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Perception 3

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Perception 3



Grouping

Perception of scales, melody, rhythm

And larger musical structures

Regular grouping



• A difference introduced into an isochronous sequence

• Grouping of elements between two differences

Regular grouping



• A difference introduced into an isochronous sequence

• Grouping of elements between two differences

• The difference: lenghtening of a sound

increase of its intensity

a change of pitch or in timbre

Regular grouping



• A difference introduced into an isochronous sequence

• Grouping of elements between two differences

• The difference: lenghtening of a sound

increase of its intensity

a change of pitch or in timbre



• ? Possible durations of rhythmic groups

• Spontaneous taps:

420 msec between the taps groupped in three

370 msec when grouped in four

• Rhythmic arts:

slowest adagio note: no longer than 5 sec

longest lines in poetry: 13 to 17 syllables

needing 4 to 5 sec to recite

average duration of a bar in religious hymns: 3.4 sec

average duration of a line in poetry: 2.7 sec

• These correspond to psychological present

Grouping – summary

• Lengthening of sound or of an interval between sounds

= pause between groups

• Sound qualitatively different from others:

accent that begins the group

• More intense sounds are perceived as relatively

lenghtened, and longer sounds as relatively more intense!

Edwin Gordon

• Macrobeat: pulse  the whole body and its whole mass

• Microbeat: divisions  a part of the body (hands?) and its

mass

• Rhythm: complexity  weightless = no mass

 performed like speech or humming

Grouping in pitch

• Feeling of tonality and scale

Perception of musical structures

• Melody:

uniformity / differenciation

implicatibility

predictability vs. Chance

• Musical experience – very important

Perception of musical structures

• Harmony:

statistics: probe tone experiments /

music by Schubert

Perception of musical structures

• Scale:

feeling of finality depends on a scale

Categorical perception

Categorical perception

• Everything which forms physical continua

is perceiven as categorised

Perception of large structures

• Segmentation < grouping

Perception of large structures

• Segmentation < grouping

• Perception of a piece of music:

1. Field definition

2. Grouping/segmentation: operations in time domain

3. Time-independent operations:

comparisons, integration over time

expectations

Factors: form of a piece

perceiver: experience, perceptual capacity

ability, attitude, attention...



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