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The Shapes of Future Church

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The Shapes of Future Church

Peter Phillips, Dean of Students, Cliff College



Title Slide



Pictures taken from all over the place, many examples from article in SCM‟s „A New

Dictionary of Liturgy and Worship‟, edited by J. G. Davies. Unfortunately, in the new

edition all the pictures have been removed! In his article on Architectural Setting in the

disctionary, Davies begins with the following words:



Slide of this paragraph



The nature of Christian worship is such that it does not of itself require any

particular architectural setting. It does not centre in a cult object, such as an

image, that has to be protected within a shrine. It does not require a large item of

liturgical furniture, such as a stone altar, that has to be housed in a special way. It

can be and has been celebrated in a dining room, a hospital ward or an open field.

Nevertheless, throughout the centuries, it has had an architectural setting, which

has expressed the Christian understanding of worship. Hence the study of

worship historically cannot be divorced from a knowledge of the buildings in

which it was conducted.



Of course, there is little to debate in that paragraph. Christian worship does not make

demands upon architecture. But that makes Christianity somewhat unique in the ancient

world. You only need to think of the kind of demands Jewish temple worship demanded

to think of how religious architecture in the ancient world was a pretty prescribed area –

with little room for the imagination. Temples were basically constructed around the cella

format – a central shrine around which was built a portico for reflection or protection.



Slide of typical Roman temple



But our interest is in Christian Churches not pagan temples. So why am I beginning a

conference on the Shapes of Future Church by looking back at Church Architecture? We

are used to people telling us that church is the people not the building. Surely by

mentioning buildings I am just falling into the trap of thinking that church=building and

if we change the building we can renew the church. Of course, it is not that simple.

However, it strikes me that there is a central theme which Davies has missed out in his

discussion of the interplay between architecture and liturgy. I think that a building can

represent what a church thinks of itself. In other words, the building becomes a symbol

of what church is all about.



Slide with words „the building becomes a symbol of what church is all about‟



Indeed, you could turn that round and say that the building can also effect what church is

all about. Put a congregation in a certain type of building and they will respond to that

building and mould their expression of Christianity to that buildings facilities,

opportunities and difficulties. Moreover, if a building has other issues attached to it, if

the building itself brings a history, then this history can affect the expression of Church as

well. We need to know and acknowledge where church has been if we are going to

understand where church can go in the future. We need to make the whole journey rather

than pretend that we can start at the end!



Let me explore what I mean by describing some expressions of church over the years and

map out some of the ways in which the church architecture or context affected the

expression of church itself. Of course, I could have begun with the Jerusalem temple

since that was the first place that the early Christians gathered according to Acts. But

let‟s assume that was only a transient period and follow the Johannine line of making the

temple obsolete. What else is there? Well, the other key aspect of Jewish liturgical life

was the synagogue. These buildings were in the ascendancy, particularly once the temple

was destroyed. Do they provide the historical background to the Christian church? The

answer is probably that they do not!



1. Synagogues and Churches?



In Palestine v. v. few. In fact, only one definite is the one in Gamla in the Golan

Heights, which was deserted by the time of the fall of the temple.



Slide of Gamla Synagogue



Possibly in Palestine in the first century, the synagogue simply meant the place

where people came together at the centre of the village – the equivalent of the Old

Testament‟s elders‟ meeting at the city gates (Deut. 16:18; 21:19; 25:7; Josh.

20:4; Judges 9:35). Of course, all of the Gospel writers talk of Jesus entering into

synagogues and even of preaching in the synagogue in Nazareth. So, how could

we argue that there were no synagogues at the time of Jesus? Well, the

archaeology seems clear enough – there is no trace of a synagogue in Nazareth or

in Capernaum in the first century. Perhaps, though, the texts are not referring to

the permanent structures like the synagogue at Gamla, but rather an open village

meeting in a public space or a temporary structure, or perhaps we simply haven‟t

found the first century synagogues yet!



Slide of open air public worship gathering – developing world church pic?



Whatever, the truth, it is unlikely that the synagogues influenced the v. earliest

Palestinian expressions of Christian worship. Although perhaps that is too harsh.

