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TECH TALK Museum Environments

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TECH TALK

MINNESOTA

HISTORICAL Museum Environments

SOCIETY



GETTING A HANDLE ON THE MUSEUM ENVIRONMENT

by

Beth Doyle, Preservation Outreach Intern, Minnesota Historical Society

with Bob Herskovitz, Chief Conservator, Minnesota Historical Society



Fabrics eaten by moths; photographs faded Because most museum and archival materials are

beyond recognition; ancient pottery turning to dust. hygroscopic, i.e., they absorb moisture from the

These are disasters in museums, libraries and other atmosphere, they expand and contract as the humidity

cultural institutions, and preventing them is part of in the air fluctuates. This dimensional shifting causes

the daily routine for curators and directors. One of stress to the object and can particularly affect already

their tools is the ability to control environmental weakened areas such as cracks in furniture or

conditions, which can effectively slow the deteriorated sewing in a book. Some studies suggest

deterioration rate of historic artifacts and documents, that the fluctuation between high and low temperatures

and allow continued access and use for years to come. and RH can do more damage to materials than an

Regular monitoring of conditions is an essential









MHS photo by Eric Mortenson

component of environmental control.

Environmental monitoring generally includes

three parts: temperature and relative humidity; light

exposure; and biological activity. Equipment for

Figure 1, right. environmental monitoring is available from the

Print-outs of outreach program of the Minnesota Historical

data logger Society’s conservation department: The

charts. One

chart shows the Environmental Test Kit and the Electronic Data

desired, ideal Logger can be borrowed by cultural institutions free

steady lines for of charge. (See pages 5 and 6 for details.) Like proper

temperature handling, storage and display techniques, these tools

and RH in a

space with state will help significantly prolong the life of collection

of the art material.

controls. The

second chart The importance of environmental control

shows how environment that remains fairly stable at a “poor”

temperature It is generally recommended that institutions

and RH maintain a temperature of 65-70 degrees Fahrenheit humidity or temperature set-point. It is most

fluctuate wildly and 35-50 percent relative humidity (RH) to slow the beneficial to minimize the fluctuations of RH,

in a different especially if strict environmental control cannot be

deterioration of a wide variety of objects. The

space which maintained. (See Figure 1, above.)

lacks effective temperature in storage areas should be kept at the

controls. lower end of this recommended range while the upper Exposure to light, too, can cause significant

range will be more practical for areas where people are deterioration. We are all familiar with faded old

using or working with collections. This strict photographs and quilts that have lost their color.

environmental control can be difficult to maintain, so Exposing collections to light, both in its ultraviolet

it is important to know why these guidelines exist. (UV) and visible range, can cause major damage to

Poor environmental conditions can lead to collections, sometimes even if they are exposed for

various kinds of damage to collections. High heat, short periods of time. This damage can take the form

humidity and airborne pollutants accelerate the of fading, yellowing or other shifts in colors, or

chemical deterioration becoming brittle. Sources of light exposure include

of materials. These windows, skylights, fluorescent lights and exhibit

Editor’s note: lighting that is too strong or improperly positioned.

T ECH T ALK is a bimonthly column reactions can cause In addition to UV and visible light, infrared (IR)

offering technical assistance on management, paper to become brittle, light is a threat because IR is heat, and heat

preservation and conservation matters that photographs to fade,

contributes to the deterioration of collections.

affect historical societies and museums of all wooden objects to dry

sizes and interests. Comments and and crack, and textiles to Scientific theory holds that for every 18 degrees

suggestions for future topics are welcome. deteriorate rapidly. Fahrenheit (10 Celsius) increase in temperature, the

rate of chemical reaction (such as fading or becoming

3 INNESOTA HISTORICAL S Interpreter • March 1999

MMinnesota History OCIETY Continued on p. 4

TECH TALK • Museum Environments

MINNESOTA

HISTORICAL

SOCIETY Continued from p. 3

Eliminate over-exposure to light by keeping

brittle) doubles. Awareness and control of heat from blinds and curtains closed in collection areas. Turn off

all sources including exhibit lighting is an important the overhead lights or keep them dimmed in low

aspect of an environmental monitoring program. activity areas, especially storage areas. Light sources

