Grapheion INTERNATIONAL REVIEW OF CONTEMPORARY PRINTMAKING, BOOK AND PAPER ART
INDEX OF ARTICLES 0/1996–19/2006
Leading Article
Bonomi Maria, Perennial Mutant, 11–12, p. 4 Jubilees
de Sousa Jörge, The Taste of Imprints, 7–8, p. 4 The centenary of the foundation of ”die Brucke” and the role of the woodcut in..., 18, p. 56
Folga-Januszewska Dorota, A Print of Non-recurrence, 2, p. 4 Godfrey Richard, Hollar’s View of Prague, 2, p. 68
Ganter Jo, Craft versus Concept, 18, p. 4 Henshaw Mark, Rough Cuts. European figurative prints from Gauguin to...,18, p. 59
Griffiths Anthony, Reflections of the History of Lithography, 1, p. 4 Hostyn Norbert, James Ensor, 11–12, p. 88
Jule Walter, Speeding, 5, p. 4 Orlíková Jana, Alfred Kubin, 3–4, p. 112
Jule Walter, Dead or Alive, 5, p. 6 Pelc Milan, Prints after Giogio Giulio Clovio, 7–8, p. 29
Koschatzky Walter, Printmaking in Our Time, 0, p. 6 Sveštarov Margarita, Chodowiecki: Between Disciplined Enlightment and Fantasy, 5, p. 14
Noyce Richard, Where Is Print Going?, 19, p. 4 Vinter Vlastimil, Oldřich Menhart, 3–4, p. 110
Rochfort Desmond, Technologies and the Culture of the Reproducible Image, 10, p. 4 Werner Alfred, The Graphic Works of Odilon Redon (1840–1916), 18, p. 62
Sinte Claude, Reflection on the Construction of Graphic Language, 6, p. 4 Wittlichová Jana, Czech Cubist Prints, 3–4, p. 104
Vertanen Annu, My Home, 9, p. 4
Wroblevská Danuta, The Print and the World around It, 3–4, p. 4 Journals of the 20th Century
Tchudetskaya Anna, Mir iskusstva, 10, p. 38
Round Table, 0, p. 8 Chalupa Pavel, L’Assiete au Beurre, 6, p. 56
Kurz Toni, Derriére Le Mirroir, 9, p. 42
World Treasures
Abreu Laura, he National Museum of Fine Arts in Rio de Janeiro, 11–12, p. 42 International Periodicals
Bán András, Dobrik István, Gallery of Miskolc, 9, p. 10 Hopkinson Martin, Print Quarterly, 19, p. 108
Beaumont-Maillet Laure, Print Collections in the Bibliothéque nationale de France, 19, p. 8 Sourd Gérard, Nouvelles de l'estampe, 18, p. 68
Bonnier Bernadette, Félicien Rops and Félicien Rops Museum, 6, p. 8
de Braekeleer Catherine, The Centre of Engraving and Prints, 5, p. 8 Personality of Today
Devynck Daniele, Henri de Toulouse-Lautrec: Painter and Lithographer, 1, p. 8 Clader Catherine, Karen Kunc, 7–8, p. 24
Dossi Barbara, Graphics Collection Albertina in Vienna, 7–8, p. 8 di Castro Federica, Sandro Chia: Sign and Display, 7–8, p. 34
Dückers Alexander, Kupferstichkabinett Berlin, 0, p. 14 Elias Willem, Ingrid Ledent: Technique as Synthesis of Craft and Concept, 14, p. 10
Ferreira de Andrade Joaquim, The Prints in the National Library of Brazil, 11–12, p. 39 Toshihiro Hamano, 3–4, p. 42
Fischer Chris, The Statens Museum for Kunst in Copenhagen, 3–4, p. 8 Hošková Simeona, Alena Kučerová, 5, p. 18
Geskó Judit, Modern Works of Art in the Museum of Fine Arts, Budapest, 15–16, p. 4 Jan Švankmajer, 2, p. 42
Heard Kate, The Western Art Print Room, Ashmolean Museum, Oxford18, p. 8 Krupiňski Janusz, The Alchemy of Order: The Art of Andrzej Bednarczyk, 15–16, p. 17
Holler Wolfgang, The Dresdener Copper Plate Cabinet, 14, p. 4 Kržišnik Zoran, Janez Bernik, 6, p. 15
