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Photoshop Tutorial

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Photoshop Tutorial
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Photoshop Tutorial



Osian Haines





August 11, 2008









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Photoshop Tutorial





Contents



Basic Tasks 1



Opening an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1



Saving an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4



Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5



Undo and History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6



Other Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7





Simple Editing 7



Resizing a photo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7



Cropping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8





More Advanced Tools 10



Lightening and Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10



Colours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11



Sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11







Basic Tasks



Opening an Image



There are several ways to open an image to edit in photoshop – like through photoshop, through a

folder or through an image viewer.

Note: When opening images, sometimes a message pops up about the embedded profile being a

mismatch. ALl this means is that the colour settings of the image are a bit different from the default

photoshop settings – as is often the case with digital photos.









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This is nothing to worry about and makes no difference, you can safely ignore it by clicking OK. Check

the box if you don’t want to see the warning again.





Opening photoshop first





To open Photoshop, just go to Start > All Programs > Adobe Photoshop CS.









Then, it’s the usual process of File > Open, and choose the file you want.

Photoshop can open images of pretty much any type. Photos are usuall .jpg, but it will also open .gif,

.bmp, .psd etc.

Choose the file you want and click open.





From a folder





When vieweing a folder full of images, you can open one for editing from the right-click menu. Right

click on the icon, and choose Edit With Photoshop.









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From Picture Viewer





Usually if you are looking at am image, it will be in WIndow Picture and Fax viewer.









You can open for editing the image you are vieweing straight from here. Right click on the edit-image

button (circled) and choose Edit With Photoshop from the menu.









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Saving an Image



Photoshop can save an image in many different images formats. For photos, you would normally want

to save in .jpg. The default format is .psd – this is the photoshop format, which saves layers and other

information – it is useful when making big changes to images that you want to be able to alter later.

For simple images, therefore, change the format from Photoshop to JPEG. Then name you file and

click save (you could keep the same file name and overwrite the original, but better to give it a new

name to keep a backup copy).









Next a dialog box appears to control the quality of the image. This is because JPEG files compress

the image, and you can choose how much compression to apply. The higher the value, the better the

image will appear, but the more space it takes up. The difference will not be very noticeable, except

in fine details. As the quality slider is moved, the size of the image is shown in Kb at the bottom of

the dialog box. Files above 300Kb will take a noticeable time to send or load – but digitial photos

start at around 1000Kb, so this is still an imprvement. It will also give an estimate of how long it

would take to download at different connection speeds – the default, as selected by the dropdown box,

is 56K modem (old dialup), while boradband is at 1Mbps.



As the slider is moved, if the ‘Preview’ box is checked, the image will (temporarily) change to show the

effect of reducing the quality (note that unless you are viewing the image at 100% zoom you might not

see the loss in quality). A quality of 7 is usually a good compromise but it depends on the purpose,

required quality and required file size. The Matte and Format Options are not important.









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Zooming



You can view at image at different levels of zoom – to see the whole thing, to see it actual size, or to

view a small detail, for example. Of course this makes to change to the actual image – just how you

see it (remember that the part of the image you see in the window will not necessarily be the whoile

image).



The quickest way to zoom in and out is to use the scroll whell. Scrolling the wheel down will zoom

in, and up will zoom out. In some situations this will cause the image to scroll up and down instead

of zooming – to make it zoom, hold down the Alt key while moving the wheel. ALso note that, using

the scroll wheel while the mouse is over one the the scrollbars, will scroll the image in that direction).



Use the zoom tool (circled in green) for finer control over the zoom. This causes the cursor to turn

into a magnifying glass (with a plus symbol), so clicking on the image will zoom in on that location.

This can be changed to a zoom-out magnifying glass my selecting the magnifying glass witha minus

sign in it from the toolbar at the top left of the screen. When using the zoom-ion magnifying tool,

you can drag a box over the image, which will zoom in to the image to show whatever is in the box.









Right clicking while using the magnifying tool will bring up a useful menu. The first option is to Fit

On Screen, which will make sure you can see the entire image, no matter what size it is (useful for

looking at a whole photo). The Actual Size option will show the image at 100% zoom, it’s actual size

– this is useful for seeing the finest details the image really has, and seeing what the image will really

look like. It is easier to use this option to get to actual size than to try to get there using the zoom

in and out tools. Also in the menu are zoom in and zoom out, which can be easier to access than

switching the magnifyer to zoom in or zoom out (as above).