Warm, moist environments are particularly in display cases should be properly sized and

conducive to promoting biological attack. Mold arranged to reduce damage. Guidelines for proper

spores, which are present in light levels are readily available from a variety of







MHS photo by Eric Mortenson

all environments, begin to sources, including the Society’s Conservation

grow in humidity levels Outreach Program.

from 60-70 percent (some Step three is to monitor for insects and other

species have been found to pests. A common and inexpensive technique is to use

begin growth at RH levels as sticky traps or “blunder traps,” which are available

low as 45 percent). from many hardware stores or pest control

Insects also prefer warm, businesses. These traps are usually tent-shaped and

wet spaces. Common among have one surface coated with a sticky glue. When

museums and libraries are pests “blunder” into them they get stuck and cannot

such species as the carpet escape. It is also helpful to collect samples of different

beetle, silverfish, cockroach, insects and pests. This aids in the identification of the

powderpost beetle and clothes moth. Mold, insects insects, which yields their life cycles, breeding habits,

Figure 2, nesting habits, and food sources. With this

above.

and pests such as rodents and birds are capable of

Environmental inflicting a large amount of damage in a short time information in hand, the pests can often be eliminated

Test Kit. The period. Without vigilance, whole collections may be without resorting to extreme “chemical warfare.”

kit includes seriously damaged or even lost to their attack.

instruments for What’s been done

measuring

visible and UV What can you do? A crucial step in controlling the environment is

light, a The first step a curator or director can take to to monitor exhibit, storage and other collection areas.

psychrometer control the environment is to set the parameters for Monitoring the environment does not necessarily

for measuring mean buying expensive equipment, but it does

RH, several

the environmental control system at levels that can be

inexpensive consistently maintained. Economics, existing air require diligence and commitment (qualities that

monitoring tools handling equipment, the needs of the collection and curators and directors already have).

(see figure 3), the building itself are all factors The Kanabec County

and a manual. Historical Society (KCHS) is a

in deciding the set points for

MHS photo by Eric Mortenson









environmental controls. The regular user of the Environmental

goal is to have the temperature Test Kit. Twice a year for

and RH as low as possible, approximately five years, KCHS

while eliminating fluctuations in Registrar Jan Franz has used the

Figure 3, right. the readings. kit to monitor the environment of

Monitoring The second step is to take the building. Although KCHS has

tools that time to look around each area in some monitoring equipment of its

institutions keep

the institution and determine own, Ms. Franz uses the kit to

each time they

borrow the what action can be taken keep track of general conditions

Environmental immediately to eliminate trouble in the facility, to check that the

Test Kit: blue areas. Keep external windows environmental controls are

wool card,

and doors closed and seal any working properly, and to use

humidity

indicator card, cracks in window sills, panes equipment that they do not own.

pH pen, and door frames to prevent “We have to be in the ball park

“sticky” trap, outdoor air from entering the building. Open with our RH and temperature,” she said, “it’s a good

and kit manual.

windows bring unconditioned air into the building, way to check that we are.”

causing stress and additional load on the Franz also explained the benefits of using the

environmental control equipment. Unnecessary light meters in the kit to determine light levels and re-

openings can also allow airborne pollutants, insects direct lighting in the exhibit area. “It’s been a real eye

and rodents to enter the building. Protect collections opener to me that the light can be that harmful.” She

from heat sources such as radiators and vents, either stated that recent meter readings were specifically

by moving material away from these elements, or by helpful in determining the lighting of an exhibit of

deflecting the air-flow away from collection material. large plat maps.