Perhaps the crucial influence that the early synagogue was to have upon

Christianity was to focus religion at the heart of the community. Religion in

Hellenistic-Roman society was more commonly a matter of domestic and private

devotion rather than a public corporate expression. There were, of course, public

rituals, processions, sacrifices and so on. However, so much of the worship of the

Roman, Greek and Asian pantheons focussed on the devotion paid by individuals

rather than the community as a whole. Christianity followed the lead of Judaism

in making worship a community event – the gathering of God‟s people rather than

individual expressions of devotion. The focus is on synagogue worship not

temple worship.



Of course, this should make us sit us and reconsider some contemporary

expressions of worship. There is a polarity within Christianity between active

participation in worship and the passive observance of worship. I think that I

would want to argue that Christianity from the earliest times chose active

participation over against passive observance. However, the historical pattern I

want to trace will suggest that this polarity has frequently been at the heart of the

battle over the architectural setting for worship. I would argue that it is at the

heart of the battle for the expression of church today. Do we create churches

which allow passive observance – so pandering to the voyeuristic fetish of our

times, or do we create churches which encourage, even demand, active

participation, even if this fits uneasily with a 21st Century voyeuristic culture? Do

the phenomena of Megachurch, Seeker-Church, Multiplex Church, dark and

gloomy Alternative Worship, and the increased use of meditation and personal

reflection drive us into ourselves rather than into community? If so, then they

undo the very first lesson we could have learned from the history of Church

architecture – any future church needs to be fundamentally community-shaped.



2. St Peter’s House in Capernaum – 1st Century Courtyard Dwelling.



Slide of St Peter‟s House



The slide shows the gradual development of a fifth century octagonal church

building in Capernaum. This church centred on a room which had been a central

feature of a previous fourth-century building. This room was plastered in a

different style to the rest of the building and in the plaster were hundreds of

graffiti in Greek, Syriac, Habrew and Latin. It has been argued that some of this

graffiti was written by Christian pilgrims visiting the presumed site of Peter‟s

House in Capernaum and the place where Jesus healed his mother in law.

Underneath all the fifth and fourth century ruins lies an original first century

courtyard house – the typical domestic structure of the time of Jesus and probably

the earliest example of church – a simple domestic dwelling where Christians

gathered as a family to worship God. There is no evidence of any new Christian

architecture in the first century. There is no Church in Ephesus or Corinth or

Rome. What seems to be happening from the very earliest period is that

Christians are meeting in their homes – in the domus ecclesiae – the home of the

church. The archetypal shape of church is fundamentally domestic



Slide of domus ecclesiae

3. The Domus – the Roman town house



Slide of Domus



Explore slide – focus on Atrium as the meeting place. Worship would happen

here although meal probably in triclinium. Note the public view of what is going

on in the Atrium. Roman domus is the essential image of Church in first few

centuries.



Slide of view through entrance hall



Although note this is the upper class version. In Rome more likely that tenement

flats would have been used and the largest room selected. More private, upper

room experience may well have been the norm. Note that this means churches in

the first few centuries were small (2 dozen people?), family-sized, networked with

other churches into a great congregation in some way – Paul talks of the church in

Rome – he actually means the networks house churches NOT one megachurch.



4. Dura-Europus House



Slide of Dura-Europus



Example from c.250 – Dura-Europos on the v. eastern edge of Empire and

destroyed by Parthian invasion about 256. Under the rubble of one of the walls,

archaeologists found three houses converted into different religious shrines. One

was a Christian worship centre. Note the similarity to the domus. Still courtyard,

even a converted house, but most of the rooms have taken on a specific role –

baptistery, teaching rooms, development of a liturgical space with altar.



Still domestic context but refined into functional building. Still relatively small

congregation and one which could be at home in the place of worship.



5. The Synagogue and the Diaspora



Slide of Gamla?



Paul began in the synagogues. Note the design. It is a public hall. Likely that

Christians also used public buildings for worship – great congregation meetings.

Compare Paul using the Hall of Tyrannos in Ephesus for his teaching seminars.

was this a common practice? Was their co-use of synagogues? he problem is

there is so little new Christian building before Constantinian settlement. Looks

probable that they stayed domestic!