At all times, the size the image is being viewed at is shown in the title bar of the image window. Note

that when an image is not at 100%, artefacts and imperfections may be visible, which are not actually

in the image (caused by aliasing). This can mean that if an image is being viewed at 104%, though it

is almost actual size, it could look different from the real version (messy lines, blurriness, etc).









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Undo and History



Photoshop, like almost every other program, has an Undo feature (in the Edit menu, or shortcut

Ctrl+Z). However, this will only undo the last command – choosing to undo again will just undo the

undo, leaving you back where you started.



This initially seems very limiting, but this is what the History pane is for, on the left of the main

window. Listed here are all the recent things done to the image. Clicking on any of the steps listed

will take the image back to one of its past states (and allow you to jump forwards again, so long as

you don’t change anything – a bit like time travel). To revert the image to a previous state, choose

the command up to which you want to undo, and press the ‘Delete Current State’ button (looks like

a bin). Note that this deletes everything back to, and including, the selected state – which means the

image goes back one step further than you currently see. This can be confusing – the best strategy

is to choose the state you want to go back to, then select the NEXT one (one down, into the future)

and click delete.









Note that in photoshop, everything you do goes into the history – including things like selections. This

means if you spent a while selecting exactly the right area of the image for something and then lose

it, you can undo and get it back (this doesn’t always apply, for example when you are ion cropping

mode, where these actions will just get lumped together as a single cropping action).









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Other Notes



Selecting





Use the selection tool (top left in the toolbox) to be able to drag square (or other shape) regions to

select. When something is selected, it can be manipulated on its own – for example enhancing the

contrast on a small part of the image. Advanced options for controlling selections exist, in the Select

menu (like expanding or smoothing the slection area). These are more useful when doing things to

certain parts of photos, but can get tricky.



A useful thing is to be able to clear the selection. Press Ctrl+D and whatever is selected will be

deselected. Ctrl+A will select the entire image.





Drawing/selecting things





Various key combinations can make selecting an area / drawing shapes etc easier. Usually, where the

mouse drag begins is the top left corner of the selection. But if Alt is held while selecting (pressing it

before or after starting to drag), then where the drag starts will be the centre of the region – useful

when you want a box centred on something. Note that you need to release the mouse button before

the Alt key, or the selection will flip back to the normal top-left-first mode.



Another useful key is shift – holding this while selecting will draw a perfectly square (or circular)

region. It can be used in combination with alt to draw circles centred on a specific point, and so on.







Simple Editing



Resizing a photo



Photoshop can be used to make photos smaller, while preserving the aspect ration. Size can be spec-

ified either in pixels, percentage of original size, or as an actual distance measurement.





First, open the image (see ). To simply resize the image, go to Image Size in the Image menu (not

Canvas size, this is different).









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This will open the Image Size dialog box. The top section of this lets you change the pixel dimensions

of the image. Normally the width and height values are linked, so if you change one, the other changes

too, to keep the same aspect ratio (the little chain symbol on the left – green circle). To be able to

change both independently, uncheck the ‘Constrain Proportions’ box. Doing this will elt you squash

and stretch the image.









The pixel size of the image will be quite large, and can be reduced considerably without losing a lot

of detail. The width of the monitor, in pixels, is about 1000. The Document Size box can be used to

choose the size, or to get some idea of how big the image really is, as it can display the size in cm or

inches. These values are tied to the Pixel Size values above – they change together, so use one or the

other.



Alternatively, the size can be changed by percentages – a simply way of making the image half its

original size, for example. This dialog can be used to make the image bigger, but of course there will

be a loss in quality.





Cropping



Photoshop has a simple tool for cropping images, which can be found on the toolbar on the left.









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After selecting the crop tool, drag an area on the image that you want to crop. The area outside

of the crop region will be shaded darker, giving you a preview of what the image will look like after

cropping. The size of the crop region can be altered by miving the little square handles (circled in red)

at the edges and corners of the cropped region. You can also draw the crop boundary from outside

the image, so that it covers all of the image, or all of one side, then adjust the size until it looks right.