4 Minnesota History Interpreter • March 1999 Continued on p. 5

MINNESOTA HISTORICAL SOCIETY

TECH TALK • Museum Environments

MINNESOTA

HISTORICAL

SOCIETY Continued from p. 4 Testing the environment

Inexpensive instruments can give the rough idea

For the Clay County Historical Society (CCHS), a

of the temperature and humidity that is needed to be

second-time borrower, timing

aware of environmental trends. A variety of

of the test kit couldn’t have









MHS photos by Eric Mortenson

thermometers and hygrometers (for measuring RH)

been better. The test kit was

are available and can range in price from $5 to $150 or

ordered mainly for the use of

more. These can be found at local hardware or

the UV meter, according to

electronics stores, or can be ordered through suppliers

CCHS Archivist Mark Peihl.

of preservation materials. Precision instruments and

New exhibit lighting was

instruments that keep records of the readings (either

being considered, and Mr.

on paper or in electronic form) are more expensive.

Peihl wanted to test the lights.

Humidity indicator cards can be obtained readily

“We tested lamps that were

through commercial library suppliers or photographic

possible candidates for exhibit

preservation supply companies. These inexpensive

areas. We wanted to find out

cards, with small patches of moisture sensitive

if we could filter them and

material, change color from blue to pink when

how effective the filters

exposed to humid conditions. (A list of suppliers is

were,” he said.

available from the Society’s Conservation Outreach

On July 19, 1998, a pipe

Program; see p. 6 for contact information.)

burst, flooding parts of the

Lighting can be easily monitored or measured

archives. “We were in the

using simple-to-use blue wool cards or light meters.

process of changing exhibits

Available at library or preservation supply companies,

and it [the test kit] was here

blue wool cards use specially dyed fabrics that are

when we had the water

sensitive to light, and can indicate whether display

break,” said Peihl. Using

lighting or the room lights are causing damage to your

their own equipment and

collections.

tools from the

Light meters will give a more accurate reading of

environmental kit, he continually monitored the RH

Figure 4, the amount of visible and UV light in a room or

levels in the archives during the recovery effort. A

above. Data display case. However, these instruments can be

professional cleaning company also monitored the

loggers in place expensive, and organizations may not need to own

in a museum environment to ensure the humidity levels were under

one. Fortunately, organizations in Minnesota can

exhibit. The control. (See also articles in the September and

data logger can borrow light meters (see below) to help them with

November 1998 issues of The Interpreter.)

be placed their environmental monitoring and control program.

The staff of the Scott County Historical Society

unobtrusively These tools can give a curator an idea of what

(lower photo) (SCHS) used the electronic data logger that they

conditions in the institution are like at a specific point

or more borrowed to good advantage. They documented the

prominently in time. If consistently recorded, a general pattern of

temperature and humidity in their building and made

(top photo) and the environmental conditions in the building can be

the data available to the engineer and conservator who

labeled to established and used to make improvements.

educate the consulted with them about improving the

public about environmental conditions in their building. This Equipment available for loan

the monitoring information, along with other information gathered For more accurate and recorded monitoring, the

that you are by the consultant, was used to formulate

doing. Data Society’s conservation department has two kits

loggers in recommendations that were incorporated into a available to Minnesota cultural institutions. Both the

public areas successful IMLS grant application. Environmental Test Kit and Electronic Data Logger

should be The grant provided funds to modify the heating are free upon request and contain precision

secured to system to improve humidity control, and also for the

prevent theft monitoring equipment and detailed, easy-to-follow

and the loss of purchase of several data loggers so that they can instructions. (See Figures 2 and 4.)

the instrument monitor conditions precisely without having to

and its data. borrow equipment. Corrine Wegener, SCHS curator Environmental Test Kit

of collections, said that it is “critical to have access to The Environmental Test Kit is available, free, to

loan equipment for institutions lacking the budget to cultural institutions in Minnesota. (See Figure 3.)

buy expensive instruments.” These kits come complete with almost everything

you need to test the environment in your

institution. Each kit includes:



5 INNESOTA HISTORICAL S Interpreter • March 1999

MMinnesota History OCIETY Continued on p. 6

TECH TALK • Museum Environments

MINNESOTA

HISTORICAL

SOCIETY Continued from p. 5 Summary

A good environment can slow deterioration and

• detailed instruction manual and sample forms for prohibit biological attack; proper environmental

recording data; control is a useful tool in the fight against time. The

• two light meters (for visible and UV testing); life of collection materials can be prolonged if

• blue wool card for monitoring light levels; temperature and RH can be maintained in safe ranges.

