of
Minnesota. A clear discussion, along with
examples of stories demonstrating the
differences in style.
Writing for The Reader
Learn to write a GREAT Lead. All
pieces of writing should have a
unifying theme or central idea
expressed in the lead.
After your reader is ―in,‖ keep him
there with good transition. Make
your copy ―flow.‖ Transition ties
information together and tips the
reader off to what may come next.
This is narrative. This is story-telling.
Types of Transitions
Connectors are simple words that help
flow, in a structural way. They help unify
your writing.
Some examples are But, Or, Thus,
However, Therefore, Meanwhile, On The
Other Hand. Don’t overuse these.
Hooks are words, or phrases, repeated to
give the reader a continual sense of unity
in the story.
In an armed robbery story, you can use
―robbery,‖ ―robber,‖ ―robbed,‖ ―thief‖ and
―theft‖ several times throughout a story.
Types of Transitions
Use pronouns naturally to avoid repeating
the names of people or things too often.
Use similar ideas: ―This was like…‖ ―It
reminded victims of …‖ within an article.
Use words or phrases that refer to a time:
Then, Next, Later that day, When he came
back, etc.
Numbering items within your writing will
help tie your information together. His
first priority was, secondly, thirdly, etc.
Characteristics of Print News
Attribution: telling readers where
you got the information for your
story.
• Attribution leads to credibility
• Information that is common knowledge
does not have to be attributed
The best of all attribution terms is
―said.‖ ―He said, she said, the mayor
said, the captain said, etc.
ATTRIBUTION IS A MUST
Short sentences, short paragraphs:
paragraph length should be kept to three
sentences, or fewer, and fewer than
100 words.
Third Person: news stories are usually
written in the third person.
Here, you use the he-she form. As
in: he walked down the alley, she picked up the
phone, and Jason told Tony he was going down,
if he didn't cough up the money.
An Attitude for Accuracy and
Attribution: accuracy should be a state
of mind for the news writer, because if it
isn’t accurate, it isn’t news, it’s fiction.
The Inverted Pyramid
The Inverted Pyramid concentrates
important information at the top of the
story.
The LEAD is the focal point of a basic
news story.
The Second Paragraph expands on some
of the information presented in the lead.
The Body adds detail.
But, the LEAD is the focal point of a
basic news story.
Quotes
Use direct quotes sparingly.
Direct quotes should supplement and
clarify information in your indirect
quotes.
The correct sequence for a direct
quote and its attribution is Direct
Quote, Speaker, Verb.
Example: ―I do not choose to run,‖
the nominee said.
It should be MEMORABLE!
Editing and Rewriting
ALL WRITERS NEED AN EDITOR!
The first editing responsibility belongs to
the writer.
Copy editing involves various techniques
and operations that change and improve
copy, without altering basic structure and
approach.
Rewriting means rewording large
portions of the copy and re-examining its
structure.
Editing and Rewriting:
Style: Check spelling, grammar, and AP
style for conformity.
Verbs: Make sure verbs are active and
descriptive; make sure they agree with
subjects.
Wordiness: Avoid using too many
words.
Answer all the questions: Did you answer
all the Ws and the H of the story?
Internal consistency: Make sure figures
add up properly, and times and dates are
logical and in AP style.
Feature Writing
The main thing that sets feature stories
apart from news stories is the greater
amount of detail and description
features contain.
Three major kinds of descriptions should
be contained in a feature story:
• Describe actions
• Describe people
• Describe places
Feature stories contain more quotations
and dialogue than breaking news stories.
Features
Profile people who make the news
Explain events that move or shape the
news
Analyze what is happening in the world,
nation or community
Teach an audience how to do something
Suggest better ways to live
Examine trends
Entertain
Types of Features
Personality Profiles—written to bring an
audience closer to a person in or out of the news
Human Interest Stories—written to show a
subjects oddity or its practical, emotional, or
entertainment value
Trend Stories—examines people, things or
organizations that are having an impact on
society
In-depth stories—stories that require extensive
research and interviews
Backgrounders—adds meaning to current
issues in the news by explaining them further;
explain how countries, organizations, people etc.
got to where they are now.