Notice how, near the edges of the image, the crop boundary will snap to the edge of the image, as it

assumes if you are nearly at the edge, you will want to go right up to it. This can make it difficult

to make small asjustmens, but the edge snapping can be turned off by holding the Ctrl key as the

boundaries of the crop region are moved.









The entire crop region can be moved over the image by dragging inside (non-shaded) crop region. Be

careful not to drag too near the central marker cross (this can be useful for judging what is in the

middle), as this will just move the cross (which there is no need to do).



To crop the image to the desired size, press enter.









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Photoshop Tutorial





More Advanced Tools



Lightening and Contrast



Photoshop can be used to make vast improvements to imges, in lighting, colour, contrast, detail, and

so on. The simplest way, which is often very effective, is to change the brightness and contrast. To do

this, go to Image > Adjustments > Brightness/Contrast, which will open the Brightness and COntrast

dialog box.









This has a slider for brightness and contrast, which are both initially centred at 0. Obviously, changing

the brightness slider (or typing a value in the box) will alter the brightness – beware that increasing

it too much can make the image look too white and washed-out. Small increases to the contrast slider

can make the colours stand out better (especially after some brightening), while decrerasing contrast

can make images with too much bright colour look better. Large changes to contrast will usually look

very wrong.



As long as the preview checkbox is ticked, the image will change as the sliders are moved, allowing you

to view your changes immediately. The preview can be turned on and off with this checkbox, which

can be an easy way to compare before-and-after, to check it is actually an improvement. Cancelling the

dialog box will not make any changes. Press OK to permanently alter the image – note that once this

is done, it cannot be easily undone (except using undo) – if yuo go back into the Brightness/Contrast

dialog, the sliders will be back to 0, as the change has been actually applied to the image.









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Colours



The colour balance of an image can be altered using the Colour Balance dialog box – go to Image >

Adjustments >Colour Balance (or use the schortcut Ctrl+B). The kets you increase or decrease the

amount of red, green and blue present in the image. (Normally it works on mid-tones which is fine,

but if you specifically want to change the colours in the lighter or darker regions, choose ‘Shadows’

or ‘Highlights’ at the bottom – ignore ‘Preserve Luminosity’). This box also has a preview checkbox,

which you can turn on and off, and similarly once the change has taken place, the image is altered

and the sldiers will all go back to 0 again next time. As before, small changes are likely to be most

effective on photos (sliders or numbers in boxes), without looking too fake.









For a different way of altering the colour, the hue can be changed – which is a way of changing all

of the colours. Go to Image ¿ Adjustments > Hue/Saturation (or use the shortcut Ctrl+U). This

dialog allows you to change the Hue, which can have dramatic yet interesting effects. Also this lets

you change the lightness, which is basically another way of lightening and darkening the image. The

other slider is saturation – turning this up will make colours more vivid, turning it down will move it

more towards shades of grey. This means you can use it to convert an image to black-and-white (or

just use shortcut Ctrl+Shift+U).









Sharpening



The sharpening and enhancement ability of photoshop are quite powerful. The easiest and most

effective/controllable way is to use Unsharp Mask, from the Filter > Sharpen menu.







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The Unsharp Mask dialog shows a full-size preview segment of the image. Yyou can change where in

the image this shows by clicking in the image (square shaped cursor) – but it may be easier to see what

is going on if the image is viewed at 100% anyway (you can scroll using the scrollbars but not zoom

while the Unsharp Mask dialog box is open). There are three sliders present – the first two control

how strong the sharpening effect is. It works by increasing the contrast in regions of higher contrast

– so it makes edges more pronounced. Applied subtly this can make the image look less blurred, but

overdoing it can make it look fake and too strongly lined. The best results will be obtained by moving

the first two sliders around, while looking at a fairly detailed part of the image at 100% zoom, and

turning the preview on/off to see what difference it makes. Turning the threshold value up will make

it have less effect – this can just be left at 1 in most cases.



Shown here is an image, first the original, then with subtle unsharp-mask applied to improve it, then

with too much.









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I am Md.Mohidul Haque Khan, study in cse, live in bangladesh.
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