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from
A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
HISTORICAL SCHOLARSHIP IN ENGLISH, 1900S-1950S:
OTHER SCHOLARS (A-G)
Abbott, C. D. "Christopher Smart's Madness." PMLA 45 (1930):
1014-22.
Abbott, Claude C. A Catalogue of Papers Relating to Boswell . . .
found at Fettercairn House. Oxford, 1936.
Abbott, Claude Colleer, ed. The Letters . . . to Robert Bridges.
London: Oxford UP, 1955.
Acheson, A. Shakespeare and the Rival Poet. 1905.
Acheson, Arthur. Shakespeare, Chapman and SIR THOMAS MORE.
London: Bernard Quaritch, 1931. Electronic edition URL:
http://www.crosswinds.net/~newa_lopez/html/english/books/sh
akchap.htm (5/4/0)
Adam, Eve, ed. Mrs. J. Comyns Carr's Reminiscences. 1926. (Wilde).
Adams, J. Q. A Life of William Shakespeare. Boston, 1923.
_____. Chief Pre-Shakespearean Dramas. London: Harrap, 1924.
Adams, John C. The Globe Playhouse. 1941.
Adeane, Jane H., ed. The Early Married Life of Maria Josepha Lady
Stanley. 1899.
Ainsworth, Edward G. Poor Collins. Ithaca (NY), 1937.
Ainsworth, Edward G., and Charles E. Noyes. Christopher Smart: A
Biographical and Critical Study. Columbia (MO), 1943.
Albright, Evelyn May. "Shakespeare's Richard II and the Essex
Conspiracy." PMLA 42 (1927): 686-720.
_____. "The Folio Version of Henry V in Relation to Shakespeare's
Times." PMLA 42 (1928): 722-56.
_____. "Shakespeare's Richard II, Hayward's History of Henry IV and
the Essex Conspiracy." PMLA 46 (1931): 694-719.
Albright, Evelyn. The Short Story: Its Principles and Structure. New
York, 1931.
Albright, Victor Emanuel. The Shaksperian Stage. (Columbia
University Studies in English). New York: New York:
Columbia UP, 1909. Electronic edition URL:
2
http://www.crosswinds.net/~newa_lopez/html/english/books/a/al/albright.
htm (5/4/0)
Alden, R. N., ed. Critical Essays of the Early Nineteenth Century.
New York, 1921.
Alden, R. M., ed. The Sonnets of Shakespeare from the Quarto of
1609. Ed. R. M. Alden. 1916.
Alderman, W. E. "Shaftesbury and the Doctrine of Moral Sense in the
Eighteenth Century." PMLA 46 (1931): 1087-94.
_____. "Shaftesbury and the Doctrine of Optimism." Trans.
Wisconsin Acad. 28 (1933): 297-305.
Aldington, Richard. See English authors.
Aldrich, E. A. "James Beattie's Minstrel: Its Sources and Influence."
Harvard Summaries of Theses. Cambridge (MA), 1931. 117-
119.
Aldridge, Alfred O. "The Eclecticism of Mark Akenside's The
Pleasures of Imagination." Journal of the History of Ideas 5
(1944): 293-314.
_____. "Lord Shaftersbury's Literary Theories." Philological
Quarterly 24 (1945): 46-64.
_____. "Shafesbury and the Test of Truth." PMLA 60 (1945): 129-56.
_____. "Polygamy and Deism." Journal of English and Germanic
Philology 48 (1949): 343-60.
_____. "Polygamy in Early Fiction: Henry Neville and Denis Vieras."
PMLA 65 (1950): 464-72.
_____. "Shaftesbury, Christianity, and Friendship." Anglican
Theological Rev. 32 (1950): 121-36.
_____. "Two Versions of Shaftesbury's Inquiry Concerning Virtue."
Huntington Literary Quarterly 13 (1950): 207-14.
_____. "Shaftesbury and the Deist Manifesto." Trans. Amer. philos.
Soc. 41 (1951): 297-385.
_____. "Shaftesbury and Bolingbroke." Philological Quarterly 31
(1952): 1-16.
_____. "The Pleasures of Pity." ELH 16: 76-87.
_____. "Shifting Trends in Narrative Criticism." Comparative
Literature Studies 6 (Sept. 1969): 225-9.