Hopkinson Martin, The Hunterian art Gallery’s Print Collection, 2, p. 10 Kříž Jan, Eduard Ovčáček, 9, p. 16
Horníčková Kateřina prepared by, The Graphic Wing in the Louisiana Museum, 10, p. 8 Lambirth Andrew, Allen Jones Printmaker, 1, p. 28
Kovačić Dragana, Graphic Arts Cabinet of the National Museum Belgrade, 15–16, p. 48 Lemaire Gérard, Gérard Garouste, 0, p. 22
Kovačić Dragana, The Museum of Contemporary Art Belgrade, 15–16, p. 53 Mészárosová Júlia N., Árpád Szabados: Confrontations of Inner Self, 3–4, p. 37
Mayska Marina I., The Department of Prints of the State Museum in Moscow, 13, p. 4 Morokawa Haruki, Pill Nick, Wayne Crothers, 10, p. 20
Navarro Mariano, Santiago Serrano: That Silent Voice, 14, p. 16
Pioneers of Modern Graphic Art Sylvestrová Marta, Universal Art: The Communication of Květa Pacovská, 15–16, p. 10
Pfleger Susanne, Max Liebermann – Scenes from Life, 3–4, p. 30 Stukal Katya, Bosenko Alexej, Pavel Makov, 11–12, p. 49
Trojanová Eva, Albín Brunovský, 0, p. 26
Grapheion’s Theme Wallace Rory, The Prints of Davida Kidd, 13, p. 10
A Year of Rembrandt – exhibitions guide, 19, p. 66
Australian Graphics, 15–16, p. 64 Contemporary Graphic Art Scene
Funny Cuts – Cartoons and Comics in Contemporary Art. Pop Art: Confrontation..., 18, p. 74 Blondeel Véronique, Sean Scully. Mirrors 1982–2004. Prints and Photographs, 18, p. 27
Manga and Japanese Contemporary Art, 18, p. 79 de Braekeleer Catherine, Louise Bourgeois. Graphic work, 18, p. 18
Mostra Rio Gravura, 11–12, p. 8 Cristallini Elisabetta, Achille Perilli’s Path Amongst the Coloured Papers, 19, p. 24
Royalton-Kisch Martin, 400 Years of Rembrandt and his Prints, 19, p. 54 Gnann Achim, Franz Gertsch: Portraits of Nature, 19, p. 18
Sabin Roger, Quote and Be Damned…?, 18, p. 70 Herkenhoff Paulo, What is a print for Louise Bourgeois?, 18, p. 24
Serbian Graphics, 15–16, p. 48 Levy Sophie, You can stand everything if you can put it into writing, 18, p. 21
Štěpán Petr, Czech Comics (?) and Fine Art, 18, p. 77 Nicastri Alfredo, The Geometrical Eye, 19, p. 28
The History of the Rembrandt House, 19, p. 60 Perilli Achille, The Adventure of Form, 19, p. 30
Uaaaaa!!! Manga. On the Aesthetics of a Trash Culture, 18, p. 83
International Grapheion Club
From the History of Graphic Art Adolf Born, 15–16, p. 80
Dačeva Rumjana, Josef Váchal – His Life with Demons, 0, p. 36 Claude Sinte, 10, p. 42
Fragonara Marco, The Print and the Futurist Movement in Italy, 6, p. 29 de Morias Belluzo Ana Maria, Maria Bonomi: Engravings in Broader Horizons, 13, p. 36
The Graphic Suites of World Art. An Exhibition in Seven Stages, 18, p. 14 Dergatchov Oleg, Oleg Denisenko, 6, p. 22
Griffiths Anthony, Prints in Stuart Britain, 7–8, p. 16 Dušan Kállay, 7–8, p. 100
Hemelrijk Liesbeth, From Kandinsky to Corneille – Linoleum in the Art of the 20th Century, 13, p. 32 Hecke Van Daniel, Karel Demel, 9, p. 56
Hoper Corinna, Giovanni Battista Piranesi, 10, p. 26 Hošková Simeona, Jiří Anderle, 11–12, p. 60
Images from Épinal, 11–12, p. 98 Jakimovitch Alexandr, Nikolaj Batakov, 11–12, p. 66
Jakimowiczová Irena, Five Centuries of Polish Graphic Art, 3–4, p. 16 Jaroslav Králík, 5, p. 26