6. The Basilica



Constantinian settlement – Christianity becomes the formal state religion and so

moves from a domestic gathering to a public occasion. As such, the largest

meeting hall available in each community would be used – the Basilica.



Slide of Basilica of Pompeii



Massive structure – largest enclosed space in any Roman town. General meeting

place, even an exercise area for the army. Main focus was as a business exchange

and a law court. Note the use of the Bema and Apse for the magistrates – raised

dias at the end of the building. Often Apse would be decorated with the

Emperor‟s picture or statue. The whole building was a place of power and

privilege – it was the Emperor‟s territory, the law of the land was administered

here. When Emperor accepted Christianity, if in fact he did!, his territory became

Christian territory and the new mass religion took over the basilicas and used

them for the public assembly of the church. The church had come into power in a

big way.



Christian interpretation of this...



Slide of Christian basilica



Christian interpretation is pretty unsubtle – bishop and priests assume the place of

the magistrates and the emperor. They rule the church/community in the name of

the emperor – they are the emperor‟s men. Altar is placed at the bema – the legal

focus of the basilica – the altar therefore takes on a legal dimension – no wonder

we soon see theologians arguing that Jesus‟ sacrifice as a legal transaction.

Church is about the law.



NB the context has completely changed – domestic has become public. Family

orientated setting has become business or power orientated setting. The church

has altered what it thinks of itself by moving its meeting place onto the Emperor‟s

stamping ground.



7. The Martyrium



Slide of a Martyrium



Alongside the development and dominance of the basilica, two other forms of

church developed in the Middle Ages. One focussed on the ornate buildings

created to celebrate the resting place of saintly remains – the martyrium. These

buildings were often cruciform in shape with a central altar. This church

architecture presents a fundamentally different concept of Church to the Basilica.

In this setting, the witness of the saints is what is paramount in church order rather

than the domination of the legal-pentitential model of the basilica. The church is

about involvement and community memory rather than observance of distant

hierarchical figures. Interestingly the cruciform model is maintained in the

Eastern Orthodox traditions even to the present-day.



Slide of a Porch-Church



The second form was the development of the Porch-Church – a church with two

levels allowing for grand processions of the whole congregation to celebrate

Easter and other major Christian festivals. These were churches where

community was celebrated and where Christianity was seen as a community

event, a community pilgrimage. Theatre and re-enactment of the Christian story

was central. The whole building reflected what Christianity was about.



8. The Medieval Cathedral/Minster



The Medieval development of the Basilica began to incorporate the elements of

the Martyrium and the Porch-Church into the model. However, the

congregational participation hoped for in the development of the Porch-Church

design had become a rarity by this period. The congregation were now observers

of the divine mystery. The language of the church was still Latin, the priesthood

maintained their distance from the congregation and ultimately communion itself

became the preserve of those in the sanctuary. The heart of Christian worship

became a ceremony you watched through the rood screen rather than something

you participated in.



Slide of Chartres Cathedral



Slide of Canterbury Cathedral



In medieval cathedrals, like Chartres in France, the Martyrium was brought into

the design of the basilica with a multiplicity of side-chapels. With worship which

was distant and spectator-based, also came worship which was private and

individual. Pilgrims came to the great Cathedrals and routes were established

around the various chapels to allow the tourists to see as may relics as possible,

for them to be blessed as many times as possible, for their souls to receive as

much benefit as possible. The Cathedrals became Mass factories with priests

celebrating communion constantly to deliver souls from purgatory and give

indulgences to those who could afford them.



Was Chartres a place of community involvement? Is this where the Christian

community of Chartres gathered to break bread and hear the apostles teaching?

For me, Chartres looks more like a temple than a church – a place of private

devotion rather than community participation! Of course, the community would

have been involved. The churches have become central to the economy and

power-structures of the local communities. They are places of wealth and

influence. They have taken on a central role as brokers between the aristocracy

and the peasants in the medieval concept of the chain of being. How could they

be anything other than community-centred.