Aldridge, A. Owen. "'Lolita' and 'Les Liaisons Dangereuses'."
Wisconsin Studies in Contemporary Literature 2 (Fall 1961):
20-26.
Alexander, Peter. (b. 1893). Shakespeare's HENRY VI and RICHARD
III. Cambridge, 1929.
_____. "Restoring Shakespeare." Shakespeare Survey 5 (1952). Rpt.
in Shakespeare Criticism 1935-60. Ed. Anne Ridler. London:
Oxford UP, 1963. 117-31.*
_____. Hamlet, Father and Son. Oxford, 1955.
3
_____. Leonard and Virginia Woolf: A Literary Partnership. Hemel
Hempstead: Harvester Wheatsheaf, 1992.
_____, ed. The Complete Works of William Shakespeare. London:
Collins, 1951.
_____, ed. Julius Caesar. (Collins Tudor Shakespeare). Ed. Peter
Alexander. London, 1951.
_____, ed. King Lear. (Collins Tudor Shakespeare). Ed. Peter
Alexander. London, 1951.
Alexander, Peter, et al., eds. King Lear: The BBC TV Shakespeare.
London, 1983.
Alleman, Gellert S. Matrimonial Law and the Materials of
Restoration Comedy. Wallingford (PA), 1942.
Allen, Beverley Sprague. Tides in English Taste (1619-1800): A
Background to the Study of Literature. 2 vols. Cambridge
(MA), 1937.
Allen, Gay Wilson. "William James: Pragmatism: A New Name for
Some Old Ways of Thinking." In Landmarks of American
Writing. Ed. Hennig Cohen. Washington: Voice of America
(Forum Series), 1969. 271-84.*
Allen, G. W., and H. H. Clark, eds. Literary Criticism: Pope to Croce.
(Anthology). New York, 1941. Rpt. Detroit, 1962.
Allen, Hervey. Introd. to The Complete Tales and Poems of Edgar
Allan Poe. (The Modern Library). New York: Random House,
1938.*
Allen, J. W. A History of Political Thought in the 16th Century. 1928.
Methuen, 1960.
Allen, Ned B. The Sources of Dryden's Comedies. Ann Arbor, 1935.
_____. "The Two Parts of Othello." Shakespeare Survey 21 (1968):
13-29.
Allen, P. The Case for Edward de Vere . . . as Shakespeare. London,
1930.
Allen, Robert J. The Clubs of Augustan London. Cambridge (MA),
1933.
_____. "The Kit-Cat Club and the Theatre." Review of English
Studies 7 (1931): 56-61.
_____. "Steele and the Molesworth Family." Review of English
Studies 12 (1936): 449-54.
_____. Life in Eighteenth-Century England. Boston (MA): Boston
Museum of Fine Arts, 1941.
_____. "Swift's Earliest Political Tract and Sir William Temple's
Essays." Harvard Studies and Notes in Phil. and Lit. 19 (1937):
3-12.
Alspach, Russell K. Irish Poetry from the English Invasion to 1798.
1943.
4
_____, ed. The Variorum Edition of the Plays of W. B.Yeats. London:
Macmillan, 1966.
Alterton, Margaret, and Hardin Craig, eds. Edgar Allan Poe.
Selections. New York, 1935.
Ames, Russell. Citizen Thomas More and His Utopia. Princeton:
Princeton UP, 1949.
Ames, Van Meter. Proust and Santayana. 1937.
Anderson, George K. Old and Middle English Literature from the
Beginnings to 1485. Vol. 1 of A History of English Literature.
Gen ed. Hardin Craig. Oxford: Oxford UP, 1950. Rpt. London:
Collier, 1962.
Anderson, Paul B. "Delarivière Manley's Prose Fiction." Philological
Quarterly 13 (1934): 168-88.
_____. "Innocence and Artifice: or, Mrs. Centlivre and The Female
Tatler." Philological Quarterly 16 (1937): 358-75.
Anthony, Rose (Sister). The Jeremy Collier Stage Controversy.
Milwaukee, 1937.
Arberry, Arthur J. "Farabi's Canons of Poetry." Rivista di studi
orientali 17 (1938): 267-78.