Kesnerová Gabriela, William Blake: ”Dramatic Forms of Vision”, 15–16, p. 39 Lenka Vilhelmová, 7–8, p. 105
Lahoda Vojtěch, The (Applied) Graphics of Zdeněk Rykr, 15–16, p. 44 Plavinska Jelizaveta, Boris Belsky: More than just a Technician, 14, p. 29
Limouz Dorothy, Engraving at the Court of Prague, 2, p. 19 Trojanová Eva, Diverse Images of Humanity (Vladimír Gažovič), 15–16, p. 86
McDonald Mark, Collecting in the Age of Discovery: The Print Collection of F. Columbus, 19, p. 12
Winter Tomáš, Sensing a Continuity: Hoffmeister, Ernst, Toyen, 15–16, p. 35 Vladimír Boudník Award
Wohlmuth Radek, The Development of the Czech Linocut 1900–1999, 14, p. 22 Kříž Jan, The Anelytical Elementarism of Jan Kubíček, 13, p. 21
Kříž Jan, Jan Měřička, 15–16, p. 134
From the History of Collage
de Braekeleer Catherine, A Century of Collage in Belgium, 7–8, p. 35 Internet
Horvitz Robert, Grapheion links, 15–16, p. 120
From the History of Drawing
Fučíková Eliška, Rudolfine Drawing, 2, p. 26 Essay
Togner Milan, Le esequie di Michelangelo, 14, p. 52 Gilmour Pat, Truth & ”the Freedom to Lie”, 1, p. 74
Koschatzky Walter, On the Nature of Graphic Art, 14, p. 35
From the History of Books
Bohatcová Mirjam, Pragie Book Production, 2, p. 29 Survey, 5, p. 59,
Will Chris, The Enigmatic Isidore Ducasse, 13, p. 46 The Graphic Art of the 90s, 13, p. 41, 14, p. 39, 15–16, p. 124, 18, p. 97
History of Modern Book Discussion
Bydžovská Lenka, Dreams about Book – Books About Dreams, 2, p. 56 Quo vadis printed art?, 10, p. 54, 11–12, p. 112, 15–16, p. 116
History of the 20th Century In New Contexts
Dohmen Walter, German Lithography in the Context of the 20th Century, 1, p. 18 Barenholtz Randi, Roadside Activism, 18, p. 90
Neumannová Eva, Surrealist Imagination and Drawing, 2, p. 54
Petrová Eva, Frottage in Czech Art, 2, p. 52 International Events
The 11th nationwide contest Print of the Year, 18, p. 131
Landmarks of the 20th Century The 2nd International Triennial of Graphic Art Prague, 7–8, p. 52
Adams Clinton, An Informed Energy: Lithography and Tamarind, 1, p. 21 The 26th FISAE Congress in Chrudim, 0, p. 66
The 26th International Biennial of Graphic Arts. Thrust, 18, p. 117
Cities – Places – Centres of Printmaking The 3rd International Triennial of Graphic Arts Prague 2001, 17, p. 4
Graphica Creativa Jyväskylä, 0, p. 60 The 4th International Triennial of Graphic Arts Prague 2004, 18, p. 115
Allen Lynne, Two Conferences on One Theme, 9, p. 22
The Work – The Personality – The Time Allen Lynne, “All I have Is a Voice...”, 17, p. 65
Alechinsky Pierre, A Ramble in the Age of Lithos, 1, p. 36 Antonín Luboš, Astronomiae Instauratae Maechanica, 2, p. 38
Baum Peter, Walter Koschatzky. Ambassador of Graphic Art, 18, p. 54 Bonomi Maria, The Immateriality and Materiality of Engraving, 17, p. 6
Larvová Hana, Vladimír Boudník, 18, p. 48 Bryant Elisabeth, The Extended Print Symposium, 15–16, p. 100
Maliňák Karol, Koloman Sokol, 18, p. 42 Candiani Alicia, Displacements, Hybridization, and Globalization, 17, p. 21
Manicka Anna, Salvador Dalí’s graphic art, 18, p. 38 Candiani Alicia, Museograbado 2nd Professional Graphic Art Symposium..., 18, p. 108