Writing for Broadcast
When you write broadcast
copy, you write for A
reader. You write for an
anchor, or an announcer.
Selection of News for Broadcast
The following are some factors that
broadcasters use to select news:
• Timeliness—the most important news value
in broadcast news
• Inform, not explain—broadcasters generally
choose stories that do not need a lot of
explanation to be understood by listeners
• Audio or Visual Impact—broadcasters want
stories that their audience can hear and see;
stories are often chosen because of sound
and/or picture availability.
Characteristics of Writing
There are four Cs to broadcast journalism:
• Correctness—or accuracy
• Clarity—clear, precise language that contains
no ambiguity; viewers cannot re-hear
broadcast news—they must understand it the
first time
• Conversational—broadcast news must sound
more conversational b/c people will be reading
it aloud
• Color—writing that allows the listener to paint
a picture of the story or event being reported
News that is more than an hour or two old may
be considered stale.
The maximum length for almost any story is two
minutes; the normal length is thirty seconds.
Slang and colorful phrasing is generally not
permitted in broadcast news.
Should be written in present tense as much as
possible.
Omit the time element in most news stories.
Broadcast writers have to learn to produce in a
highly pressurized atmosphere: deadlines are
imminent.
Story Structure
Dramatic Structure—most common
structure for broadcast news; it has three
parts:
• Climax—gives the listener the point of the
story in about the same way the lead of a print
news story does; it tells the listener what
happened.
• Cause—tells why the story happened—the
circumstance surrounding the event.
• Effect—gives the listener the context of the
story and possibly some insight about what the
story means.
Broadcast journalists think of their stories as
completed circles rather than inverted
pyramids.
Stories must be written to fit into an amount
of time designated by the editor or news
director.
Getting the attention of the listener is of top
importance in broadcast news! The first
sentence of a broadcast news story should be
an attention getter!
Broadcast news stories cannot go into the
detail and explanation that print or web
stories can.
Broadcast Writing Style
Conventions of Broadcast Writing:
• Titles usually come before names.
• Avoid abbreviations, even on the second
reference—except familiar ones: FBI and UN.
• Avoid direct quotes if possible.
• Attribution should come before a quotation,
not after it.
• Use as little punctuation as possible, but
enough to help the newscaster through the
copy.
Numbers and statistics should be rounded
off:
• Numbers one through nine should be spelled
out; numbers 10 through 999 should be
written as numerals; write out hundred,
thousand, million, billion, and use a
combination of numerals with these numbers
where appropriate (i.e. 15-hundred)
• Don’t write a million, or a billion, but one
million, one billion
COPY IS PREPARED FOR THE
ANNOUNCER! Thus, there are certain
rules most news stations will employ when
preparing broadcast copy:
• Type only one story on a page and provide an
ending mark such as ―—30—,‖ at the end of
the page.
• Use caps and lower case
• Don’t carry over a paragraph to another
page—begin the next page with a new
paragraph
• Don’t hyphenate at the end of a line
• Indicate when tapes are coming into a story.
Characteristics/Qualities
of the Web
Immediacy: once information is available in
some form, it can be loaded onto a Web site
within a few seconds
• The Web does not require personnel or
equipment & does not have any distribution
problems
The Drudge Report: Drudge taught
newspapers and magazines the importance
of immediacy. A story, which may have been
an exclusive not only became public, but
became a question of good journalism.
The actions of Newsweek: Newsweek
editors and Matt Drudge on January 17,
1998, have been the subject of many
debates on journalism ethics and
practices … they demonstrated the
power of the World Wide Web.
Permanency: material on the web can
remain in place and accessible as long
as the Web server and electronic
storage space exist.