_____, trans. The Koran. Oxford: Oxford UP.
_____, ed. In The Rubáiyát of Omar Khayyàm and Other Persian
Poems. London: Dent, 1934.
Archer, John Michael. "Slave-Born Muscovites: Racial Difference
and the Geography of Servitude in Astrophil and Stella and
Love's Labor's Lost." In Playing the Globe: Genre and
Geography in English Renaissance Drama. Ed. John Gillies
and Virginia Mason Vaughan. Madison (NJ): Fairleigh
Dickinson UP, 1998.
Archer, William. Review of Oscar Wilde's The Importance of Being
Earnest. The World (1895).
_____. "The Duchess of Malfi." Nineteenth Century (Jan. 1920): 126-
32. Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1474-
76.*
_____. The Old Drama and the New. 1923.
_____, ed. George Farquhar. (Mermaid Series). 1906.
Arvin, Newton. See Marxist criticism.
Ashton, John. Social Life in the Reign of Queen Anne. 2 vols. 1882.
1925.
Atholl (Duchess of). Introd. to Testamento español. By Arthur
Koestler. Buenos Aires: Nueva España, 1938.
Aubin, Robert A. Topographical Poetry in XVIII-Century England.
1936. (John Dyer).
5
Auden, W. H. Poets at Work. New York: Harcourt, 1948.
Ault, Norman. "Pope and Addison." Review of English Studies 17
(1941): 428-51.
_____. (Bibliography of English poetical miscellanies, 1660-1800).
Cambridge Bibliography of English Literature 2.173-256.
_____, ed. Elizabethan Lyrics from the Original Texts. London:
Longmans, 1928.
_____, ed. The Prose Works. By Alexander Pope. Vol. 1. Oxford,
1936.
Avery, Emmett L. "The Popularity of The Mourning Bride."
(Congreve). Research Studies, State College of Washington 9
(1914): 115-16.
_____. "Dancing and Pantomime on the English Stage, 1700-1737."
Studies in Philology 31 (1934): 417-52.
_____. "Vaudeville on the London Stage, 1700-1737." Research
Studies of the State College of Washington 5 (1937): 65-77.
_____. "The Defense and Criticism of Pantomimic Entertainments in
the Early Eighteenth Century." ELH 5 (1938): 127-45.
_____. "The Stage Popularity of The Rehearsal, 1671-1777."
Research Studies of the State College of Washington 7 (1939):
201-4.
_____. "Fielding's Last Season with the Haymarket Theatre." Modern
Philology 36 (1939): 283-92.
_____. Congreve's Plays on the Eighteenth-Century Stage. 1951.
_____. "The Restoration Audience." Philological Quarterly 45
(1966): 54-61.
Avery, Emmett L., William Van Lennep, William, Arthur H. Scouten,
George Winchester Stone, Jr., and Chalres Beecher Hogan, eds.
The London Stage, 1660-1800: A Calendar or Plays,
Entertainments and Afterpieces, together with Casts, Box-
Receipts and Contemporary Comment, Compiled from the
Playbills, Newspapers and Theatrical Diaries of the Period.
Carbondale (IL), 1960-.
_____, eds. Biographical Dictionary of Actors and Actresses.
Forthcoming in 1967.
Babcock, Robert W. The Genesis of Shakespeare Idolatry, 1766-
1799. Chapel Hill, 1931.
_____. "George Lyman Kittredge, Olivier, and the Historical
Hamlet." College English 11 (1950): 256-65.
Bagley, H. A. (On the Earl of Dorset). MLN 48 (1932): 454-61.
Bailey, John C. Dr. Johnson and His Circle. Home University
Library, 1913.
Bailey, Margaret, ed. The Hypochondriack. By James Boswell. 2 vols.
Stanford U, 1928.
6
Bain, J. S. A Bookseller Looks Back. 1940. (Wilde, etc.).
Baird, Theodore. "The Time-Scheme of Tristram Shandy and a
Source." PMLA 51 (1936): 803-20.
Bakeless, John. The Tragicall History of Christopher Marlowe. 2
vols. Cambridge (MA): Harvard UP, 1942.