Nešlehová Mahulena, Committed to Originality: Vlastislav Hofman’s Prints, 19, p. 44 Candiani Alicia, The 14th Art Festival ”Cidade de Porto Alegre”, 15–16, p. 95
O’Conell Sheila, Hogarth and His Time, 3–4, p. 24 Candiani Alicia, The Alberto Trabucco Prize for Engraving, 14, p. 50
Vlček Tomáš, Vojtěch Preissig, 18, p. 30 Candiani Alicia, The San Juan Biennial in the 21st Century, 15–16, p. 96
Carbi Giuliana, Matrix: Notes from the Exhibition, 13, p. 48
Dugas Karen & Jule Walter, Time Out: The Temporal Dimension of Printmaking, 17, p. 62 Art Associatioons and Magazines
Folga-Januszewska Dorota, Graphic Art Is a Life-Style, 17, p. 17 Aulická Hana, The Association of Czech Graphic Artists HOLLAR, 19, p. 82
Ford Petr, Relativities – the 4th British International Miniature Print Exhibition, 13, p. 53 Flintoff Gwenda, Print Council of Australia, 18, p. 144
Fučíková Eliška, Rudolf II and Prague, 2, p. 15 Kovačić Dragana, The Phenomenon of the ”Belgrade Graphic Circle”, 15–16, p. 55
Fuentes Elvis, The Making of the Print as Metaphor, 18, p. 118 Lux Simonetta, Artists of the Group Forma 1, 5, p. 29
Haász Ágnes, Harvesting the Electric Current. Hungarian Electrographics, 17, p. 45 Tremblay Pascale, ARPRIM, Regroupement pour la promotion de l’art imprimé, 18, p. 142
Hůla Jiří, Marie Blabolilová, 18, p. 132 White Owen Robin, International print center New York. Autumn 2005, 18, p. 140
Ilyina Elena, Creative Miniatures by Vladimir Zuev. Events of 2005, 18, p. 126
Inggs Stephen, Lingua franca. IMPACT 3 International Printmaking..., 18, p. 102 Ex libris
Jana Reena, Bodo Korsig, 18, p. 112 Hošková Simeona, XIth Ex libris Triennial, Chrudim, 18, p. 139
Jung Anita, The 26th Annual SGC Conference in Ohio, 7–8, p. 46 Junod Benoit, 31st FISAE congress, 18, p. 136
Junod Benoit, Chamaliéres 2000, 15–16, p. 92 Junod Benoit, Ex libris: Creeping onto the Internet, 13, p. 59
Junod Benoit, 1st Argentine Biennial of Latin-American Printmaking, 15–16, p. 110 Junod Benoit, Interview with the President of the Swiss Ex Libris Club, 7–8, p. 109
Junod Benoit, A Crossroad on the Contemporary Printmaking Map: Chamaliéres, 5, p. 42 Junod Benoit, Interview with the President of the Slovak Ex Libris Society, 13, p. 58
King Elaine A., Artists in a New Era, 17, p. 57 Junod Benoit, Lithography and Ex Libris, 1, p. 73
Kovačić Dragana, Digital Technology and the Information Revolution, 17, p. 35 Junod Benoit, Interview with the President of the German Ex Libris Society, 6, p. 39
Kurz Toni, About the Pocket Garden, 6, p. 25 Mašek Petr, Czech Ex Libris at the Time of the Renaissance, 2, p. 36
Lyons Beauvais, Kontakt. IMPACT 4 International Printmaking Conference, 18, p. 104 Trojanová Eva, European Exlibris Meeting Bratislava, 7–8, p. 108
Langevin Guy, Biennale d’estampe contemporaine Trois Riviéres, 13, p. 55
Marković Slavica, The 1st Croatian Print Triennial, 5, p. 40 Grapheion’s Special Offer
Marković Slavica, The 3rd Croatian Triennale of Printmaking. The Clash of..., 18, p. 110 Lino ’99 Album, 14, p. 54
Mészáros Júlia N., Changes Form and Content of in the Image in the..., 17, p. 51 Pavel Makov, 13, p. 57
Mészáros Júlia N., The 4th Inter. Biennial of Drawing and Graphic Art Györ, 5, p. 46 The School of the Czech Grotesque, 15–16, p. 114
