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Mythology

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Mythology

Major Purposes of Unit

 Mythology created because man

(any time, any place) wanted

answers to the unknown.

 A myth is a story that attempts to

give meaning to the mysteries of

the world; passed along through

word of mouth as stories and

songs.

Major Purposes of Unit

A myth is an explanation of

something in nature; how, for

instance, anything and everything in

the universe came into existence

 We ALL have traditions; Mythology

is spread through EVERY culture.

 We will use Greek Mythology as our

major example because of allusions

in literature and culture today.

How Myths Began

 For at least 2,000 years, scholars have

speculated how myths began.

 Some believe:

– Myths began as historical events that

became distorted over time

– Myths are man’s attempt to explain

natural occurrences that they could

not understand

– Myths justify social and individual

conventions of the people of their time

What Myths Tell Us about Society

 Mythsare collective

representations of the institutions

and values of that society or

important parts within it.



 These representations determine

how the individuals in the society

act and think.

Influence of Mythology

 Geography, climate, government, and

other societal aspects influence the

myths of various people.

 Despite the differences related to

these factors, all myths have certain

features in common.

– For example, a recent study of the

fairy tale Cinderella showed that there

are over 400 hundred variations of

the same tale.

Distinctive Qualities of Greek Myth

A world view that places human

consciousness squarely at the

center of the universe, humanism

asserts the value of the individual

human being.

 Greek authors portray their gods

very much like themselves through

anthropomorphism, or ascribing

human form to supernatural beings.

Chief Contributors of Mythology



 Homer (Greek, 8th Century BC)

 Hesiod (Greek, 8th Century BC)

 Virgil (Roman, 1st Century BC)

 Ovid (Roman, 1st Century BC-AD)

Types of Myths

 FolkTale: usually told for pleasure

(NOT factual), and deals with

lesser people (common folk) and

witches, elves, fairies, etc..



takes an abstract idea and

 Fable:

makes it understandable to the

masses. Teaches a lesson.

Types of Myths Cont

 Romance: larger than life hero.

Love story in which the hero

pursues happiness or a woman.



 Fairy Tale: addresses internal

problems; the quest to overcome the

self. Not factual.

Types of Myths Cont.

 Parable: similar to fable, but from the

Bible (Jesus).



 Allegory:expression by means of

symbolic fictional figures and actions

of truth or generalizations about

human existence.

Types of Myths Cont.

 Saga: Collections of a narratives

about a particular city or family, such

as the interconnected tales about

Troy and Thebes.



 Legend: a tradition that has some

nucleus of historical truth, as

opposed to an account that is

entirely fictional.

Types of Heroes

 Monster Slayer: most primitive

type. Kills monsters and makes

the world better (ie Bilbo)

 Pure Hero: fights for personal

glory and fame, no matter the

cause; no fear of death; lives to

die in battle (ie Achilles).

 Noble Warrior: fights for a dying,

but illuminated culture; knows he

is doomed (ie King Arthur).

Types of Heroes

 Conqueror: fights to establish a

kingship or build a city (ie

Caesar).



 Metaphysical: fights forces

within himself (ie Gilgamesh of

Babylonia)

The Hero

 Physical vs. Mental Abilities



 Heroic Saga: prose narrative of

historic or legendary figures



 Quest: achivalrous enterprise in

medieval romance usually

involving an adventurous journey

Characteristics of a Hero

 Unusual origins

 Extraordinary

 Performs a difficult task (quest)

 Powerful enemies

 Enemies force hero to do

additional tasks

 Can work miracles

Characteristics of a Hero

 Helped by powerful friends; not

always human (advice, weapons)

 Suffering ends in disaster

 Because of this disaster, he may

die but he will achieve greater

glory after death

 Will leave the world better than he

found it

Three Stages of a Hero

 Separation: decision to

embark; leave “known” world



 Initiation: the quest itself



 Return: “reborn”; makes new

knowledge known to others



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