• battery-operated psychrometer for testing In particular, fluctuations in temperature and RH

humidity levels; should be avoided. Proper lighting is also important in

• RH indicator card for testing humidity levels; protecting collection materials from irreversible

• pH pen for testing acid content of housing damage; control of lighting can yield enormous

materials; benefits for the institution, with a very modest outlay

• sticky trap for monitoring insects and other pests; of resources.

• copy of The Museum Environment (Second ed.), A program for monitoring the environment in

by Gary Thomson. exhibit, storage and other collection areas is an

These instruments can help determine base- important tool for curators or directors in their efforts

line temperature, humidity and light levels. You keep to prolong the life of their collections. Such a

the manual, pH pen, RH indicator monitoring program should include consistent and

• The Environmental Test Kit card, the sticky trap, and the blue diligent recordings, and using proper equipment that

and Data Logger are free wool card, so that even after the is available, for instance, in the test kits to help

upon request. return of the instruments, you can provided through the MHS conservation department.

• Easy-to-use manuals provide continue to monitor your institution’s The kits come with detailed instructions and are easy

step-by-step instructions. environment. Loan period: one week. to use. Contact the conservation department for

• Minnesota Historical Society further information at 651/297-1867 or email at

conservation staff is Electronic Data Logger conservationhelp@mnhs.org.

available to answer any Electronic data loggers monitor

questions you may have. and record temperature and relative

• Your only expense is the humidity. (See Figure 4.) These data

return shipping at the end can be used to identify and trouble

of the loan period. Further Readings

shoot environmental problems, or

• To request a kit or for more Appelbaum, Barbara, A Guide to

verify that your environmental

information, call or e-mail Environmental Protection of Collections, Madison,

controls are working properly. The

the Minnesota Historical Wis.: Sound View Press, 1991. (Available for loan

data logger may be used in one or

Society Conservation from the MHS Conservation Outreach Program.)

more locations depending on your

Outreach Program. Phone: Chicora Foundation, Inc., Managing The

needs and situation.

651/297-1867 or 1-800-657- Museum Environment, Columbia, S.C.: 1994.

Upon return of the data logger,

3773; e-mail: (Also available at

an MHS conservator will download,

conservationhelp@mnhs.org analyze and print your data, and palimpsest.stanford.edu/byorg/chicora/chicenv.html.)

Minnesota Historical Society, Manuals for the

send you a copy of the printout and

Environmental Test Kit and the Electronic Data

a written report about your institution’s

Logger. (Available free from the MHS

environmental conditions. Loan period: three weeks.

Conservation Outreach Program.)

Ogden, Sherelyn (ed.), “Monitoring

Temperature and Relative Humidity,” and

Beth Doyle was an Outreach Intern in the MHS conservation “Temperature, Relative Humidity, Light, and Air

department in 1998. Support for the internship was provided by the Quality: Basic Guidelines for Preservation,” in

Land O’Lakes Foundation. She is currently an intern at the Harvard Preservation of Library and Archival Materials: A

College Library Collections Conservation Laboratory, as part of her Manual, Third edition, revised and expanded.

graduate studies at the University of Texas at Austin. She expects to

Andover, Mass.: Northeast Document

receive a Master of Library and Information Sciences degree in 1999.

Conservation Center, 1999. (Available at

www:nedcc.org)

Bob Herskovitz, Chief Conservator in the MHS conservation

department, has directed the Society’s conservation program since Zycherman, L. A., and J. R. Schrock, Eds., A

1987. Prior to that he was the conservator for the Arizona Historical Guide to Museum Pest Control, Washington, D.C.:

Society, Tucson. He served his conservation internship at the Central FAIC and Association of Systematics Collections,

Research Lab for Objects of Art and Science, Amsterdam, Holland. 1988. (Available for loan from the MHS

Conservation Outreach Program.)

6 Minnesota History Interpreter • March 1999

MINNESOTA HISTORICAL SOCIETY



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