Baker, Ernest A. "George Moore." In Baker, The History of the
English Novel: The Day Before Yesterday. London: Witherby,
1938. 161-202.*
_____. "Henry James." In Baker, The History of the English Novel:
The Day Before Yesterday. London: Witherby, 1938. 243-87.*
_____. History of the English Novel. 9 vols. London: Witherby, 1924-
38:
_____.The History of the English Novel. Vol. 9: the Day Before
Yesterday. London: Witherby, 1938.
_____. Introd. to The Novels of Mrs. Aphra Behn. London:
Routledge, 1904, 1913.
_____, ed. The Fool of Quality. By Henry Brooke. 1906.
_____, ed. Chrysal, or the Adventure of a Guinea. (Library of Early
Novels). Routledge, ?1910.
Baker, George P. Some Unpublished Correspondence. By David
Garrick. Boston, 1907.
Baker, Herschel, and Hyder E. Rollins, eds. The Renaissance in
England. Boston: Waveland, 1992.
Baker, Howard. A Letter from the Country. Poetry. New York: New
Directions, 1931.
_____. Introduction to Tragedy. 1939.
_____. "Pont Neuf." Poem. In In Defense of Reason. By Yvor
Winters. Athens (OH): Ohio UP-Swallow, 1984. 21.*
Baker, J. N. L. "England in the Seventeenth Century." In An
Historical Geography of England Before 1800. Ed. Henry C.
Darby. Cambridge, 1936.
Bald, Marjory A. Women-Writers of the Nineteenth-Century.
Cambridge: Cambridge UP, 1923.
Bald, R. C. (U of Chicago). "Francis Kirkman, Bookseller and
Author." Modern Philology 41 (1943): 17-32.
_____. "Lamb and the Elizabethans." In Studies in Honor of A. H. R.
Fairchild. Columbia (MO), 1946.
_____. Essay on the paradoxes in King Lear. In Quincy Adams
Memorial Studies. Ed. J. G. McManaway. Washington, DC,
1948.
_____. "Historical Doubts Respecting Walton's Life of Donne." In
Essays in English Literature from the Renaissance to the
Victorian Age: Presented to A. S. P. Woodhouse. Ed. M.
7
MacLure and F. W. Watt. Toronto: U of Toronto P, 1964. 69-
84.*
Balderston, Katharine C. The History and Sources of Percy's Memoir
of Goldsmith. Cambridge, 1926.
_____, ed. The Collected Letters of Oliver Goldsmith. Cambridge,
1928.
_____, ed. Thraliana. Diaries. By Hester Lynch Piozzi. 2 vols.
Oxford, 1942.
Baldwin, Charles Sears. Ancient Rhetoric and Poetic. New York:
Macmillan, 1924.
_____. Medieval Rhetoric and Poetic (to 1400): Interpreted from
Representative Works. New York: Macmillan, 1928.
_____. Medieval Rhetoric and Poetic to 1400. Rpt. Gloucester (MA),
1959; New York: Macmillan, 1959.
_____. Renaissance Literary Theory and Practice: Classicism in the
Rhetoric and Poetic of Italy, France, and England, 1400-1600.
Ed. Donald Lemen Clark. New York: Columbia UP, 1939.
_____. Renaissance Literary Theory and Practice. Gloucester (MA):
Peter Smith, 1959.
Baldwin, Edward C. "The Relation of the English 'Character' to its
Greek Prototype." PMLA 18 (1903): 412-23.
_____. "The Relation of the Seventeenth-Century Character to the
Periodical Essay." PMLA 19 (1904): 75-114.
Baldwin, T. W. "Perseus Purloins Pegasus." Philological Quarterly
20 (1941): 361-70.
_____. William Shakspere's Small Latine and Less Greeke. 2 vols.
Urbana: U of Illinois P, 1944. 1966. 1971.
_____. Shakespere's Five-Act Structure. 1947.
_____. Literary Genetics of Shakspere's Poems and Sonnets. 1950.
_____. Shakspere's LOVE'S LABOR'S WON. London, 1957.
Balfour, Graham. The Life of Robert Louis Stevenson. London:
Methuen, 1901.
Ball, F. Elrington. Swift's Verse. 1928.
_____, ed. The Correspondence of Jonathan Swift..6 vols. London:
Bell, 1910-1914.