Mészáros Júlia N., The 5th Inter. Biennial of Drawing and Graphic Art Györ, 11–12, p. 126
The 22nd International Biennial of Graphic Art Ljubljana, 3–4, p. 54 Collectors
The International Print Triennial Cracow, 3–4, p. 79 Benoit Junod, 0, p. 70
Michálek Ondřej, Mid-America Print Council Conference, 15–16, p. 108 Rouir Eugene, The Heartbeats of a Collector, 7–8, p. 134
Michálek Ondřej, Symposium Sightlines, 5, p. 32 Weichardt Jürgen, Collections and Foundations, 6, p. 40
Miyamoto Wayne, The Pacific Rim International, 14, p. 46
Scanell Aine, Sloss Sheila, Printmakers Conucil Open Biennial, 13, p. 50 Graphic Art Schools
Skrjanec Breda, Retihinking Gutenberg. Status of Graphic Art in the Period of..., 17, p. 13 Allen Lynne, The College of Art and Design at the University of Jordan, 18, p. 154
Skrjanec Breda, The 23rd Biennial of Graphic Art in Ljubljana, 11–12, p. 124 Crothers Wayne, Young, New, Old: Traditions Reinterpreted in the Japanese Hybrid, 19, p. 105
Skulicz Witold, International Print Triennial Cracow 2000, 15–16, p. 112 Farroni Roberto, International Summer Courses in Urbino, 10, p. 49
Stejskal Martin, Opus Magnum, 2, p. 40 Fragonara Marco, Graphic Schools in Italy, 10, p. 46
Stoltz Ulrike, Love Letter to Gutenberg, 14, p. 48 Gelunas Arunas, Artist’s Book at the Vilnius Academy of Fine Arts, 18, p. 162
Thomas Linda, Seattle Print Arts, 15–16, p. 103 Hobbs Philippa & Rankin Elizabeth, Rorke’s Drift: Imprints of Resistance, 19, p. 96
Trojanová Eva, Transformations of the Image as a Reflection, 17, p. 29 Luuk Tamara, Turine Roger Piere, La Cambre in Brussels, 9, p. 29
Vasiliunas Kestutis, The 2nd International Artists’ Book Triennial, 15–16, p. 105 Miyamoto Wayne, Art and Printmaking at the University of Hawaii at Hilo, 18, p. 164
Yamagiwa Seiji, Ryoji Ikeda, 18, p. 122 Mohamed Rahman, Printing in Malaysian Universities, 19, p. 102
Oremus Karen, Printmaking and the Impact of Cross-Cultural Exchange, 18, p. 157
2006 Top Exhibitions University of Alberta, 5, p. 37
Crone Rainer & von Stosch Alexandra, Andy Warhol: Popstars. Drawings and Collages, 19, p. 38
Eye on Europe: Prints, Books & Multiples 1960 to Now, 19, p. 34 Workshops
Kiki Smith: A Gathering, 1980–2005, 19, p. 42 Adam Robert, Non-toxic Printmaking, 2, p. 62
Spies Werner, Picasso – Painting against Time, 19, p. 32 Ateliér Lípa and Litho-Art Kejklíř, 1, p. 49
Atelier Rudolf Broulim, 1, p. 53
International Print Competitions Büscher Klaus, The Berlin Lithography Workshop Tabor Presse, 19, p. 92
0, p. 76; 1, p. 80; 11–12, p. 129; 15–16, p. 170; 18, p. 187; 19, p. 115 Candiani Alicia, Proyecto’ace. Buenos Aires. Argentina, 18, p. 150
Cobos Manuel Castro, Let the Stone Speak of Me, 6, p. 42
Interviews Ferreira Fátima, The Associaçăo de Gravura Água-Forte, 18, p. 152
Borja-Villel Manuel J., Tatoo and the Body, Antoni Tápies, 11–12, p. 72 Goodsir Jane, London Print Workshop, 9, p. 26
Interview with Jorge Schellmann, 2, p. 60 Janáček Zbyněk, About a New Centre of Serigraphy, 11–12, p. 108
Mészaros Júlia N., Talking to Wayne Crothers about his own work and the ..., 18, p. 120 Jones Stanley, Curwen Chilford Prints, 1, p. 47