However, the role of the great churches of the Middle Ages seems to have been to

perpetuate the cult, to provide opportunities for rituals to be performed and

observed, to portray the drama of Christianity on a truly awesome stage. There

seems little evidence of the community‟s involvement. Everything has become so

grand, so huge, so populous that the community aspect that had been central to the

courtyard houses and Roman domus of the first century seems long gone.



Is this still authentic Christianity? Is this a possible shape of future church?



Should our future churches be centres catering to the spiritual needs of our

communities? We find it already in the almost obligatory survey question on

missions – “What can we, your local church, do for you?”. That was not a

question Paul would ever have asked the Corinthian community! He would not

have sent Aquila and Priscilla out door-knocking to find out what the Ephesian

public thought the Church should do for them!



But we live in a different society. So, should we provide a 24/7 religious

environment tailor-made to suit our contemporary communities, where people can

pop in for worship when their hectic diaries allow them to? Should we provide a

rolling celebration of communion to allow people to fit the bread and wine in

between an afternoon business meeting and an evening meal with the kids?

Should we provide multiple entry points of worship to allow different people to

experience God in different ways – labyrinths, installations, meditation areas,

places of quiet, spiritual directors? Should our Church become the spiritual

equivalent of Meadowhall or Bluewater? And with that, where has the word

„Christian‟ gone? Is there anything unique about the Christian expression of

worship? At the centre of Canary Wharf, there is a chapel, but not a Christian

chapel. Is it still church?



9. The Preaching Hall/Auditory Church



Slide of an Auditory Church



The reformation demanded a change from the observance-based, relic-centred

worship of Catholicism. In its place, Calvinist-based churches developed the

auditory church – a unitary shape focussed on the need for the congregation to

hear and to see what was going on. Worship was now in the vernacular – people

could understand sermons. Moreover, sermons were meant to have an effect –

preaching was an opportunity to convert, to admonish, to encourage the faithful.

Communion was no longer the repetition of a sacrifice, but a memorial of the last

supper. The altar diminished in significance, while the pulpit became ever more

powerful a symbol. Of course, the question is whether involvement has

increased? What is the essential difference in function between the theatrical

opulence of the counter-reformation‟s Baroque splendour and the puritanical

barrenness of the preaching hall?



Slide of a Baroque Church interior



In the Baroque, the congregation is encouraged to engage with their eyes. To see

the splendour of God‟s glory in all around them. To see at the pinnacle of the

church, at the end of the carefully orchestrated sightlines, the wonder of that glory

summed up in the elevation of the bread and wine – the awesome splendour of

Christ‟s sacrifice upon the cross.



Slide of Preaching House interior



In the preaching house, nothing is allowed to hinder the passage of the word of

God from the preacher‟s mouth to the congregation‟s ears. Nothing distracts

them visually. Nothing takes their eye. Nothing allows their thoughts to wonder.

The congregation sits around the preacher, sometimes sitting in box pews to shut

themselves off even from one another. All that is important is that the message is

conveyed from Bible to Christian via the authorised minister of the word. It‟s

interesting that the theology behind each is perhaps poles apart, and different

senses are used, but the function is so similar. The role of the Church architecture

is to help convey the message. To some extent both are expanded versions of the

courtyard house. However, the dominance of the context has removed from both

any concept of domesticity and community. In both models, whether the

congregation are sat in a circle around the preacher, or in pews facing the front,

their attention is not on one another, on the Christian community gathered with

them, but rather on the central vehicle of the message – the altar or the preacher.

There is little room here for community at all.



Moreover, we are once again back to the basilica model – a large hall, often with

side aisles, meant for public gatherings, for public announcements and for the

transfer of information. A public hall where law was enacted. The role of the

legal argument in the reformation process is perhaps not far from the surface in

the dominance of legal architecture. Even in the resurgence of the two-room

Gothic model in the Victorian era, the basilica model predominates. As the

missionaries and reformers built around the world, the same model of church pops

up everywhere – the nave for the observing congregation, the sanctuary for the

celebration of the communion. It is not until Vatican 2 and the developments in

modern church architecture that this changes.