Ball, Robert Hamilton. (3 degrees from Princeton, t. Princeton,
Colrado, California, New York U, U of Ankara, Professor of
English, Queens College, City U of New York, member of the
Board of Editors of America's Lost Plays, 20 vols., Princeton
UP, 1939-42). The Amazing Career of Sir Giles Overreach.
1939.
_____. Shakespeare on Silent Film: A Strange Eventful History.
London: Allen and Unwin, 1968.*
_____. Shakespeare on Silent Film. New York, 1968.
8
_____, ed. The Plays of Henry C. de Mille. 1941.
Ball, Robert H., and Thomas M. Parrott. A Short View of Elizabethan
Drama. New York, 1943.
Ball, Robert H., and W. P. Bowman. Theatre Language. 1961.
Banerji, Hiran K. Henry Fielding. Oxford, 1929.
Barfield, Owen. See Aesthetic criticism.
Barker, Richard H. Mr. Cibber of Drury Lane. 1939.
_____. "A Game at Chess and Conclusion," from Barker, Thomas
Middleton. 1958. 146-53. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1330-32.*
Barry, F. V., ed. Chosen Letters. By Maria Edgeworth. 1931.
Barry, John D. "A Note on Stephen Crane." Bookman 13 (April
1901): 148.
Bartlett, H. C., and A. W. Pollard. A Census of Shakespeare's Plays in
Quarto. Rev. ed. 1939.
Bartlett, Phyllis B. Poems in Process. New York, 1951.
_____, ed. Poems. By George Chapman. 1941.
_____, ed. Meredith: The Poems. Vol 1. New Haven: Yale UP, 1978.
Barton, Francis B. L'Influence de Sterne en France. Paris, 1911.
Barton, Margaret, and Osbert Sitwell, eds. Sober Truth: A Collection
of Nineteenth-century Episodes, Fantastic, Grotesque and
Mysterious. London: Duckworth,1930.*
Baskervill, Charles R. "Playlists and Afterpieces of the Mid-
Eighteenth Century." Modern Philology 23 (1926): 445-64.
_____. The Elizabethan Jig. Chicago, 1929.
Batho, Edith C. The Later Wordsworth. 1934.
Baumer, Franklin Le van. The Early Tudor Theory of Kingship. New
Haven, 1940.
Baxandal, Michael. Giotto and the Orators. Oxford: Clarendon, 1911.
Bayne, Ronald, ed. Analogy of Religion, Natural and Revealed. By
Joseph Butler. London: Dent.
Bayne-Powell, Rosamond. English Country Life in the Eighteenth
Century. 1932.
_____. Eighteenth-Century London Life. 1937.
_____. Eighteenth-Century London Life. New York, 1938.
Bazeley, W., and Francis A. Hyett. Chattertoniana. (Bibliography).
Gloucester, 1914.
Beach, Joseph Warren. See Aesthetic criticism.
Beattie, Lester M. John Arbuthnot, Mathematician and Satirist.
Cambridge (MA), 1935.
Beatty, Joseph M. "Garrick, Colman and The Clandestine Marriage."
MLN 36 (1921): 129-41.
9
Beatty, Richmond Croom. "Criticism in Fielding's Narratives and his
Estimate of Critics." PMLA 49 (1934): 1087-1100.
_____, ed. Bradley, Sculley, Richmond Croom Beatty, and E. Hudson
Long, eds. The American Tradition in Literature. New York:
Norton, 1962.
_____, ed. Bradley, Sculley, R. C. Beatty, E. Hudson Long and S. L.
Gross, eds. The Scarlet Letter. By Nathaniel Hawthorne. 3rd
ed. (Norton Critical Edition). New York: Norton, 1988.
_____, ed. Bradley, Sculley, R. C. Beatty, E. Hudson Long and T.
Cooley, eds. Adventures of Huckleberry Finn. By Mark Twain.
2nd ed. (Norton Critical Edition). New York: Norton, 1977.
Becker, Karl. The Heavenly City of the Eighteenth Century
Philosophers. New Haven, 1932.
Beeching, H. C. "Terseness and Sensousness, Humour, Delicacy and
Gusto." 1901. In Andrew Marvell: Poems. Ed. Arthur Pollard.