Sultan Terrie, Chuck Close: A Conversation with T. S., 18, p. 92 Kleinl Sigmund, NN-fabrik: An Aesthetic Enterprise, 7–8, p. 129
Le petit Jaunais, 1, p. 51
Theory Litografiska Akademin, 1, p. 50
Bate David, Indexiphilia, 18, p. 84 Massuard Alain, The eye and the skilful hand or the creative spirit of the studio, 18, p. 147
Folga-Januszewska Dorota, Pop-art and Graphic Individualism, 11–12, p. 78 Perilli Achille and Nadja, The Bulla Workshop, 1, p. 54
Hirne René, From the Woodcut to the Internet, 6, p. 45, 7–8, p. 18 Rankin Elizabeth, Printmaking at PaperGraphica, a collaborative print studio in New Zealand, 19, p. 88
King Elaine A., Art in an After Post World?, 18, p. 86 de Sousa Jörge, Franck Bordas, 1, p. 42
King Elaine, Global Transesthetics within a Post-Modern Enlightenment Project, 13, p. 36 de Sousa Jörge, JDS Lithocolour Process, 10, p.56
Kunc Karen, Artists’ Book and the Burning Question, 10, p. 13 Steindruckerei Ernst Hanke, 1, p. 52
von Maur Karin, From the Image of the Number to ”objet trouvé” and Code ..., 3–4, p. 134 Tchoudetskaya Anna, Moscow Screenprint Studio, 0, p. 74
Wieczorek Dieter, The Birth of Writing, 5, p. 56
Humour and Caricature
Artists’ Book and Bibliophilia Hošková Simeona, Born’s Maffia of Humour, 2, p. 66
Augustin Marie-Anne, Unica T, 14, p. 58 Junod Benoit, 1st International Biennial of Caricature and Cartoon Belgrade, 5, p. 49
Aulos, 1, p. 86 Kořalka Jiří, Czech and German National Stereotypes in Caricature, 9, p. 60
Bartkowiak Heinz Stefan, 3000 Days of Book Art, 9, p. 46 Kristan Markus, Ironimus, 6, p. 35
Bezmenova Xenia V., Lithographed Books by Futurists, 7–8, p. 115 Trejman Daniela, The 13th Inter. Biennial of Humour and Satire Gabrovo, 3–4, p. 100
Briers David, The Space of the Page, 5, p. 50
Conzenn Ina, Hanne Darboven: Children of this World, 3–4, p. 150 Grapheion Gallery
Foulon Pierre-Jean, Art and the Book, 15–16, p. 24 Cimbálník Mare, Anatomy of the Book, 10, p. 61
Gor Anna, Book of Poet and artist, 7–8, p. 114 Drury Richard, Border Space, 11–12, p. 122
Kudrna Miroslav, 30 Years of Lyra Pragensis, 2, p. 80 Tishkov Leonid, The Book as an Artistic Project, 10, p. 59
Petránsky Ludo, Shared Memories, 5, p. 52
Tchudetskaya Anna, The Artists’ Book in Russia, 7–8, p. 110 Reviews
Badalíková Olga, Ondřej Michálek: Foundlings, 11–12, p. 140
Bicentenary of Lithography Between Nature and Culture, 10, p. 69
A Guide to The Beginning of Czech Lithography Exhibition, 1, p. 64 Brunner Michael, Sandro Botticelli: Pictorial Cycle for Dante’s Divine Comedy, 14, p. 66
Bečková Kateřina, Who Were the First Czech Lithographers?, 1, p. 68 Carey Frances, Apocalypse and the Shape of Things to Come, 11–12, p. 132
Bezmenova Xenia V., Contemporary Lubok, 5, p. 54 de Ponte Susanne, Giorgio Morandi: The Last Drawings, 13, p. 62
Bouquin Corinne, Lithography Workshops in Paris, 6, p. 51 Dvořák František, Adolf Born, 11–12, p. 141
de Braekeleer Catherine, 200 Years of Lithography, 3–4, p. 126 Elder Nika, Industry and Idleness, 18, p. 170
di Castro Federica, Lithographs by Carlo Carrá, 3–4, p. 124 Elvers-Švamberk Kathrin, Picasso: Works on Paper, 13, p. 62