10. The One-Room Modern Church



Slide of Le Corbusier‟s Notre Dame de Haut in Ronchamp



In the first half of the last century, the style of church architecture developed

away from the two room model back to a more defined basilica model, although

heavily influenced by the old Martyrium style. More and more churches focussed

on the need to accentuate three aspects of worship the altar, font and pulpit. For

some, this developed into a path structure with font at the door, pulpit halfway

down the rectangle, and the altar at the far end. For others, all three could be

moved and brought to prominence at different parts of the Church‟s year and

celebratory cycle. Suddenly, church was a focus for activity and participation

again. It is interesting that Davies traces the first development to the redesigning

of the chapel used by a youth movement in Germany before the war.



Slide of Schloss Rothenfels



This redesigning impacted a whole generation of Church leaders to such an extent

that thirty years later the impact was being felt in theological debates, liturgical

arguments as well as in church design. Where these young people worshipped

seemed to affect the way that they were as Christians. The participatory style of

the Schloss Rothenfels, had a profound effect upon the development of German

Christianity.



11. Return to the domus ecclesiae



Slide of domus ecclesiae



Schloss Rothenfels and the other churches which were developed as part of the

movement tended to focus again on the role of the church as the domus ecclesiae.

In other words, the role of the church building was to create a place where the

community could come together for worship. This perhaps reflects the

marginalisation of Christianity and a return to its pre-Constantinian basis. No

longer is Christianity the recognised religion of many Western societies.

Christianity has to take its place alongside other faiths and philosophies.

Moreover, the decline in church attendance and the resulting lack of finance and

confidence has driven the church back upon its own resources. It now needs a

place where it can feel at home – perhaps even a place to which it can retreat and

pull up the drawbridge.



As such, many church buildings reflect domestic dwellings rather than public

spaces. This may well encourage these spaces to be comfortable and welcoming.

More and more soft furnishing are used, as well as a welcome return of the Arts

into the Church. This means that the Church can be seen as a home for God‟s

people. The question, though, is whether such a context will encourage others to

become part of God‟s people. Western society, particularly British society, is

developing an avoidance of trespassing on other people‟s private domain space.

We love to watch what other people are doing, but the destruction of the extended

family and the sense of local community, has led to the isolation of the domestic

unit. With such isolation, the Englishman‟s home has more and more become his

castle. Note the recent newspaper poll stating that the most desired law is one

which would give homeowners the power to use all means possible to repel

someone breaking into their home – including the use of guns. If our churches

become our homes, then it may well be that they actually put people off entering

them. Is the courtyard home model the best model for the shape of future church

after all?



In fact, it could be argued that the Church has made its greatest impact when it

has stood out against the society within which it is situated. Christianity did not

follow the temple-model of worship, even when Constantine authorised

Christianity. The Christians of the first century chose the domestic dwelling as

the locus of worship, the Christians of the fifth century chose the secular basilica

model for their Church architecture. The question is what the Christians of the

twenty first century should choose as their expression of their Christianity. I

would suggest that the majority of churches being built even today represent the

rather uncomfortable compromise between auditory basilicas with all the soft

furnishings of a domestic dwelling. In the end it is neither fish nor fowl! We

need to determine what the shape of future Church needs to be before we create

the buildings to house those future churches – if we need buildings at all.



12. Modern expressions of Church...



Finally, some attempts to think about how some forms of modern church fit into

this historical pattern:



Slide of Megachurch, Cell Church, Seeker-centred gradual reveal



Firstly, the megachurch. In the UK, mega-churches are relatively rare. We think

of some large multi-hundred churches as being large, however these are pretty

small in comparison to some of the global megachurches. But even these UK

mini-megachurches can easily represent the observant side of the historical

pattern rather than the participatory. I well remember going to Christchurch in

Clifton during my theological training and observing what as going on. I have

been to St Thom‟s in Sheffield and All Souls in Langham Place. Nothing has

encouraged me to become participatory in these settings. The worship, the size,

the anonymity offered by the large gathering panders to the voyeuristic modern

persona. Megachurches can so easily be the impersonal, observation-focussed

basilica of the modern day.