(Casebooks series). Houndmills: Macmillan, 1980. 45-51.*
_____, ed. The Sonnets of Shakespeare. 1904.
Beer, Thomas. Stephen Crane: A Study in American Letters. New
York: Knopf, 1923.
Belden, Mary M. The Dramatic Work of Samuel Foote. New Haven,
1929.
Bell, Howard J., Jr. "The Deserted Village and Goldsmith's Social
Doctrines." PMLA 49 (1944): 747-72.
Bellinger, Martha Fletcher. A Short History of the Drama. New York:
Henry Holt & Company, 1927.
_____. "William Shakespeare (1564-1616)." In Bellinger, A Short
History of the Drama. New York: Henry Holt & Company,
1927. 224-6, 234.
http://www.theatredatabase.com/16th_century/william_shakesp
eare_001.html
2005-10-25
Belloc, Hilaire. See English authors.
Benn, T. Vincent. "Notes sur la fortune du George Barnwell de Lillo
en France." Revue de littérature comparée 6 (1926): 682-87.
Bennett, Charles H., and Frederick A. Pottle, Frederick A. "Boswell
and Mrs. Piozzi." Modern Philology 39 (1942): 421-30.
Bennett, H. S. England from Chaucer to Caxton. (English Life in
English Literature) Methuen, 1928. (literary anthology: Home,
Village, Town, Church, Foreign).
Bennett, Joan. Four Metaphysical Poets: Donne, Herbert, Vaughan,
Crawshaw. Cambridge: Cambridge UP, 1934.
_____. From "Richard Crashaw." From Bennett, Five Metaphysical
Poets. 1964. 91-106. Rpt. in The Critical Perspective: Volume
3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea
10
House Library of Literary Criticism). New York: Chelsea
House, 1986. 1983-86.*
_____. Virginia Woolf. 1945.
_____. Virginia Woolf: Her Art as a Novelist. Cambridge: Cambridge
UP, 1964.
_____. "The Art of Henry James: The Ambassadors." Chicago
Review 9 (1956): 16-26. Rpt. in Twentieth Century
Interpretations of THE AMBASSADORS, ed. A. E. Stone.
_____. "Satan and King Charles: Milton's Royal Portraits." In
Reliving Liberty: Radical Christian Humanism in Milton's
Great Poems. Cambridge (MA): Harvard UP, 1989.
Bennett, Joan S. (U of Delaware) "A Reading of Samson Agonistes."
In The Cambridge Companion to Milton. Ed. Dennis Danielson
Cambridge UP, 1989. 225-42.*
Benson, Constance. Mainly Players. 1926. (Wilde).
Bentley, Eric. A Century of Hero Worship. Philadelphia: Lippincott,
1944.
_____. A Century of Hero Worship. Boston: Beacon, 1957.
_____. The Dramatic Event: An American Chronicle. New York:
Horizon, 1954.
_____. Review of Waiting for Godot. New Republic (14 May 1956):
20-21. Reimp. con un comentario in Graver and Federman 104-
111.
_____. The Life of the Drama. New York, 1964.
_____. The Storm Over the Deputy: Essays and Articles about
Hochhuth's Explosive Drama. New York: Grove Press, 1964.
_____. "Enactment." In Perspectives on Drama. Ed. J. L. Calderwood
and H. E. Toliver. New York: Oxford UP, 1968. 425-41.*
_____. What Is Theatre? London, 1969.
_____, ed. The Importance of Scrutiny. New York: New York UP,
1948.
_____, ed. The Theory of the Modern Stage. Harmondsworth:
Penguin, 1986.
Bentley, Gerald Eades. The Jacobean and Caroline Stage. 7 vols.
Oxford: Clarendon, 1941-68.
_____. Shakespeare and Jonson: Their Reputations in the
Seventeenth Century Compared. 2 vols. Chicago, 1945.
_____. The Profession of Dramatist in Shakespeare's Time 1490-
1642. Princeton: Princeton UP, 1971.
_____. The Profession of Player in Shakespeare's Time 1590-1642.
Princeton: Princeton UP, 1984.
_____. "Shakespeare and the Blackfriars Theatre." In Shakespeare:
An Anthology of Criticism and Theory 1945-2000. Ed. Russ
McDonald. Oxford: Blackwell, 2003.*
11
_____, Shakespeare: A Biographical Handbook. New Haven: Yale
UP, 1961.