Folta Jaroslav, Symposium: Two Hundred Years of Lithography, 1, p. 60 Farroni Roberto, Di Segno, in Segno, 15–16, p. 142
Fragonara Marco, Lithography and Advertisement in the Italian Poster, 2, p. 75 Folga-Januszewska Dorota, Children’s Painting by Andy Warhol, 6, p. 64
Hošková Simeona, Czech Lithography of the 70s to the 90s, 1, p. 72 Friedman Ann, Edvard Munch, 7–8, p. 145
Hošková Simeona, When the Stones Speak, 1, p. 70 Chagall’s Bible, 10, p. 62
Hošková Simeona, International Jubilee Exhibition of Lithography, 10, p. 53 Jan Konůpek – Pilgrim to Eternity, 10, p. 66
Kober Rudolf, Lithography Project 1999 in Erfurt, 10, p. 50 King Elaine A., James Welling, 9, p. 66
Kraus Vladimír, The 1871 Celebrations of Senefelder’s Birth in Prague, 1, p. 57 King Elaine A., Lucian Freud: Etchings from the Webber Art Collection, 15–16, p. 150
Marres-Schretlen Helen, Festival of Lithography, 9, p. 34 King Elaine A., Afretimage: Drawing Through Process, 11–12, p. 138
Mészáros Júlia N., The History of Hungarian Lithography, 3–4, p. 114 King Elaine A., Crossing Borders: Art USA / Europe, 14, p. 64
Offenbach Celebrates Lithography Inventor, 1, p. 58 King Elaine A., Martha Rosler: Positions in the Life World, 15–16, p. 148
Orlíková Jana, Mucha and Lithography, 2, p. 74 Klein Henry, Efram Wolff, 9, p. 64
Portenlänger Li, Yellow Grey Blue, 9, p. 38 Contravision, Contemporary Hungarian, Austrian and Slovak Graphic art, 10, p. 68
Schliten Bella, Back to Roots: Lithographic Studio in Eichstätt, 7–8, p. 126 Larvová Hana, Milan Grygar, 11–12, p. 142
Štembera Petr, The Czech Poster in the 19th Century, 2, p. 70 Lemaire Gérard-Georges, Pablo Picasso Engraver, 2, p. 82
Vondráček Radim, The Early Days of Lithography as a Reproducive Technique, 1, p. 63 Malkowska Monika, Andy Warhol – The Prophet of Commerce, 6, p. 61
Vránková Jana, Why Celebrate the Invention of Lithography?, 1, p. 56 Nešlehová Mahulena, Czech Imaginative Arts, 3–4, p. 156
Wittlichová Jana, Lithography or Print From Stone, 1, p. 64 Pax optima rerum, 10, p. 64
Reimannová Ivona, František Drtikol – Photographer, 7–8, p. 141
Grapheion’s Visitors Renzitti Antonella, Art for All, 2, p. 85
Březinová Kateřina, Giovanni Troconi, 11–12, p. 120 Skrjanec Breda, Soul of the Image, 14, p. 67
Djanian Sergei, Maria Rytter: I Want to Describe the Good Aspects, 15–16, p. 139 Sybesma Jetske, Lines of Site 2000 in Prague, 15–16, p. 144
Grishin Sasha, Inteview with Petr Herel, 15–16, p. 140 Šustová Věra, European Graphic Art of the 15th–18th Century, 14, p. 65
Hubková Helena, Wim Botha, 11–12, p. 118 Trojanová Eva, G point 2000, 15–16, p. 147
Smolíková Marta, Re-inventig Drawing: Robert Horvitz, 14, p. 56 Vrbanová Alena, Contemporary Slova Graphic Art, 11–12, p. 144
Weichardt Jürgen, The Etching as Theme, 7–8, p. 148
Weitman Wendy, Jasper Johns: Process and Printmaking, 2, p. 86
Wieczorek Dieter, Amours, 2, p. 84
Wieczorek Dieter, Apocalypse and Self-assertion, 6, p. 59
Wieczorek Dieter, Last Exit: Apocalypse, 14, p. 62
Wieczorek Dieter, The Legibility of the World, 3–4, p. 154
Wieczorek Dieter, The Uncloseable rooms of I, 15–16, p. 146
Wieczorek Dieter, Out of Art: henri Michaux, 11–12, p. 136
Wieczorek Dieter, Lost in Time, 13, p. 60