• Printed materials are certainly more lasting
than broadcasting, but their life and
usefulness is limited. With the Web,
material can stay in place as long as the
host Web server and storage space exists.
Capacity: The Web can keep and show
huge amounts of text and image
material—there are no limits like there
are in broadcasting and print.
• Thanks to the Web (and other technological
advances) we can store more in smaller
spaces and centralize information.
• Not only can a news Web site load a story
about an event, but it can also offer
pictures, video, audio, graphics, and more
detailed text, like sidebars.
Interactivity: The Web offers a level of
interactivity between producers and
consumers that goes far beyond print.
• People have no control over what radio and
television stations broadcast, or what
newspapers print.
• The technology of the Web offers a level of
interactivity between producers and consumers
that goes far beyond that.
• Visitors can communicate directly through e-mail
or other means set up by the producers.
• The Web remains a medium of Words,
Images and Sounds, especially WORDS. The
Web needs people who produce good,
understandable text.
The Web Audience
The Most Important
Characteristics people of all
demographics expect and want
from Web sites are accuracy,
accessibility.
Expectations for Web Sites
Speed: they should load quickly and their
links should respond instantly
Visual logic: a web page should be easy to
figure out; it should be clear what the web
site is about, what it contains, who
produced it
Simple organization and navigation
Depth: they must contain enough
information
News: they need to present new and
updated information
Creating Web Content
Web writing follows the inverted
pyramid style of writing.
Web content should be accurate,
complete, precise and efficient. If it
isn’t accurate, it isn’t news.
Writers for the Web should use
simple, clear language unadorned
with personal opinions or personal
writing style. Some of today’s worst
writing is on the Web.
Concision
A term that explains the need for precision
and concise Web text.
Elements of Concision:
• Keywords: bold face words that indicate the
information being presented; often provide
links and/or are in bold print
• Short Paragraphs: 3 to 4 sentences at most
• Indentations: help provide visual cues for
readers
• Bulleted and numbered lists
Other Web Page Characteristics
Background, details and lists
Pictures
Graphics
Maps
Documents—such as court opinions, laws,
policy statements
Previous stories
Audio and Video Clips
Links to other web sites
E-polls
Discussion forums
E-mail
E-mail is now a tool of mass
communication.
E-mail newsletters are an
increasingly popular form of keeping
people informed.
Marilyn Hotchkiss’ Ballroom Dancing
and Charm School
Writing to be Understood
An altered version of Lawrence Ferlinghetti’s poem “The Poet”
Constantly risking absurdity and death, if he performs
above the heads of his audience, the writer, like an
acrobat, climbs on style to a high-wire of his own
making.
Then, balancing above a sea of faces, paces his way
to the other side of day, performing jumps, style
tricks, and other high theatrics, but never mistaking
anything for what it may not be.
For he is the super-realist, who must, perforce,
perceive taut truth, before each step or stance in his
advance toward a higher perch, where beauty waits
with gravity – to start her death-defying leap.
And, he is the little Charlie Chaplin man, who may, or
may not, catch her fair, spread-eagle form in the
empty air of existence.
I went to a dance class.
Why a dance class?
A man bought me a ticket.
When you and style find each other, it will
be a new beginning – a fresh start.
Memories are hard, because they involve
habits. Habits are hard to break.
You’ve come to writing (dance) class as a
favor. Someone, maybe you, bought a
ticket.
You’re looking to deliver a message.
On the way, you may find something else.
You may find the beauty of narrative.
But, what if that beauty is not there at the
end of your journey?
Oh, don’t worry. She’ll be there.
You are human
1, 2, 3 – Repeat
Use AP Style
– You’re Waltzing Get names right
Check facts
Learn grammar
Write simply
Use the right word
Keep sentences
short
Listen, listen, listen
Use unforgettable
quotes
Think – write
Write - rewrite
Be original, not
trite - rewrite
Write about people