_____, ed. The Seventeenth-Century Stage. Chicago, 1968.
Bentley, G. E., Jr. "Rasselas and Gaudentio di Lucca in the
Mountains of the Moon." Revista Canaria de Estudios Ingleses
9 (1984): 1-11.
_____, ed. Editing Eighteenth-Century Novels. Toronto: A. M.
Hakkert, 1975.
Berkowitz, H. C. "Unamuno's Relations with Galdós." Hispanic
Review 8 (1940): 321-8.
Bernal, J. D. The World, the Flesh, and the Devil. (The future). 1929.
London: Cape, 1970.
Bernbaum, Ernest. "Mrs. Behn's Oroonoko." Anniversary Papers by
Colleagues and Pupils of George Lyman Kittredge. 1913. 419-
33.
_____. "Mrs. Behn's Biography a Fiction." PMLA 28 (1913): 432-53.
_____. The Mary Carleton Narratives, 1663-1673. (Kirkman).
Cambridge (MA), 1914.
_____. The Drama of Sensibility. Boston, 1914.
_____. Guide Through the Romantic Movement. New York, 1949.
Berwick, Donald. The Reputation of Jonathan Swift, 1781-1882.
1941. Rpt. New York, 1969.
Besterman, Theodore. (1904-76). A World Bibliography of
Bibliographies. 1939-40. 4th ed.: 5 volumes, 1965-66
_____. Los principios de la bibliografía moderna. In Ricart de Bury,
El filobiblon. Jonathan Swift, Batalla entre libros antiguos y
modernos. Theodor Besterman, Los principios de la
bibliografía moderna. Cervantes, Viaje del Parnaso. Trans.
José María Claramunda Bes. Introd. Jaime Uyá Morera.
Barcelona: Zeus, 1971. 139-224.*
_____, ed. [Voltaire's letters.]
_____, ed. The Mystic Rose: A Study of Primitive Marriage and of
Primitive Thought on Its Bearing on Marriage. By Ernest
Crawley. Rev. ed. 2 vols. London: Methuen, 1927.
Bethell, S. L. Shakespeare and the Popular Dramatic Tradition.
London: King, 1944.
_____. Shakespeare and the Popular Dramatic Tradition. New York:
Octagon Books, 1970.
_____. "The Nature of Metaphysical Wit." In The Metaphysical
Poets. Ed. Gerald Hammond. (Casebooks series). Houndmills:
Macmillan, 1974. 129-56.*
Bevington, M. M. Saturday Review, 1855-68. New York, 1941.
Bianchi, Martha Dickinson, ed. The Single Hound. Poems. By Emily
Dickinson. 1914.
12
Bianchi, Martha Dickinson, and Alfred Leete Hampson, eds. Further
Poems. By Emily Dickinson. 1929.
_____, eds. Unpublished Poems. By Emily Dickinson. 1936.
Bibyon, L. "English Poetry in Its Relation to Painting an the Other
Arts." Proceedings of the English Academy 8 (1918): 381-402.
Bickley, Francis. Life of Matthew Prior. 1914.
_____, ed. Poems. By John Gay. 1923.
Biggane, Cecil. John Masefield: A Study. 1924.
Bingham, Millicent, and Mabel L. Todd, eds. Bolts of Melody. Poems.
By Emily Dickinson. 1945.
Bird, O. "The Canzone d'Amore of Guido Cavalcanti according to the
Commentary of Dino del Garbo." Medieval Studies 2 (1940):
150-203; 3 (1941): 117-60.
Birkhead, Edith. "Sentiment and Sensibility in the Eighteenth-
Century Novel." Essays and Studies 11 (1925): 92-116.
Birnbaum, Martin. Oscar Wilde: Fragments and Memories. 1920.
Biron, Charles (Sir). Without Prejudice. 1936. (Wilde).
Bishop, D. H. "The Father of the Wartons." South Atlantic Quarterly
16 (1917): 357-68.
Bishop, John Peale. "Obscurity, Observations and Aphorisms."
Western Review 12 (1948).
Bissell, F. O. Fielding's Theory of the Novel. Ithaca, 1933.
Black, Frank G. "The Technique of Letter Fiction from 1740 to
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