Of course, one way of avoiding this is to create cell-church micro-structures

within the megachurch structure. Cell Church focusses on community and on

participation. Because of the relatively small size of each cell, individuals are

both encouraged and coerced into participation in order to maintain their status

within the cell. Moreover, the development of different community roles by

different cells allows for the participation of each cell and each cell member in the

life of the Church as a whole.



Cell church within a megachurch, then, can help to alleviate the issues of

anonymity and observance within such church structures. Of course, the cells

needs to be managed well, and you need to fit into one in the first place!



Two other modern models of church provide the similar issues. Seeker-centred

worship and seeker-centred church are clearly popular ways of attracting people

into the Christian sphere of influence. We want people to come to know Jesus. If

we get them interested on their terms, then they will come along and become part

of our Church community. It is another expression of the old belong-believe-

behave conundrum. If we charm people enough to belong, then eventually they

will believe in Jesus and behave accordingly. And there are enough successful

seeker-centred churches around to say that this is a truism.



The question for me is what kind of a model of Church seeker-centred worship

presents. Isn‟t Chartres a seeker-centred experience? Is the Christian Gospel

something you observe? Where does participation come in? Where is the sense

of community? Of course, there are different ways of doing seeker-centred

activities. If Alpha is a seeker-centred activity, I think it succeeds because of the

meal and the conversation – the meal is the central act of participation, it provides

the context for the conversation and for the discussion of faith issues. The meal

provides opportunity for the testimony of faith and for God to minister both

through word and sense. The meal becomes the sacrament – the place of

connection between God and the non-Christian. Nicky Gumbel‟s talk may

provide some kindling for the flame, but it‟s the meal which acts as the match! It

is not without coincidence that Jesus was known as a glutton and drunkard, as one

who could often be found at a party, around a table with tax collectors and

sinners. In fact, he seems to have been as such places much more than he was in

the synagogues!



In this talk I have tried to focus on the historical development of different kinds of church

setting and the role that setting has played in developing or expressing different kinds of

church. Where we do church is important. It tells people what kind of people we are. It

tells people what we think church is about. It tells people what church might be like.



Slide of Threshold Models – gradual reveal



At the end of Threshold of the Future, Mike Riddell talks of different models of future

church ...

Parallel Universe – nightclub based church in Auckland – café style worship – informal

community celebrating through arts – multilinear, multisensory, multimedia, low level

leadership structure



Graceway – focussed on the needs of the community – suburban, relaxed community,

running social programs alongside worship -focus on „barstool‟ where people can be

themselves…small, arts-based, like Forrest Gump‟s chocolates – you never know what

you‟re going to get next!



Spine – intentional community focussed on sex industry neighbourhood and young

people caught up in that industry. 2 adjoining flats and associated dwellings nearby.

Community meets to eat, talk, pray – no formal meetings.



Bread and Breakfast – group of families meet in each others homes every Sunday – bring

food and share – all ages. Breakfast moves into worship – all age, communion. Kids

have activity/play/rehearsal and adults do meatier teaching or discussion, prayer and any

business. Focus is on friendship and sharing. Mutuality of life.



Glenbrook – creative worship group meeting in hockey-club bar – focus on encouraging

and renewing rather than evangelistic – modelled on Christian family sitting round a table

enjoying a meal together – worship is all age throughout – intro, worship, singing,

communion, devotional, barstool time, fifteen minute sermon. Closes with shared meal.



Slide of Conclusion



We began by exploring the domus ecclesiae model of church – the archetypal shape of

church, we heard, is fundamentally domestic.



We traced the history of church architecture through the various patterns it has followed –

from the home environment, through the dominant basilica model, through to the

renewed emphasis on the church as a home – indeed the Pope himself as delivered a

Vatican paper calling for Church design to represent domus dei – the home of God.



The future shape of church then, whether that church meets in a building or not has to be

fundamentally community. Indeed, I would go further and say that it must really be

family. Our society has led to the destruction of the extended family. Christianity rejects

this and provides us with new extended families. We need to live as families. We need

to worship and be church as families – not huge congregations of anonymous Christians

watching professional performers masquerading as worship leaders. Church must not

only be shaped as the domus ecclesiae – church must be God‟s people at home!



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